KORG KRONOS 88 MUSIC WORKSTATION/SAMPLER 88 Dynamic keys

Discontinued

3,720.00 incl. GR VAT

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Music workstation/sampler με 88 βαρυκεντρισμένα δυναμικά πλήκτρα, 9 μέθοδοι σύνθεσης, (sgx-1, Ep1, CX3, Polusix, AL1, MOD7, STR1, HD-1, MS-20), εξελιγμένη λειτουργία KARMA, 10 sliders για άμεση πρόσβαση στις λειτουργίες, 1510 preload setups, 1664 user, 1792 user combinations, 448 preload, 152 user drum kits, 77 preload, 314 Mbpreload PCM, 9 ενσωματωμένες PCM κάρτες με ήχους, 512 […]

 

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Music workstation/sampler με 88 βαρυκεντρισμένα δυναμικά πλήκτρα, 9 μέθοδοι σύνθεσης, (sgx-1, Ep1, CX3, Polusix, AL1, MOD7, STR1, HD-1, MS-20), εξελιγμένη λειτουργία KARMA, 10 sliders για άμεση πρόσβαση στις λειτουργίες, 1510 preload setups, 1664 user, 1792 user combinations, 448 preload, 152 user drum kits, 77 preload, 314 Mbpreload PCM, 9 ενσωματωμένες PCM κάρτες με ήχους, 512 MB sampler 16bit/48kHz απʼευθείας ripping από audio cd, ανάγνωση format AKAI S100/ S3000, sound font 2, AIFF και WAVE, 12 insert, 2 master και 2 total εφέ, 16 tracks sequencer + 16 tracks εγγραφή στον σκληρό δίσκο με ανάλυση 1/480, 400000 midi events, μεγάλη έγχρωμη οθόνη αφής touch view πολλαπλών λειτουργιών 800 X 600, SPDIF optical 24bit, MIDI IN/OUT/THRU, 2 θύρες USB2, ενσωματωμένος σκληρός δίσκος 30Gb. Βάρος 23 kg.

System: Kronos

Keyboard:

    88-key: RH3 (Real Weighted Hammer Action 3)
    73-key: RH3 (Real Weighted Hammer Action 3)
    61-key: Natural Touch Semi Weighted

[Tone Generator]

Synthesis Types: 9  
SGX-1 Premium Piano (Acoustic Piano)
EP-1 MDS Electric Piano (Electric Piano)
HD-1 High Definition Synthesizer (PCM Virtual Memory Technology)
AL-1 Analog Synthesizer (Analog Modeling)
CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
STR-1 Plucked String (Physical Modeling)
MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX (CMT Analog Modeling)
PolysixEX (CMT Analog Modeling)
 
Maximum Polyphony*1*2:  
SGX-1: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices

*A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*2 In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)

Number of Programs/Combinations/Drumkits:

    1,664 user memory programs 
    (1,536 [768 HD-1+768 EXi] come preloaded)

    1,792 user memory combinations 
    (480 come preloaded)

    152 user memory drumkits
    (78 come preloaded)

    256 GM Level2 preset programs+ 9 GM Level2 drum preset programs

Preset PCM:

    314 MB (ROM 1,505 multisamples, 1388 drum samples)

Build-in Expansion PCM Libraries:

    EXs1 – ROM Expansion

    EXs2 – Concert Grand Piano

    EXs3 – Brass & Woodwinds

    EXs4 – Vintage Keyboards

    EXs5 – ROM Expansion 2

    EXs6 – SGX-1 German D Piano

    EXs7 – SGX-1 Japanese C Piano

    EXs8 – Rock Ambience Drums

    EXs9 – Jazz Ambience Drums

Capacity of PCM RAM:

    Approx. 1GB*4

    *4 The memory available for RAM samples will change based on the use of Expansion PCM libraries. About 148MB is available when shipped from the factory (when loading the file named “PRELOAD.KSC”).

Wave Sequences:

    374 user memory, 165

[SGX-1 Program]

Premium Piano:

PCM: 

    EXs6 – SGX-1 German D Piano; EXs7 – SGX-1 Japanese C Piano

Piano Type:

    32

Oscillator Control:

    Damper Resonance, Damper Noise, Mechanical Noise, Note Release

[EP-1 Program]

MDS Electric Piano:

Electric Piano Model Types: 6 

    Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A

Oscillator Control:

    Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

Panel Control:

    Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

    Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

    *5 Each electric piano type has own amp/cabinet character.

Effect Types: 9

    Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage 
    Flanger, Red Comp, VOX Wah

[HD-1 Program]

Advanced Vector Synthesis:

    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure:

    Single: only OSC1, Double: OSC1 and OSC2.

    Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.

    Two completely separate drumkits.

Oscillators:

    VMT (Virtual Memory Technology) supported.

