| Content | Behringer ECM-8000 Omnidirectional Measurement Electret Condenser Microphone
The Behringer ECM8000 Measurement Microphone provides an instantaneous acoustic image of your performance environment. Hear how your room and speakers really sound thanks to a linear frequency response and omnidirectional polar pattern.
Analyse every detail. Whether you're in a live performance venue or recording studio, the ECM8000 works smoothly with real-time analysers such as Behringer's ULTRACURVE. You'll completely remove the guesswork out of EQing.
No unwanted sound. No inaccuracies. The ECM8000 eliminates low-frequency distortion with a transformerless FET input. Just plug in, play, and enjoy pristine signal integrity from a gold-plated XLR connector. With stand adapter and carry case included, you're ready to get to work straight out of the box
Features
- Perfect for analysing audio with an ultra-linear condenser element
- Suitable for room equalisation applications as well as high-fidelity studio and live recording
- Accurate sound capture across an ultra-flat frequency response
- Records audio from all directions with the true omnidirectional polar pattern
- No power supply needed – works with phantom power from +15V to +48V
- Compatible with Behringer’s ULTRACURVE analyser
- Eliminates low-frequency distortion with a transformerless FET input
- Flawless signal integrity from a gold-plated 3-pin XLR connector
- Comes equipped with swivel stand mount and carry case
Specifications
- Type: Electr. Condenser
- Polar Pattern: Omnidirectional
- Impedance: 200 ohms
- Sensitivity: 70dB
- Frequency Response: 20Hz - 20kHz
- Connector: Gold-Plated XLR
- Phantom Power: +15V to +48V
- Weight: 136g
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NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.
Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.
Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
- Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Compact design reduces stage clutters
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
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Omni-directional test and measurement microphone for RTA and software systems.
The TM1 is a 6 mm pre-polarized condenser microphone used for test and measurement applications. The TM1 is known for its linearity, accurate response, consistency, ease of use and affordability.
Equipped with a uniformly controlled omnidirectional polar pattern, the TM1 is designed to capture acoustic measurements for room analysis software programs, real time analyzers and other sound control devices. With a flat frequency range of 20 Hz – 25 kHz, the TM1 is an excellent tool for sound engineers, sound companies and recording enthusiasts.
The TM1 is designed, machined, assembled and tested by Audix in the USA.
Model Variation: TM1 PLUS - includes calibration data file and sensitivity, threaded acoustic windscreen, and CA4231 machined calibration adapter *
*Bruel & Kjaer® 4231 sound level calibrator or equivalent
| Transducer | Pre-polarized Condenser | | Polar Pattern | Omnidirectional | | Frequency Response | 20Hz to 25kHz (+/- 2dB) | | Dynamic Range (Typical) | 112dB | | Signal-to-Noise Ratio | 66dB | | EIN | 28dB A-weighted | | Maximum Input Sound Level | 130dB with distortion | | Power Requirements | 18 - 52V Phantom | | Output Impedance | 200 ohms | | Output Connectors | 3-pin XLR | | Sensitivity | 6.5mV / Pa @ 1k | | Housing | 4 Piece Precision Machined Brass | | Dimensions | Length 5.9" (150mm) |
| M2230
Certified class 1 measurement microphone according to IEC 61672 with metal diaphragm.
NTi Audio #: 600 040 050 | The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg) | The Shure SM58S Vocal Microphone features a cardioid dynamic vocal design well suited for professional vocal use in live performances, sound reinforcement, and studio recording. A built-in spherical filter minimizes wind and breath "pop" noise, while the cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The microphone offers durable construction, a high-quality internal shockmount system, and a steel mesh grille for withstanding rough handling. The SM58S is designed to perform consistently both outdoors and indoors and when used for singing or speech applications. The microphone features an integrated on/off switch and includes a microphone clip and a zippered pouch.
- Pneumatic shockmount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant microphone clip that rotates 180 degrees
- High quality, rugged, and reliable
- Cardioid dynamic
- Frequency response: 50 Hz to 15 kHz
Suggested Applications
Lead Vocals
Backup Vocals
Harmonica
| Frequency Range |
50 Hz to 15 kHz |
| Impedance |
150 Ohms |
| Sensitivity |
-57.5 dBV/Pa at 1 kHz |
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