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The American Audio MXR Series offers DJs the tactile feel and operation of a traditional DJ mixer while playing and controlling music from software on their computer.
The 19 MXR is a 19-inch, 4-Channel MIDILOGTM Mixer with Midi/Analog control, built-in DSP D-Core Sound Card with 4-In/4-Out audio interface, Balanced XLR Outputs, MIDI Navigation Controls and user assignable control buttons to make it easy to customize and play your music.
Specifications:
- 19-inch, 4-Channel MIDILOGTM Mixer (compatible with any "Midi Learn" Software or Analog Inputs - such as CD Players, Turntables, etc.)
- Inputs: 4 Line, 2 Phono, 3 Mics
- 20 On-board Midi Control Buttons (Mapable)
- MIDI interface (USB MIDI I/O)
- Built-in DSP D-CoreTM Sound Card with 4-In/4-Out audio interface
- Controller Mode: When activated USB output streams are routed through master and headphone outputs
- Balanced XLR Outputs
- 3-Band EQ with Rotary Kills (Treble, Mid & Bass)
- Midi Navigation Controls to allow easy software navigation of your music library
- Crossfader Curve Adjustment
- Crossfader Channel Assign
- Master, Booth, Headphone Level & Mix Controls
- Microphone Volume Control + 2-Band EQ (Treble & Bass)
- Microphone Reverb Control
- Mic 3 routed through channel MIDLOGTM 4
- Crossfader Assignable Low/High Pass Filter Control
- 10 segment VU meter
- Audio inputs: RCA
- Microphone inputs: 1x Balanced XLR, 2x ¼" Balanced
- Headphone input: ¼" Stereo
- Multi-voltage operation: AC 100V~240V 50/60Hz
- Dimensions (LxWxH): 19“x7.25“x 3.5" / 482x178x85mm (19-inch R.M. - 4 spaces)
- Weight: 8 lbs. / 3.4 kg.
| DIGITAL PRO MIXER DDM4000 Ultimate 5-Channel Digital DJ Mixer with Sampler, 4 FX Sections, Dual BPM Counter and MIDI
- 32-bit digital DJ mixer with beat-synchronized sampler, 4 multi-FX sections, 2 patented* BPM counters, digital crossfader and MIDI
- 4 Phono/Line stereo channels allowing max. 8 signal sources to be connected simultaneously
- 2 Microphone inputs with Gain, EQ, Talk function and FX
- 4 stereo channels with Gain, programmable parametric 3-band EQ with Kill function, fader curve control and flexible crossfader assignment
- Sophisticated sampler with beat-controlled loop function, real-time pitch control, sampler FX and crossfader start option
- 2 freely assignable and BPM-synchronized, high-quality FX engines (Bitcrusher, Resonator, Reverb, Flanger, etc.)
- Ultra-fast, accurate and patented* BPM counters for automatic BPM synchronization of sampler, FX, crossfader and external drum machines, etc. via MIDI
- Digital crossfader with flexible curve adjustment, reverse button and automatic, BPM-synchronized crossfading
- Dual-mode crossfader with innovative frequency-selective crossfading
- Dedicated Headphone section includes PFL Mix/Split and Bass/Snare boost functions
- Recall your last mixer setting at the push of a button
- Digital S/PDIF output for direct recording of your performance
- Rack mount brackets included for ultimate flexibility
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
- * U.S. Patent No.: 6812394 / German Patent No.: 102 23 735
| Numark M6 USB 4-Channel USB DJ Mixer
- 4-Channel Club-Style Mixer
- Class Compliant USB Audio Interface
- LED Metering
- 3-Band EQ per Channel
- Microphone Channel with Dedicated EQ
- Replaceable Crossfader w/ Slope Control
- Mac and Windows Compatible
The black M6 USB from Numark is a four-channel DJ mixer well suited for clubs, professionals, and home enthusiasts. The integrated USB audio interface is class compliant and connects to either Mac or PC without the need for drivers. Play music from any optional DJ software and record the mix into any audio recording application.