    8 velocity zones per oscillator, with switching, crossfades and layering

    Each zone can play mono or stereo Multisamples or Wave Sequences

Filters:

    Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),

    Four-mode filter routings (single, serial, parallel and 24dB mode)

Driver:

    Per voice non-linear driver and low boost circuit

EQ:

    Three bands, with sweepable mid

Modulation:

    Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

[EXi Program Common]

Advanced Vector Synthesis:

    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Modulation:

    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 

    2 Key Tracking Generators

EQ:

    Three bands, with sweep-able mid

[AL-1 Program]

Oscillators:

    OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync 

Audio Input:

    Run real-time audio through the synthesis engine

Filters:

    Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), MultiFilter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver:

    Per-voice non-linear driver and low boost circuit

Modulation:

    Five Envelope generators, four per-voice LFOs, two AMS Mixers; 

    Per-voice Step Sequencer.

[CX-3 Program]

Tonewheel Organ Modeling:

    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

EX Mode:

    Four additional, user-specified drawbars, and expanded percussion.

Internal Effects:

    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control:

    Controlled via nine front-panel sliders (via Tone Adjust)

Split:

    Upper, Lower (even in EX mode)

Modulation:

    Two AMS mixers

[STR-1 Program]

    Physically Modeled String:
    Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more

String Excitation:

    Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated lowpass filter

PCM Oscillator:

    Korgʼs ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can either be used as an excitation signal, or layered with the output of the string.

Excitation Filter:

    Dedicated 2-pole multimode filter for shaping the string excitation; Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

Audio Input and Feedback:

    Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.

Filters:

    Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject modes

    Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Modulation:

    5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.

[MOD-7 Program]

Waveshaping VPM Synthesizer:

    Combines Variable Phase Modulation (VPM), waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.

Oscillators:

    6 VPM/Waveshaper/Ring Modulation Oscillators:

    Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals.

    PCM Oscillator:

    Korgʼs ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators. Noise generator with saturation and dedicated low pass filter.

Audio input:

    Run real-time audio through the VPM Oscillators and filters.

Filters:

    Dual multi-mode filters per voice. Parallel and 24 dB (4-Pole) configurations; Low Pass, High Pass, Band Pass, and Band Reject modes 

Multi Filter mode (Filter A only):

    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Patch Panel:

    Supports both algorithm (78 types) selection and free patching; Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

Modulation:

    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

[MS-20EX Program]

Oscillators:

    Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input:

    Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters:

    12dB/octave High Pass and Low Pass self-resonant filters

    ESP section:
    24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel:

    Patchable audio and modulation, at audio rates

Patch Points:

    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

    VCO:
    VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

    VCO+VCF:
    Total External Modulation In

    VCA:
    External Initial Gain Control In, VCA In

    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

    MG:
    Triangle Out, Rectangle Out

    Noise Generator:
    Pink Noise Out, White Noise Out

    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out

    Modulation VCA:
    Control Voltage In, Signal In, Signal Out

    Manual Controller:
    Control Wheel Out, Momentary Switch

    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

ESP (External Signal Processor):

    Use incoming audio as a trigger and/or CV source.

Modulation:

    Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and- Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers

[PolysixEX Program]

Oscillators:

    VCO:
    Saw, Pulse, PWM

    Sub Oscillator:
    Off, 1 octave below, 2 octaves below

Filter:

    24dB/octave Low Pass self-resonant filter

Effects:

    Integrated Polysix Chorus, Phase, and Ensemble

Arpeggiator:

    Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation:

    Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers

[Combination]

Number of Timbres:

    16 Maximum 

Master Keyboard Functionality:

    Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices

Advanced Vector Synthesis:

    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

[Drumkit]

System:

    Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

[Sampling]

System:

    Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency:

    RAM: 16-bit/48 kHz stereo/mono sampling
    DISK: 16 or 24-bit/48 kHz stereo/mono sampling

Sampling Time:

    RAM: Depends on the amount of availale PCM RAM
    DISK: Maximum 80 minutes stereo (879 MB: 16-Bit)

Sample Locations:

    4,000 samples/1,000 multisamples (128 indexes per multisample)

Ripping:

    Direct sampling (ripping) from audio CD (CD-DA)

Formats:

    Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing:

    Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

[Effects]

Insert Effects: 12

    Stereo in / stereo out

Master Effects: 2 

    Stereo in / stereo out 

Total Effects: 2 

    Stereo in / stereo out

Timbre EQ:

    High, low, and mid band

Effect Types: 185

Modulation:

    Dynamic Modulation and Common LFO

Effects Control Busses:

    Two stereo side chains

Effect Presets: 783

    Maximum 32 per 1 effect (Preset User)

[KARMA]

KARMA Modules:

    One module in Program mode, four modules in Combination and Sequencer modes

Generated Effects (GE):

    2,048 presets, 1,536 Users (96 come Preload)

Controllers:

    On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

[Drum Track]

Drum Track Patterns:

    697 preset (common with the preset patterns of the MIDI sequencer)

[Sequencer/HDR]

Tracks:

    16-track MIDI sequencer + 16-track hard disk recorder + master track. 

Number of Songs:

    200 songs

Resolution:

    1/480

Tempo:

    40.00 – 300.00 (1/100 BPM resolution)

Maximum memory:

    400,000 MIDI events
    or 300,000 audio events

MIDI Tracks:

    16 tracks plus the master track
    697 preset/100 user patterns (per song)
    18 preset/16 user template songs,

Format: 

    Korg (Kronos, OASYS) format, SMF formats 0 and 1.

