The Soundweb London BLU-BOB1 or “break-out box” offers 8 channels of analog audio output expansion via the Soundweb London high bandwidth, fault tolerant digital audio bus. This expander features a low latency, fault tolerant digital audio bus of 256 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. The […]
The Soundweb London BLU-BOB1 or “break-out box” offers 8 channels of analog audio output expansion via the Soundweb London high bandwidth, fault tolerant digital audio bus.
This expander features a low latency, fault tolerant digital audio bus of 256 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. The BSS Audio MC-1 fiber optic media converter can be used to increase the distance between devices to over 10km (6.2 miles) using single mode fiber.
The BLU-BOB1 output channels are easily configured by six DIP switches located on the rear of the device, which select consecutive channels in groups of eight. This simple configuration allows selection of any 8-channel range from the 256 channels available on the digital audio bus. Output channel assignments are configured by DIP switch selection only. The BLU-BOB1 is not configured by HiQnet™ London Architect.
The 8 analog line level outputs utilize the same terminal block connectors as the other members of the Soundweb London family.
Signal present and power status are clearly displayed by front panel LED indicators.
Two chassis styles are available, the first (BLU-BOB1) is a half rack width, desk or wall mounted version and the second (BLU-BOB2) is a 19” single rack space version with mounting ears for equipment racks. Front panel indication and rear panel connections are identical on both versions.
The BLU-BOB1 break-out box output expanders are powered by a 12V DC adapter which is included with the devices.
The BLU-BOB1 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
KEY FEATURES:
8 Analog Audio Outputs
Standard Terminal Block Connectors for Analog
Audio Connections
DIP Switches for Channel Range Selection
256 Channel, Low Latency, Fault Tolerant Digital
Audio Bus
Clear Front Panel LED Indication
12VDC External Power included
Terminal Block Connectors for Power Connection
Half Rack Width, Desk Mount or Wall Mount Chassis (BLU-BOB1)
Weight
3.00 kg
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The Soundweb London BLU-BOB1 or "break-out box” offers 8 channels of analog audio output expansion via the Soundweb London high bandwidth, fault tolerant digital audio bus.
This expander features a low latency, fault tolerant digital audio bus of 256 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. The BSS Audio MC-1 fiber optic media converter can be used to increase the distance between devices to over 10km (6.2 miles) using single mode fiber.
The BLU-BOB1 output channels are easily configured by six DIP switches located on the rear of the device, which select consecutive channels in groups of eight. This simple configuration allows selection of any 8-channel range from the 256 channels available on the digital audio bus. Output channel assignments are configured by DIP switch selection only. The BLU-BOB1 is not configured by HiQnet™ London Architect.
The 8 analog line level outputs utilize the same terminal block connectors as the other members of the Soundweb London family.
Signal present and power status are clearly displayed by front panel LED indicators.
Two chassis styles are available, the first (BLU-BOB1) is a half rack width, desk or wall mounted version and the second (BLU-BOB2) is a 19” single rack space version with mounting ears for equipment racks. Front panel indication and rear panel connections are identical on both versions.
The BLU-BOB1 break-out box output expanders are powered by a 12V DC adapter which is included with the devices.
The BLU-BOB1 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
KEY FEATURES:
8 Analog Audio Outputs
Standard Terminal Block Connectors for Analog
Audio Connections
DIP Switches for Channel Range Selection
256 Channel, Low Latency, Fault Tolerant Digital
Audio Bus
Clear Front Panel LED Indication
12VDC External Power included
Terminal Block Connectors for Power Connection
Half Rack Width, Desk Mount or Wall Mount Chassis (BLU-BOB1)
The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.
The dbx 530\'s overlapping bands each offer control of frequency bandwidth (Q) and up to 15dB of reciprocal cut or boost to provide exact, complimentary filter action for the most demanding of equalization needs. For problem situations requiring the removal of spurious signals, each of the bands can be independently switched into ?infinite notch? mode without affecting the operation of others. In situations where a shelving equalizer will produce better results than a peaking one, the 530’s high and low bands can be independently switched from peaking to shelving operation. You can also make instant affected/bypassed comparisons using the 530\'s ?On? switch.
Load up your 500 Series rack with dbx 530 Parametric EQs and cut your way through mixes like an audio surgeon!
AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
Optional X-Video expansion card to provide master video sync generator
Realtime format conversion between all digital formats
Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
Three stage Termination Sensing for each word clock output
INPUTS
2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
S/PDIF optical on TOS-LINK 44.1-48k
S/PDIF coaxial on RCA 44.1-192k
ADAT 44.1-48k
ADAT/SMUX II for 88.2-96k
ADAT/SMUX IV for 176.4-192k
Word Clock BNC 44.1 –192k
Video
Optional video sync (X-Video card)
OUTPUTS
2 x AES-EBU on XLR single or double wide 44.1-192k
S/PDIF coaxial 44.1-192k
S/PDIF optical on TOS-LINK 44.1-48k
6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
ADAT
SMUX II
SMUX IV
Optional video sync (X-Video card)
SPECS
Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
Video: PAL/NTSC/60Hz
"SuperClock" (256fs)
Pull up/down 0.1% and 4% from any sample rate
Apogee´s new Ultra Low Jitter C777 clock
Three stage termination indicator (under/correct/over) on each
Word Clock output:
"SureLock" technology for drop out prevention
4 digit numeric true sample rate indication
Universal power: 15 W 90-250 VAC 50-60 HZ
Connection:
Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
Operating System:
Mac and Windows
Product Features:
16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
KLARK TEKNIK AES50
KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners
User's Manual
Κάρτα 4άρων εισόδων για BLU-800, BLU-320, BLU-160 & BLU-120 με δυνατότητα Echo cancellation.
WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
Wireless Digital Audio Transmitter System
Operating Band ISM 2.4GHz (free band).
One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
GFSK digital modulation/demodulation.
External antenna can help to increase the transmission distance.
Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
Automatic mute in bad channel quality conditions or high error code rate.
Transmission distance higher than 30 meters in open places.
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