The M6 features a 3-band EQ per channel, dedicated microphone input with EQ, and a replaceable crossfader with slope control. The master output offers balanced XLR and unbalanced RCA jacks, while booth and recording outputs are available via RCA connections. The M6 USB ships with a USB cable and a standard IEC power cord.
- Four input channels, each with gain, 3-band EQ, and LED metering
- USB computer connection for playing and recording with Mac or PC
- Play music from music-player software
- Record your mix to your computer
- Multiple phono, line, and mic inputs
- Dedicated XLR mic channel and additional mic input on channel 4
- Replaceable crossfader with slope control
- Assign any channel to either side of the crossfader
- Class Compliant: This product is immediately compatible with every current and future version of Mac OS X and iOS and with Windows (98SE and up) operating systems
| Inputs |
Line: 4 x stereo RCA
Phono: 2 x stereo RCA
Mic 1: XLR
Mic 2: 1/4" / 6.4 mm |
| Outputs |
Main: Stereo XLR / stereo RCA
Booth: Stereo RCA
Record: Stereo RCA
Headphone: 1/4" / 6.4 mm |
| USB Connection |
Type B |
| Line Input |
10 kOhms input impedance
77 mV RMS sensitivity for 1.22 V output |
| Mic Input |
600 ohms input impedance unbalanced
1.1 mV RMS sensitivity for 1.22 V output
60 mV RMS max input |
| Phono Input |
47 kOhms input impedance
1.3 mV RMS sensitivity at 1 kHz for 1.22 V output |
| Line Output |
6.7 V RMS maximum |
| Headphone Output |
0.5 W into 47 ohms |
| Distortion |
< 0.01% |
| Signal to Noise Ratio |
Signal to Noise Ratio (maximum output, JIS-A weighted):
Line: >96 dB
Mic: >94 dB
Phono: >79 dB |
| Frequency Response |
Line: 20 Hz to 20 kHz (± 0.5 dB)
Mic: 20 Hz to 15 kHz (± 0.5 dB)
Phono: ±1 dB (except for controlled attenuation of -3dB at 20 Hz to reduce rumble and feedback) |
| Ducking |
Microphone Talkover: -15 dB |
| Channel EQ |
Bass: +12/-32 dB at 60 Hz
Middle: +12/-32 dB at 1.2 kHz
Treble: +10/-28 dB at 15 kHz |
| Microphone EQ |
Bass: ±12 dB at 100 Hz
Middle: ±10 dB at 1.2 kHz
Treble: ±12 dB at 15 kHz |
| Power Consumption |
Typical: 9.1 W
With Full Headphone Output: 11.6 W |
| Dimensions (WxDxH) |
12.63 x 14.25 x 4.00" / 32.07 x 36.20 x 10.16 cm |
| Weight |
9.6 lb / 4.4 kg |
| D2320_MANUAL_GB_V1.pdf
• Mic input with Comp/Limit
• USB Player with pitch control
• Display with ID3 Text
• Direct MP3 / Phone input
• 2 Masters & Monitor outputs
Compact 6.2 is the ideal mixer for sport instructors. It has 2 microphone inputs with built-in compressor limiters and high-pass filters. This will help the instructor to have the correct level and perfect intelligibility. Dynamic range will be extended and distortion will be eliminated. It has one selector to choose the audio source which can be the internal USB mp3 player, the front input or 2 line inputs at the back panel. The MP3 player has ID3 text and can be pitched which is ideal for fitness, spinning and all kinds of group work outs. The front input can be used for a normal line level but also can be switched into a special Phone mode which adjusts the input sensitivity into the correct value for MP3 players, smartphones or tablets. Now you can playback your MP3 devices directly without signal loss. It has 2 master outputs with separate volume controls which can be locked and a separate monitor volume especially for the instructor. All technical settings like EQ, Gain, Phantom Power, Compression & Treshold are on the backside of the unit to be set by the installer. Now the instructor only has to set his source and mic level and doesn't need to worry about difficult settings. The Compact 6.2 is an all-in-one solution for your sport instructor, it's easy in use and has all features which are needed to give a work out instruction without worrying about anything else but the audience.