Audio Tracks:

    16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit. Maximum single-file recording time

(mono): 

    80 minutes 

Automation:

    Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust

RPPR (Realtime Pattern Play and Record):

    1 Pattern set per song.

[General]

Disk Mode:

    Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1. *6

    *6 Need to use with External USB CD Drive, etc.

Controllers:

    Vector joystick, joystick, ribbon controller, switches 1 & 2

    Control Surface:

    Control Assign Switches:
    Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, or Tone Adjust. 

    Mixer Knobs Switch:
    Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider

KARMA Control:

    On/Off, Latch, Chord Assign, module Control

Display:

    TouchView graphical user interface, 8 inch TFT, SVGA (800×600 dots), adjustable brightness

Outputs:

    L/MONO, R:
    1/4” Balanced; 170 ohms Stereo; 85 ohms Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)

    Individual 1-4:
    1/4” Balanced; 170 ohms Stereo; 85 ohms Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)

    Headphones:
    1/4” stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when load impedance is 33 ohms),

    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)

    USB-B:
    24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)

Inputs:
Audio Inputs 1 and 2:

    1/4” Balanced; Input Impedance: 10 kohms, Nominal Level: +4.0 dBu, Maximum Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical), Dynamic Range: 95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)

    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz

    USB-B:
    24-bit, 48 kHz, 2 channels

    Control Inputs:
    Damper pedal (half damper supported), assignable switch, assignable pedal

    MIDI:
    In, Out, Thru

    USB:
    USB A (TYPE A) x 2 (for connection to external USB devices)

    USB B (TYPE B) x 1 (MIDI/audio interface, MIDI: 1(16ch) input / 1(16ch) output, Audio: 2 channel input / 2 channel output)

    2 USB high-speed ports (supports 480Mbps)

Principal Specifications:

    Frequency Response: 
    20Hz-22kHz, +/-1.0 dB, 10k Ohms load

    THD+N: 
    20Hz-22kHz, 0.01%, 10k Ohms load (typical)

    S/N:
    95 dB (typical)

    Dynamic Range: 
    95 dB (typical)

    Crosstalk:
    95 dB, at 1 kHz (typical)

Disk Drives:
30 GB SSD (2.5”)

Power Consumption:
60 W

Dimensions: (W x D x H)

    88-key: 57.28” x 16.18” x 5.71” 
    1,455 x 411 x 145 mm

    73-key: 48.94” x 16.18” x 5.71”
    1,243 x 411 x 145 mm

    61-key: 41.42” x 14.25” x 5.28”
    1,052 x 362 x 134 mm

    Weight:
    88-key: 50.71 lbs. / 23.0 kg

    73-key: 44.75 lbs. / 20.3 kg

    61-key: 27.56 lbs. / 12.5 kg

    Accessories:
    AC cord, Quick Start Guide, Accessory DVD Disk (Restore Data, KORG USB Driver, Manual PDF, etc.)

[Option]

    XVP-10: Expression/Volume Pedal

    EXP-2: Foot Controller 

    DS-1H: Damper Pedal

    PS-1: Pedal Switch

    PS-3: Pedal Switch

 

Weight 2.00 kg

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SKUKRONOS-88I000.00058KROSS-61PAASPA600 QTK 2661
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Description
Content

Music workstation/sampler με 88 βαρυκεντρισμένα δυναμικά πλήκτρα, 9 μέθοδοι σύνθεσης, (sgx-1, Ep1, CX3, Polusix, AL1, MOD7, STR1, HD-1, MS-20), εξελιγμένη λειτουργία KARMA, 10 sliders για άμεση πρόσβαση στις λειτουργίες, 1510 preload setups, 1664 user, 1792 user combinations, 448 preload, 152 user drum kits, 77 preload, 314 Mbpreload PCM, 9 ενσωματωμένες PCM κάρτες με ήχους, 512 MB sampler 16bit/48kHz απʼευθείας ripping από audio cd, ανάγνωση format AKAI S100/ S3000, sound font 2, AIFF και WAVE, 12 insert, 2 master και 2 total εφέ, 16 tracks sequencer + 16 tracks εγγραφή στον σκληρό δίσκο με ανάλυση 1/480, 400000 midi events, μεγάλη έγχρωμη οθόνη αφής touch view πολλαπλών λειτουργιών 800 X 600, SPDIF optical 24bit, MIDI IN/OUT/THRU, 2 θύρες USB2, ενσωματωμένος σκληρός δίσκος 30Gb. Βάρος 23 kg.

