High-Resolution, Active 2-Way Reference Studio Monitor with 5.25″ Kevlar Woofer Ultra-linear studio monitor with true active design Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF Ultra-high resolution, ferrofluid-cooled 1″ dome tweeter for ultimate sound reproduction Long-throw 5.25″ woofer with deformation-resistant Kevlar cone for ultimate bass response […]
High-Resolution, Active 2-Way Reference Studio Monitor with 5.25″ Kevlar Woofer
Ultra-linear studio monitor with true active design
Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
Ultra-high resolution, ferrofluid-cooled 1″ dome tweeter for ultimate sound reproduction
Long-throw 5.25″ woofer with deformation-resistant Kevlar cone for ultimate bass response
Ultimate dispersion characteristics and extremely large “sweet spot” owing to advanced wave guide technology
High-precision crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions
Separately controlled limiter for low and high frequency overload protection
Magnetic shielding allows placement near computer monitors
“Planet Earth” power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Servo-balanced inputs with XLR, 1/4″ and unbalanced RCA connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Weight
7.00 kg
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High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer
Ultra-linear studio monitor with true active design
Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
Ultra-high resolution, ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction
Long-throw 5.25" woofer with deformation-resistant Kevlar cone for ultimate bass response
Ultimate dispersion characteristics and extremely large "sweet spot" owing to advanced wave guide technology
High-precision crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions
Separately controlled limiter for low and high frequency overload protection
Magnetic shielding allows placement near computer monitors
“Planet Earth" power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Servo-balanced inputs with XLR, 1/4" and unbalanced RCA connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
X-ART tweeter and a large (8.5”) midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter: a licence to thrill.
Cabinet- and bass reflex-construction
Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large, double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil.
Amplification and controls
With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series.
On the rear panel are several controls: a gain for the high frequencies (± 4dB) and two shelf filters for the high and low frequencies. There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application.
Review: A8X: a "powerful link" between near- and midfield monitors!
"The A8X is a powerful link between ADAM´s AX Series and the formidable and more expensive SX Series. Its all-in-all homogenous tuning, the deep and precise bass as well as the brilliant mid- and high-frequency reproduction make this speaker a huge recommendation for ambitious people without deep pockets." (Professional Audio 10/2010)
Mid-Woofer
Number
1
Basket Ø
8.5" (220 mm)
Voice coil Ø
1.5" (38 mm)
Cone material
Carbon/Rohacell/Glass Fiber
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Mid-Woofer
1
Type
PWM
Amp. power RMS / music
150 W / 225 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 75 W
Control panel
Input Sensitivity
-∞ to +14 dB
High Shelf EQ > 5 kHz
±6 dB
Low Shelf EQ
±6 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR / RCA
General data
Frequency response
38 Hz - 50 kHz
THD 90dB/1m > 100 Hz
≤0.5 %
Long term output
≥112 dB
Max. peak
≥120 dB
Crossover frequencies
2300 Hz
Input impedance
30 KOhm
Weight
28.7 lb (13 kg)
Magnetically shielded
No
Height x Width x Depth
15.5" (400 mm) x 10" (255 mm) x 12.5" (320 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
PRICE PER UNIT
ADAMs A7 & A7X: the evolution of a legend
The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the worldʼs largest internet forums. Still today, the A7 are the reference monitors in many smaller studios.
With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.
Driver technology
The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.
The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.
Amplifiers / controls
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.
On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.
Mid-Woofer
Number
1
Basket Ø
7" (175 mm)
Voice coil Ø
1.5" (38 mm)
Cone material
Carbon/Rohacell/Glass Fiber
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Mid-Woofer
1
Type
PWM
Amp. power RMS / music
100 W / 150 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 75 W
Control panel
Input Sensitivity
-∞ to +14 dB
High Shelf EQ > 5 kHz
±6 dB
Low Shelf EQ
±6 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR / RCA
General data
Frequency response
42 Hz - 50 kHz
THD 90dB/1m > 100 Hz
≤0.5 %
Long term output
≥106 dB
Max. peak
≥114 dB
Crossover frequencies
2500 Hz
Input impedance
30 KOhm
Weight
20.3 lb (9,2 kg)
Magnetically shielded
No
Height x Width x Depth
13.5" (337 mm) x 8" (201 mm) x 11" (280 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams
Built-in 150- and 75-Watt power amps with enormous power reserve
Ultra high-resolution ferrofluid-cooled tweeter
Long-throw 8 ¾" woofer with special polypropylene diaphragm and deformation-resistant aluminum die-cast chassis
Controlled dispersion characteristics and extremely large "sweet spot” owing to the unique BEHRINGER wave guide technology
Active crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions and subwoofer operation
Separately controlled limiter for low and high frequency overload protection
Automatic standby mode (defeatable)
Magnetic shielding allows placement near computer monitors
Delivered as "matched pairs” with individual frequency diagrams
Low-vibration and environment-friendly E1 MDF cabinet
Servo-balanced inputs with XLR and ¼” TRS connectors
Conceived and designed by BEHRINGER Germany
The Genelec 8130A Digital Monitoring System has a 192 kHz/24 bit digital audio interface.