Specifications
Input channels: 2 x Microphone, combo XLR/Jack 2 x Line, RCA, 1 x Phone, 3,5mm jack / RCA
Output channels: 1x Master A RCA, 1x Master B, Balanced XLR & RCA, 1x Monitor RCA
USB supported format: FAT up to 16Gb
Audio format: MP3 128kbps, 192kbps, 224kbps, 256kbps, 320kbps
Master EQ: 80Hz, 2,5KHz, 12KHz, -6dB / +6dB
Frequency response: 20Hz - 20Khz
T.H.D.: | Since 1984 the SCLAT mixing desks have been rocking thousands of class venues around the world, serving the most demanding technicians, the most creative pro-Djs and the most exciting dance floors.
Behind the renowned experience of ECLER Laboratories, the SCLAT 200vs keeps combining all the requirements technicians demand regarding features and operating safety together with the inventive functionality Professional DJs demand from a high-end mixing desk.
Designed to optimize the best high-end club P.A.s, featured to fit any studio recording standard, built to withstand the most demanding mobile touring set-ups, the SCLAT 200vs is probably the best quality Audio Mixing Desk presently available in the Industry.
Superior effects processor
Remix live...
Built-in processor with double DSP featuring 2 manual filters and 10 effects with BPM synchronization. Includes a DRY/WET crossfader taking your effects control to the next level: activate and deactivate, fade in to the level of your choice… Allows routing every single channel to the module independently. Features control of TIME and PARAMETER and a friendly user selectable panel. Effects consists of LFO Filter, Low Pass Filter, High Pass Filter, Delay, Reverb, Flanger, Phaser, Vocoder, Pitch Shifter, Echo Reverb, Filtered Echo and Flanger Echo.
Midi out
Control you favorite devices...
The module includes a MIDI output and features start and stop commands to activate and deactivate your devices and a clock to adjust the tempo.
Edi:lab software
Expand your creativity...
The built-in effect processor is reprogramable in real-time with the edi:lab software (included). The user can load a new effect set-up in the SCLAT mixer and play it stand-alone without any need of the computer. An effect library is available in the edi:lab software in order to save the different user set-ups. |
- Professional 5-channel ultra-low noise DJ mixer with stylish, black design
- State-of-the-art 24-bit digital effects with advanced parameter control
- Intelligent dual auto-BPM counter with time and beat sync display
- Super-smooth ULTRAGLIDE faders with up to 500,000 life cycles
- Awesome adjustable XPQ stereo surround effect
- VCA-controlled crossfader for utmost reliability and smooth audio performance
- Adjustable crossfader curve for all mixing styles
- 3-band kill EQ (-32 dB) and precise level meters with peak hold function per channel
- Additional 3-way kill switches with extremely steep frequency separation
- Monitor function with master/cue balance control and split option
- Auto-talkover function with separate depth control
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Need an analog DJ mixer for your dance club? Donʼt want to settle for some run-of-the-mill DJ desk youʼll outgrow in just a few weeks? The new PRO MIXER DJX750 DJ Mixer merges intuitive operation with built-in digital effects processing for clean, transparent sound that will set your dance floor on fire! Because your voice is your instrument, the DJX750 features a dedicated mic channel with all the tools to make your sound supremely distinctive. Vocal fine-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at LOW (80 Hz), MID (2.5 k), and HIGH (12 kHz) frequency centers — creating an extremely broad tonal palette.
Not Just a DJX700 Dressed in Black!
DJs the world over love the DJX700 — and we are grateful that so many have made it their "go-to” mixer. So when we began design on the DJX750, we knew we had to do something very special. We started by revving up the FX processor and putting advanced parameter control right at your fingertips.