System: Kronos

Keyboard:

    88-key: RH3 (Real Weighted Hammer Action 3)
    73-key: RH3 (Real Weighted Hammer Action 3)
    61-key: Natural Touch Semi Weighted
[Tone Generator]

Synthesis Types: 9 
SGX-1Premium Piano (Acoustic Piano)
EP-1MDS Electric Piano (Electric Piano)
HD-1High Definition Synthesizer (PCM Virtual Memory Technology)
AL-1Analog Synthesizer (Analog Modeling)
CX-3Tonewheel Organ (Tonewheel Organ Modeling)
STR-1Plucked String (Physical Modeling)
MOD-7Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX(CMT Analog Modeling)
PolysixEX(CMT Analog Modeling)
 
Maximum Polyphony*1*2: 
SGX-1:100 voices*3
EP-1:104 voices
HD-1:140 voices
AL-1:80 voices
CX-3:200 voices
STR-1:40 voices
MOD-7:52 voices
MS-20EX:40 voices
PolysixEX:180 voices

*A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*2 In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)


Number of Programs/Combinations/Drumkits:
    1,664 user memory programs 
    (1,536 [768 HD-1+768 EXi] come preloaded)

    1,792 user memory combinations 
    (480 come preloaded)

    152 user memory drumkits
    (78 come preloaded)

    256 GM Level2 preset programs+ 9 GM Level2 drum preset programs

Preset PCM:
    314 MB (ROM 1,505 multisamples, 1388 drum samples)

Build-in Expansion PCM Libraries:
    EXs1 - ROM Expansion

    EXs2 - Concert Grand Piano

    EXs3 - Brass & Woodwinds

    EXs4 - Vintage Keyboards

    EXs5 - ROM Expansion 2

    EXs6 - SGX-1 German D Piano

    EXs7 - SGX-1 Japanese C Piano

    EXs8 - Rock Ambience Drums

    EXs9 – Jazz Ambience Drums

Capacity of PCM RAM:
    Approx. 1GB*4

    *4 The memory available for RAM samples will change based on the use of Expansion PCM libraries. About 148MB is available when shipped from the factory (when loading the file named "PRELOAD.KSC”).

Wave Sequences:
    374 user memory, 165
[SGX-1 Program]

Premium Piano:

PCM: 
    EXs6 - SGX-1 German D Piano; EXs7 - SGX-1 Japanese C Piano
Piano Type:
    32
Oscillator Control:
    Damper Resonance, Damper Noise, Mechanical Noise, Note Release

[EP-1 Program]

MDS Electric Piano:

Electric Piano Model Types: 6 
    Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control:
    Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
Panel Control:
    Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

    Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

    *5 Each electric piano type has own amp/cabinet character.

Effect Types: 9
    Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage 
    Flanger, Red Comp, VOX Wah
[HD-1 Program]

Advanced Vector Synthesis:
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure:
    Single: only OSC1, Double: OSC1 and OSC2.

    Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.

    Two completely separate drumkits.

Oscillators:
    VMT (Virtual Memory Technology) supported.

    8 velocity zones per oscillator, with switching, crossfades and layering

    Each zone can play mono or stereo Multisamples or Wave Sequences

Filters:
    Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),

    Four-mode filter routings (single, serial, parallel and 24dB mode)

Driver:
    Per voice non-linear driver and low boost circuit

EQ:
    Three bands, with sweepable mid

Modulation:
    Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

[EXi Program Common]

Advanced Vector Synthesis:
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Modulation:
    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 

    2 Key Tracking Generators

EQ:
    Three bands, with sweep-able mid

[AL-1 Program]

Oscillators:
    OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync 

Audio Input:
    Run real-time audio through the synthesis engine

Filters:
    Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), MultiFilter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver:
    Per-voice non-linear driver and low boost circuit

Modulation:
    Five Envelope generators, four per-voice LFOs, two AMS Mixers; 

    Per-voice Step Sequencer.

[CX-3 Program]

Tonewheel Organ Modeling:
    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

EX Mode:
    Four additional, user-specified drawbars, and expanded percussion.

Internal Effects:
    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control:
    Controlled via nine front-panel sliders (via Tone Adjust)

Split:
    Upper, Lower (even in EX mode)

Modulation:
    Two AMS mixers

[STR-1 Program]
    Physically Modeled String:
      Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more

    String Excitation:
      Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset "pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated lowpass filter

    PCM Oscillator:
      Korgʼs ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can either be used as an excitation signal, or layered with the output of the string.

    Excitation Filter:
      Dedicated 2-pole multimode filter for shaping the string excitation; Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

    Audio Input and Feedback:
      Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.

    Filters:
      Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject modes

      Multi Filter mode (Filter A only):
      Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

    Modulation:
      5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.


[MOD-7 Program]

Waveshaping VPM Synthesizer:
    Combines Variable Phase Modulation (VPM), waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.

Oscillators:
    6 VPM/Waveshaper/Ring Modulation Oscillators:

    Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals.

    PCM Oscillator:

    Korgʼs ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators. Noise generator with saturation and dedicated low pass filter.

Audio input:
    Run real-time audio through the VPM Oscillators and filters.

Filters:
    Dual multi-mode filters per voice. Parallel and 24 dB (4-Pole) configurations; Low Pass, High Pass, Band Pass, and Band Reject modes 

Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Patch Panel:
    Supports both algorithm (78 types) selection and free patching; Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

Modulation:
    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

[MS-20EX Program]

Oscillators:
    Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input:
    Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters:
    12dB/octave High Pass and Low Pass self-resonant filters

    ESP section:
    24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel:
    Patchable audio and modulation, at audio rates

Patch Points:
    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

    VCO:
    VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

    VCO+VCF:
    Total External Modulation In

    VCA:
    External Initial Gain Control In, VCA In

    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

    MG:
    Triangle Out, Rectangle Out

    Noise Generator:
    Pink Noise Out, White Noise Out

    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out

    Modulation VCA:
    Control Voltage In, Signal In, Signal Out

    Manual Controller:
    Control Wheel Out, Momentary Switch

    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

ESP (External Signal Processor):
    Use incoming audio as a trigger and/or CV source.