Due to its compact size, integrated construction, excellent dispersion and precise stereo
imaging, the 8130A is ideal for near field monitoring, mobile vans, digital audio workstations,
broadcast and TV control rooms, surround sound systems, home studios, multimedia
applications and also for use with computer soundcards. The Directivity Control Waveguide?
(DCW?) technology provides excellent frequency balance even in difficult acoustic
environments.
The integrated design allows the amplifiers and the drivers to be calibrated as a single unit,
eliminating the effects of component tolerances and ensuring consistent quality.
The all-aluminium Minimum Diffraction Enclosure? (MDE?) and advanced Directivity Control
Waveguide? (DCW?) technologies are carefully matched with advanced amplifier and electronics
circuitry. The low frequency response extends down to 55 Hz (-3 dB) while distortion is extremely
low due to a uniquely new rear reflex port design.
The 8130A has been specially designed to have a sufficient LF extension for most situations.
However if greater SPL's and a lower cutoff frequency are required, it can be complemented
with Genelec 7050B subwoofer.
The 8130A is very easy to set up and use, the only connections required are the mains supply
and the input signal. The female XLR input connector can be fed with either AES/EBU formatted
digital signal or analog line level audio signal. The Genelec 8130A automatically detects analog or
digital signals and directs them to the correct signal paths.
Technical Specifications
Input word length 16 - 24 bits
Input format AES/EBU
Digital input XLR female
Connector type
Input Sampling rate
No de-emphasis 29 - 200 kHz
Input Sampling rate
Using de-emphasis
Peak per pair with music material 108 dB SPL @ 1m
Drivers
Bass 5" magnetically shielded
Midrange -
Treble 3/4" metal dome, magnetically shielded
Crossover frequencies 3 kHz
Free field frequency
response 58 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 40 W
Midrange -
Treble 40 W
Speaker dimensions (H x W x D)
mm 285 x 189 x 178 mm (Height with Iso-Pod? 299 mm)
inches 11 1/4 x 7 7/16 x 7 1/16" (Height with Iso-Pod? 11 13/16“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches
Speaker weight 5.6 kg (12.3 lb)
PRICE PER UNIT
S3X-H - Yes, even better
The S3A is one of ADAMʼs most famous models and is found in many of the most prestigious recording studios all over the world. The successor of this world famous model is the S3X-H, a monitor second to none within its size and price point.
Unlike the S3A, the new X-model incorporates a 4” HexaCone-midrange as part of the redesigned construction to further improve the musically most important midrange. This new design provides more detail with improved radiation characteristics while presenting a musically coherent sound.
To produce deep, tight bass both woofers now work within the same frequency range and radiate symmetrically. This allows for a problem free installation in any multi-channel application.
Reviews: "...the monitor reference...”
Due to the outstanding reputation of its predecessor, it was to be expected that the S3X-H would be reviewed with the most critical of all ears. Here are some samples (complete reviews can be found here):
“The S3X-H convinces all along the line. ADAMs new member is all but just an improvement of a successful monitor. With a new loudspeaker design and painstaking tuning it is a first-class control tool in any studio. From now on, the monitor reference in the Professional audio-studio is called S3X-H.” (Professional audio, 09/2009)
“[...] anyone seeking an uncompromised solution to studio monitoring should add these to your short list of products to consider.” (MIX, 12/2009)
“The S3A is an amazing unit with some excellent technologies, and ADAM hasnʼt just built on this to give us the S3X, but has built something new and exciting with what it knows so well. The sound has been opened up in a whole new way that I believe consistently delivers more reliable results outside of your studio. These are reference monitors, and as they make their way into studios they will become part of the standard called ʽmusic productionʼ. The S3X radiates sound into the room with depth, accuracy, and clarity in the way you need it to be with comfort and ease. These are monitors that need to be heard.” (Audio Media, 09/2009)
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