No longer are you confined to rigid presets that limit your creativity. With the DJX750, you can change FX parameters on-the-fly, pushing your performance to the next level. In no time youʼll be creating powerful sets with your own custom-tailored effects sounds, all of which can be controlled in real-time. Some parameters at your disposal include Bit Crusher depth, manual filter sweeps, Panning (LFO Rate), delay/echo time and much more. You can even set delay and echo timing relative to the internal BPM counter for extremely musical results. It is kinda like a DJX700 — but one on steroids!
Really good digital effects add the finishing touch to a solid performance, and ours are really good! With 33 outstanding effects to choose from, including an assortment of Phase Shifters, Flangers, Reverbs, Delays and more, your audience wonʼt know what hit them. There are even Auto Filter and Voice Changer effects that will take your show to a whole new level.
Channels Galore Because your voice is your instrument, the DJX750 features a dedicated mic channel with all the tools to make your sound supremely distinctive. Vocal fi ne-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at LOW (80 Hz), MID (2.5 k), and HIGH (12 kHz) frequency centers — creating an extremely broad tonal palette. The DJX750ʼs stereo channelsʼ EQ utilize the same frequency centers with a boost of up to 12 dB and a cut of as much as -32dB. These channels are equipped to handle every conceivable input source — from line level, phono, CD and tape decks to mp3 and minidisk players, weʼve got you covered.
Auto DuckingDJX750ʼs talkover function automatically detects your voice and brings down the volume of the music track (referred to as "ducking”), so your voice is always out front — you can even set this level to your own personal preference. Auto BPM Counter Syncʼing up tracks is an art unto itself — thatʼs why we gave the DJX750 dual Auto BPM Counters. This cool feature helps take the guess work out of making a smooth transition from one track to the next. Each BPM counterʼs digital display shows which channel it is tracking and the tempo of the music in beats per minute. Optionally, you can push the Beat Assist button in time with the song to manually enter the tempo. You get a read out of the tempo diff erence between the tracks, as well as a visual confirmation when they are in sync. These tools will help you seamlessly align two tracks — without having to rely solely on your ears.
Crossfader & Channel FadersAll of our super-smooth faders are of the high-grade 45-mm ULTRAGLIDE variety. Faders are, after all, the heart and soul of every mixer, and with their 500,000 cycle life expectancy (thatʼs 275 fades per night, per fader for five years without a break!), they outperform standard faders more than twenty-to-one. And since the crossfader uses VCA (Voltage Controlled Amplifi er) technology, there is virtually no audio noise. For those of you who prefer customized crossfading, the DJX750 also includes our CF Curve control, which lets you set the crossfaderʼs control characteristic just the way you like it. It is, after all, your show!
XPQ 3DMaking music larger than life is what itʼs all about and the DJX750 comes through on this in a big way. XPQ 3D Surround widens the stereo field, giving it immense depth and a stereo image that is full of life, with amazingly transparent sound. You determine the intensity of this stunning effect with a simple twist of the Surround control — from barely noticeable to supremely spectacular.
Sound QualityNone of the above-mentioned features would amount to much if the DJX750 didnʼt sound truly remarkable. Thatʼs why we equip each one with our tried-and-true ULN (Ultra Low-Noise) preamps: what comes in comes out, with nothing added. So you get maximum headroom, extremely low noise and ultra-transparent sound. Compare it to the competition for sound quality, features and value and youʼll see why more and more DJs "own the night” with their BEHRINGER DJX750.
Monitor Multi-tasking You canʼt put on much of a show if you canʼt hear what youʼre mixing! Thatʼs why we didnʼt cut any corners on DJX750ʼs monitor section. When the monitor Mode switch is in the "Split” position, you hear the PFL (Pre-Fader Level) output on the left side of your phones, and the Master signal on your right. If you prefer working in "Stereo” mode, you can turn the MIX control fully counterclockwise to hear the channel PFL signal in both sides of your headphones, fully clockwise for the Master output, or you can "mix” both signals by adjusting the control to anywhere in-between. You can listen to one or multiple sources, and LEDs light up to indicate what youʼre listening to.
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