Modulation:
    Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and- Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers

[PolysixEX Program]

Oscillators:
    VCO:
    Saw, Pulse, PWM

    Sub Oscillator:
    Off, 1 octave below, 2 octaves below

Filter:
    24dB/octave Low Pass self-resonant filter

Effects:
    Integrated Polysix Chorus, Phase, and Ensemble


Arpeggiator:
    Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation:
    Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers

[Combination]

Number of Timbres:
    16 Maximum 

Master Keyboard Functionality:
    Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices

Advanced Vector Synthesis:
    Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

[Drumkit]

System:
    Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

[Sampling]

System:
    Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency:
    RAM: 16-bit/48 kHz stereo/mono sampling

    DISK: 16 or 24-bit/48 kHz stereo/mono sampling

Sampling Time:
    RAM: Depends on the amount of availale PCM RAM

    DISK: Maximum 80 minutes stereo (879 MB: 16-Bit)

Sample Locations:
    4,000 samples/1,000 multisamples (128 indexes per multisample)

Ripping:
    Direct sampling (ripping) from audio CD (CD-DA)

Formats:
    Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing:
    Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

[Effects]

Insert Effects: 12
    Stereo in / stereo out

Master Effects: 2 
    Stereo in / stereo out 

Total Effects: 2 
    Stereo in / stereo out

Timbre EQ:
    High, low, and mid band

Effect Types: 185

Modulation:
    Dynamic Modulation and Common LFO

Effects Control Busses:
    Two stereo side chains

Effect Presets: 783
    Maximum 32 per 1 effect (Preset User)

[KARMA]


KARMA Modules:
    One module in Program mode, four modules in Combination and Sequencer modes

Generated Effects (GE):
    2,048 presets, 1,536 Users (96 come Preload)

Controllers:
    On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

[Drum Track]

Drum Track Patterns:
    697 preset (common with the preset patterns of the MIDI sequencer)

[Sequencer/HDR]

Tracks:
    16-track MIDI sequencer + 16-track hard disk recorder + master track. 

Number of Songs:
    200 songs

Resolution:
    1/480

Tempo:
    40.00 – 300.00 (1/100 BPM resolution)

Maximum memory:
    400,000 MIDI events
    or 300,000 audio events

MIDI Tracks:
    16 tracks plus the master track
    697 preset/100 user patterns (per song)
    18 preset/16 user template songs,

Format: 
    Korg (Kronos, OASYS) format, SMF formats 0 and 1.

Audio Tracks:
    16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit. Maximum single-file recording time

(mono): 
    80 minutes 

Automation:
    Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust

RPPR (Realtime Pattern Play and Record):
    1 Pattern set per song.

[General]

Disk Mode:
    Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1. *6

    *6 Need to use with External USB CD Drive, etc.

Controllers:
    Vector joystick, joystick, ribbon controller, switches 1 & 2

    Control Surface:
      Control Assign Switches:
      Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, or Tone Adjust. 

      Mixer Knobs Switch:
      Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider

    KARMA Control:
      On/Off, Latch, Chord Assign, module Control

    Display:
      TouchView graphical user interface, 8 inch TFT, SVGA (800x600 dots), adjustable brightness

    Outputs:
      L/MONO, R:
      1/4” Balanced; 170 ohms Stereo; 85 ohms Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)

      Individual 1-4:
      1/4” Balanced; 170 ohms Stereo; 85 ohms Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)

      Headphones:
      1/4” stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when load impedance is 33 ohms),

      S/P DIF:
      Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)

      USB-B:
      24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)
Inputs:
Audio Inputs 1 and 2:
    1/4” Balanced; Input Impedance: 10 kohms, Nominal Level: +4.0 dBu, Maximum Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical), Dynamic Range: 95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)

    S/P DIF:
    Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz

    USB-B:
    24-bit, 48 kHz, 2 channels

    Control Inputs:
    Damper pedal (half damper supported), assignable switch, assignable pedal

    MIDI:
    In, Out, Thru

    USB:
    USB A (TYPE A) x 2 (for connection to external USB devices)

    USB B (TYPE B) x 1 (MIDI/audio interface, MIDI: 1(16ch) input / 1(16ch) output, Audio: 2 channel input / 2 channel output)

    2 USB high-speed ports (supports 480Mbps)

Principal Specifications:

    Frequency Response: 
    20Hz-22kHz, +/-1.0 dB, 10k Ohms load

    THD+N: 
    20Hz-22kHz, 0.01%, 10k Ohms load (typical)

    S/N:
    95 dB (typical)

    Dynamic Range: 
    95 dB (typical)

    Crosstalk:
    95 dB, at 1 kHz (typical)
Disk Drives:
30 GB SSD (2.5”)

Power Consumption:
60 W

Dimensions: (W x D x H)
    88-key: 57.28” x 16.18” x 5.71” 
    1,455 x 411 x 145 mm

