frequency response 53 Hz – 22 kHz
crossover frequency 3 kHz
low-frequency amplifier power 40 watts
high-frequency amplifier power 30 watts
maximum signal-to-noise (dynamic range) > 100 dB (typical A-weighted)
polarity positive signal at + input produce outward LF cone displacement
input impedance 20 k ohms balanced, 10 k ohms unbalanced
input sensitivity 85 mV pink noise input produces 90 dBA output SPL at one meter with volume control at maximum
power factory programmed for either 115V ~50/60 Hz or 230V ~50/60 Hz
protection RF interference, output current limiting, over temperature, turn-on/off transient, subsonic filter, external mains fuse
cabinet vinyl-laminated MDF
size 7.7” x 7” x 10”; 19.5cm x 17.6cm x 25.2cm
weight 11 lbs./unit; 5 kg.
Weight
6.00 kg
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frequency response 53 Hz – 22 kHz
crossover frequency 3 kHz
low-frequency amplifier power 40 watts
high-frequency amplifier power 30 watts
maximum signal-to-noise (dynamic range) > 100 dB (typical A-weighted)
polarity positive signal at + input produce outward LF cone displacement
input impedance 20 k ohms balanced, 10 k ohms unbalanced
input sensitivity 85 mV pink noise input produces 90 dBA output SPL at one meter with volume control at maximum
power factory programmed for either 115V ~50/60 Hz or 230V ~50/60 Hz
protection RF interference, output current limiting, over temperature, turn-on/off transient, subsonic filter, external mains fuse
cabinet vinyl-laminated MDF
size 7.7” x 7” x 10”; 19.5cm x 17.6cm x 25.2cm
weight 11 lbs./unit; 5 kg.
PRICE PER UNIT
S3X-V
Using the newly developed 4” HexaCone midrange and 9” HexaCone woofer combined together with the X-ART tweeter creates the unique S3X-V control monitor.
A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long time, non-fatiguing listening sessions.
Reviews: "Wonderfully detailed...”
“Wonderfully detailed, with an exceptionally transparent mid-range. [...] ADAM make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. [...] I think it would be fair to say theyʽre the best sounding ADAM monitors Iʽve reviewed.” (Sound On Sound, 12/2009)
“No doubt, the S3X-V deserve the title Reference Monitor. With this series, ADAM Audio proves to have a very good feeling for meeting the specific demands of the sound engineerʽs guild, creating studio standards at the same time. [...] A precision tool combined with a luxury good.” (www.96kHz.de, 03/2010)
Woofer
Number
1
Basket Ø
9" (228 mm)
Voice coil Ø
2" (50 mm)
Cone material
HexaCone
Midrange
Number
1
Basket Ø
4.5" (116 mm)
Voice coil Ø
1" (25 mm)
Cone material
HexaCone
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Woofer
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Midrange
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 100 W
Control panel
Input Sensitivity (coarse)
-20 to +8 dB (4 dB steps)
Input Sensitivity (fine)
-1.5 to +2 dB (0.5 dB steps)
EQ 80 Hz
0 to +6 dB (1 dB steps)
High Shelf EQ > 6 kHz
±4 dB (1 dB steps)
Low Shelf EQ
±4 dB (1 dB steps)
Tweeter gain
±2 dB (0.5 dB steps)
Input connectors
Analog
XLR
Digital (optional)
AES/EBU / SPDIF / word clock
General data
Panel
Front
Frequency response
32 Hz - 50 kHz
THD > 80 Hz
≤0.6 %
Long term output
≥114 dB
Max. peak
≥124 dB
Crossover frequencies
350 / 2800 Hz
Input impedance
10 KOhm
Weight
34 lb (15,4 kg)
Magnetically shielded
Optional
Height x Width x Depth
19" (485 mm) x 11" (281 mm) x 11.5" (295 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
Features of the HR824mk2 Studio Reference Monitor:
- High-resolution Active studio reference monitor
- Ultra-linear frequency response for accurate mix translation
- 8.75 in. high-precision, low-distortion LF transducer
- 1 in. titanium dome, ferrofluid cooled tweeter
- Optimized Waveguide for wide, even sweet zone
- Twin FR Series amps -- 150W for LF / 100W for HF
- Cast aluminum Zero Edge Baffle minimizes diffraction
- Full internal damping eliminates midrange artifacts
- Onboard passive radiator extends bass response to 35Hz
- Acoustic Space, LF roll-off, and HF controls
- Balanced XLR, TRS, and unbalanced RCA inputs
- OmniMount ready for easy wall/ceiling placement
- THX pm3 certified for surround sound applications
- Perfect for High Definition audio, cinema and gaming systems
Dimensions and Weight in PackagingShipping Weight: 41 lbs Shipping Dimensions: 14 x 18 x 22 in
PRICE PER UNIT
A revolutionary formula: 2 x 7 = 77
In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line.
The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring.
Driver technology
Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels.
The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image.
Amplifiers / controls
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.
The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.
Review samples:
“… a refreshing change“ "… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012
“… wide and spacious soundstage with solid left/right imaging“ "… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012
Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams
Built-in 150- and 75-Watt power amps with enormous power reserve
Ultra high-resolution ferrofluid-cooled tweeter
Long-throw 8 ¾" woofer with special polypropylene diaphragm and deformation-resistant aluminum die-cast chassis
Controlled dispersion characteristics and extremely large "sweet spot” owing to the unique BEHRINGER wave guide technology
Active crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions and subwoofer operation
Separately controlled limiter for low and high frequency overload protection
Automatic standby mode (defeatable)
Magnetic shielding allows placement near computer monitors
Delivered as "matched pairs” with individual frequency diagrams
Low-vibration and environment-friendly E1 MDF cabinet
Servo-balanced inputs with XLR and ¼” TRS connectors
Conceived and designed by BEHRINGER Germany
* Active studio monitors with USB audio interface
* 4.25-inch magnetically shielded, inverted cone, copolymer woofer
* 1-inch silk dome high frequency driver
* 2 x 20 watts of internal stereo power
* Two combination mic and instrument/line inputs
* Two 1/8-inch stereo headphone outputs with level controls
* Includes Cakewalk® Sonar LE music production software
* Mic and instrument/line gain control with clip LED
* 16-bit 44.1kHz/48kHz
* Stereo RCA and 1/8-inch aux inputs
* 2-position switch for no-latency direct stereo and mono monitoring
* Mix control to balance computer and audio sources
* USB and speaker cable included
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