    73-key: 48.94” x 16.18” x 5.71”
    1,243 x 411 x 145 mm

    61-key: 41.42” x 14.25” x 5.28”
    1,052 x 362 x 134 mm

    Weight:
    88-key: 50.71 lbs. / 23.0 kg

    73-key: 44.75 lbs. / 20.3 kg

    61-key: 27.56 lbs. / 12.5 kg

    Accessories:
    AC cord, Quick Start Guide, Accessory DVD Disk (Restore Data, KORG USB Driver, Manual PDF, etc.)
[Option]
    XVP-10: Expression/Volume Pedal

    EXP-2: Foot Controller 

    DS-1H: Damper Pedal

    PS-1: Pedal Switch

    PS-3: Pedal Switch

 



The first Yamaha synthesizer was released in 1974, at a time when synthesizers were only just beginning to be accepted into the musical mainstream. Yamaha has been at the forefront ever since, with instruments that have defined musical styles and propelled countless artists to stardom. 40 years on, Yamaha synthesizers and music workstations are still the instruments of choice for acclaimed professionals and discerning amateurs worldwide. 40 years is a milestone worth commemorating. To mark this auspicious occasion and reaffirm our commitment to empowering artists everywhere with the finest tools available, we have created the limited edition 40th Anniversary MOTIF XF Music Production Synthesizer. The commemorative MOTIF XF is pure white, symbolizing both our dedication for the past 40 years and a new beginning from which an even brighter future for musical creativity and expression will arise.
Celebrate with us, and the pure-white 40th Anniversary MOTIF XF.

With the KROSS, the sounds and songs that you've created at home and the system that you use every day can go with you onto the stage or into the street! Featuring rich sounds that exceed its class, yet remaining highly portable, the KROSS is designed for practical usability. There's a convenient mic input and a built-in audio recorder, and it can run on 6 x AA batteries. It's a distinctive new standard in music workstations, with specs and style that set it apart from all others.

Features
  • Stylish and distinctive red and black two-tone color design
  • The lightweight body is only 4.3 kg/9.5 lbs
  • Can be powered by 6x AA batteries
  • Piano, electric piano, and drum sounds that exceed its class
  • A wide variety of sounds that utilize twice as much PCM memory as previous instruments, and meet the needs of a broad range of musical styles
  • Sound Selector makes it easy to find the sound you're looking for
  • Favorites function lets you register 64 selected sounds or audio songs for one-touch access - a great feature for live performances
  • Pro-quality EDS-i sound engine built-in, with a total of seven effects available for simultaneous use
  • External input jacks allow a mic or external audio source to be directly connected.
  • Quick Layer/Split function for on-the-fly versatility
  • Stereo audio recorder allows you to record and overdub your performances and vocals
  • Step sequencer inherited from the Electribe, a 16-track MIDI sequencer, a drum track, and an arpeggiator
  • Connects to your computer via USB for plug-in integration with your favorite DAW
Specification Detail
Sound Engine Type(s) EDS-i (Enhanced Definition Synthesis-integrated)
Number of Keys 61
Type of Keys Synth-weighted
Other Controllers Pitchbend, Mod Wheel
Polyphony 80 voices (80 Oscillators) / Single Mode; 40 voices (40 Oscillators) / Double Mode
Wave Memory Approximately 112MB
Number of Presets 421 multi-samples; 890 drum samples
Expansion No expansion
Number of Effects 134
Effects Types Multi
Arpeggiator Yes
Sampling No
Audio Playback Via 1/8" stereo inpput jack
MIDI Sequencer 16 Channels
USB Type B x 1 (USB-MIDI Interface)
Number of Audio Inputs 2
Audio Input Types 1 x 1/4" TS (mic), 1 x 1/8: TRS (line)
Number of Audio Outputs 3
Audio Output Types 2 x 1/4" TS, 1/8" headphone
Number of Digital Inputs 0
Digital Input Types No digital inputs
Number of Digital Outputs 0
Digital Output Types No digital outputs
MIDI I/O Via USB; DIN In/Out
Pedal Inputs Damper (Half Damper supported), assignable switch, assignable pedal
Height 3.58“
Width 37.09“
Depth 11.06“
Weight 9.48 lbs.
Power Supply 120V external AC adapter included

 

The Korg PaAS Optional Speaker System for Pa3X is an optional speaker system for the Pa3X series keyboards. The speaker mounts on top of the keyboard, and uses Korg's proprietary Easy Connect System for a cable-free connection. Use the PaAS speaker system to deliver hi-fidelity audio at home or for monitoring applications on stage.

 


Pa600QT Professional Arranger

The Pa600QT is an affordable, compact, and powerful addition to Korg's internationally acclaimed PA series. Providing you with the most up-to-date collection of quality sound and styles combined, the PA600QT is a perfect songwriting and performance partner. It even has the option to include custom sound and performance sets (sold separately) from around the world - a true first!

This Pa600QT (Quarter Tone) version contains all the functionality of the standard Pa600, and adds a mini-keyboard on the left side, which can be used to customize quarter tone scales and quickly access scale presets. Along with all the Sounds and Styles that are found on the standard Pa600, The Pa600QT also contains additional Sound and Style data that is specific to Middle Eastern music genres. Ouds, bouzuks, kanouns, various percussion instruments, and many more sounds are joined by dozens of extra Styles that are suitable for traditional and modern music.

Listen and Believe.

Pa600QT Features:

  • Enhanced RX (Real eXperience) and DNC (Defined Nuance Control) sound engine offers improved realism and vivid sound.
  • Massive internal Factory PCM provides an extraordinarily powerful wave memory, delivering amazingly high quality sounds.
  • Two assignable switches and a four-way joystick ensure total control for the many available levels of sound articulation (DNC).
  • Quarter tone variation buttons providing instant access to quarter tone notes.
  • Elegantly designed and compact cabinet, including a pristine amplification system.
  • Large, bright, backlit TouchView™ color TFT display (800x480).
  • Easy layout and intuitive graphical interface with new Search function for easy retrieval of any musical resource or file.
  • New resource selection feature with copy/paste, rename and delete.
  • Over 360 factory Styles, each including three Intros/Endings, four variations and four Fill In + Break, plus ten Favorite and three User banks for storage of your favorite customized or user created Styles. The Pa600QT also contains additional Sound and Style data that is specific to Middle Eastern music genres.
  • Enhanced Guitar Mode 2 for even more realistic guitar parts, plus synchronized pads.
  • Chord Sequencer function that can record any chord progression on-the-fly.
  • Improved General Midi set for Standard Midi Files, compatibility with popular lyric formats including graphical (+G), plus Text Viewer, Marker and Score.
  • MP3 player with Transpose and Tempo Change.
  • 4 Stereo Master Effects (125 FX algorithms).
  • Fully programmable SongBook database based on Styles, SMF, karaoke, and MP3, with instant recall of any song setting and user-definable custom lists.
  • Mass storage with USB
  • Localized data (sold separately) provides Sounds and Styles relevant to specific countries and regions.

The Pa600QT is a brilliant Professional Arranger that distills the sonic essence and functionality of the Pa series into a compact and affordable new instrument. Like its big brothers - the Pa800 and the Pa3X - the Pa600QT uses our RX (Real eXperience) and DNC (Defined Nuance Control) technology to deliver sound quality that's unprecedented in an arranger keyboard. With its new compact cabinet, large TFT color TouchView display, enormous factory and user PCM memory, huge style database and excellent amplification system, Korg has raised the standard of excellence in the entry-level price range. Listen and Believe.

 

Keyboard 61 keys with Velocity- Quarter tone buttons

Sounds

Factory: More than 950 (including Stereo Piano and GM 2 Sounds), 64 Drum Kits
User: 256 Sounds, 128 Drum Kits
Dynamic Nuance Control (DNC) Technology with Articulations
Full editing of Sounds and Drum Kits
Realtime sound control using assignable Switches

Tone Generator

128 voices - Filters with Resonance

PCM User Memory

96 MB

Effects & EQ

4 Stereo Master FX / 125 Effects types
Three band EQ for each track
Limiter - Master 4 band Parametric EQ

Controllers

Joystick – 2 Assignable Switches

Styles

Factory: More than 360 preloaded Styles, freely reconfigurable

User: Up to 1,200 available Style locations including the Favorite/User banks

Structure

Eight Style tracks, 4 Single Touch Settings and one Style Performance per Style

Style controls

3 Intros, 4 Variations, Break, 3 Endings, Autofill (4 fills), Synchro Start/Stop, Tap Tempo/Reset, Manual Bass, Bass Inversion, Memory, Accompaniment Mute, Snare & Kick Designation, STS Mode, Chord Sequencer

Others

Guitar Mode 2, Parallel and Fixed NTT, Style Record with Step Record, Track and Event Edit functions

Performance/STS

320 Realtime Performance locations
STS: Memorize Realtime tracks
Up to 4 x Styles, up to 4 x SongBook entries
My Setting special Performance

Realtime Tracks

Four Keyboard tracks (Upper 1, 2, 3, Lower)

Pads

4 Pad tracks + Stop button – Pad Record

Song Play

Single Player with Select, Start/Stop, Home, Rewind and Fast Forward controls
Jukebox function - Compatible with SMF (formats 0 and 1) and MP3 with Vocal Remover -
Lyrics (compatible with CDG), Score, Marker

Display

7” 800 x 480 TFT Graphical Color TouchView

Sequencer

Quick Record (Backing Sequence), Multitrack and Step Record functions

Full featured sequencer - 16 tracks - Up to 100.000 events - SMF format

Song Book

Fully programmable music database, based on Styles, SMF, Karaoke, MP3 with automatic selection of Style Play and Song Play modes - User-definable custom lists - Filtering options

Search

Style, Song, Performance, SongBook, Sound and Lyrics TXT

Compatibility

"i-Series“: Style

"Pa series”: Style, Performance, Sound, PCM, Song, SongBook and Pad

General Controls

Master Volume, Real Time-Acc/Seq Balance Volume, Ensemble, Octave Transpose, Master Transpose, Fade In/Out, Tempo Lock, Style Change, Quarter Tone Arabic Scale (with dedicated buttons in Quarter Tone version), User Scale memorized inside Performance/STS, Search, Lyrics, Score, Marker, Dial, Tempo, Metronome, Split

Connections

Control Inputs: Damper Pedal, Assignable Pedal/Footswitch

Line Out: 2 Unbalanced Jack Left/Mono and Right, Headphones

Line In: 2 Unbalanced Line In Jacks

MIDI: In, Out Midi connectors - USB to Midi using the USB Device port - 8 user definable MIDI Preset

USB

USB-MIDI Interface
To Device: 1 (Rear)
To Host: 1 (Rear)
2.0 Hi Speed connections

Mass storage/Disk

USB

Speaker System

Amplification: 15W x 2

Speakers: 100 mm x 2 Double Cone Speakers in Bass Reflex Box

Power

Power Supply: AC 100-240 V

Power Consumption: 20 Watt

Dimensions

1,030 x 378 x 127 (W x D x H) mm without music rest

Weight

10 kg

Accessories

Ownerʼs Manual, Music Stand, Accessory DVD (including Video Manual), AC Cable

Options

See the Option page

 

Please note: Cosmetic and Technical specifications are subject to change without notice.

 

 


Synthesizer workstation with 61 dynamic keys with aftertouch, Vast sounds composition method, sampler 128ΜΒ, compatible with AKAI - ROLAND - WAV -ENSONIQ - AIFF samples, 192 generators, KDFX professional digital multieffect unit, KB3 organ, 32 channels sequencer, arpeggiator, compatible with GM, smart media slot, pitch-bend & modulation wheels, midi in/out.

K2661 Features
Keyboard: 61-note unweighted synth-style keyboard with monophonic aftertouch
Display: 64 x 240 fluorescent backlit display with brightness and contrast controls.
Physical Controllers: (8) sliders, (1) Pitch Wheel, (1) Mod Wheel, (2) buttons, (4) Foot Swicth Pedal inputs, (2) CC Pedal inputs, (1) Ribbon Controller input - all assignable
Polyphony: 48 sample-playback voices (192 total oscillators).
Multitimbral parts: 16 MIDI channels (each can be a 32 layer deep program)
General MIDI Compatability: Built in GM-1 sound set
Architecture: V.A.S.T. - Variable Architecture Synthesis Technology with 60 DSP functions
ROM Programs: Over 600 plus thousands on SmartMedia and CDROM (both included)
Sound ROM: 32 MB base ROM expandable to 48Mb
Sample RAM: Up to 128 MB via 1 non-composite 72 pin SIMM.
Sequence/Program RAM: 1.5 MB user-programmable battery-backed RAM. Equivalent to over 360,000 sequencer events.
Sequencer: Full-function 768 ppq sequencer with 16 song and 16 arrangement tracks. Offers pattern, linear, loop and step recording, cut/copy/paste, advanced 'groove' quantizing, event list editing and other powerful track editing tools. Sequences can be also triggered in real time from the keyboard.
KDFX: Powerful, flexible 5-stereo bus, 24-bit digital effects engine offering a wide range of time, frequency and dynamic based effects as well as effects chaining.
Triple Modular Processing: Offers 126 sound shaping algorithms and in-series processing of VAST layers.
KB3 Drawbar Mode: Allows blending of nine harmonics per voice in real-time (full polyphony maintained at all times). KB3 Mode allows realistic tone wheel organ emulations and innovative, dynamic new timbres.
Live Mode: Process any incoming signal via the digital or optional analog inputs with powerful V.A.S.T. synthesis functions and built in KDFX capabilities.
Arpeggiator: Fully programmable arpeggiator featuring 7 different modes of operation and a host of features including the ability to sync to MIDI Beat Clock.
Waveform Editing: Full functional graphic sample editor with a host of sample editing tools (Sampling Option NOT required)
Sample Processing: Non-real-time DSP functions include time compression/expansion, pitch shifting, re-sampling, pasting samples on beats-per-minute timeline (Mix Beat), volume ramps, mix sample, and many other functions. Sample Processing DSP does not require the sampling option to be installed.
File Compatibility: Reads/writes Standard MIDI Files, AIFF and WAVE files. ISO 9660 Compatible. Reads libraries in Roland 700 series, Akai S1000, S1100, and S3000, and Ensoniq EPS, and ASR file formats.
AFMS File System: User-friendly cataloging and retrieval of individual objects. Powerful utilities including: file search, info about media/available space, disk macros, startup file applications, and more.
Analog I/O: 4 balanced audio outs with 24-bit converters plus mix stereo pair (can also be used as unbalanced). Stereo headphone out.
Digital I/O: 8 channels of 24-bit ADAT input and output (or 2 channles of AES/EBU or S/PDIF output)
FREE OS Updates: User-installed upgrades via SmartMedia card or SCSI. Software available for download from this web site. DOS compatibility required.
K2661 Specifications
Height: (4.30“) (11.00 cm)
Depth: (14.18“) (36.00 cm)
Length: (39.40“) (100.18 cm)
Weight: (32.00 lb.) (14.50 kg)
Power: Internal, user-switchable international AC power supply

 

Weight2.00 kg7.00 kg12.00 kg5.00 kg11.00 kg14.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 7.00 kg
Weight 12.00 kg
Weight 5.00 kg
Weight 11.00 kg
Weight 14.50 kg

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