The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K’s sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ […]
The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K’s sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!
New Setups:
50 new setups featuring the KORE 64™ sounds.
Over 200 new drum grooves in multiple styles.
New Dance and Hip Hop setups for triggering and controlling beats in real time.
New Synths:
New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
Over 100 new synth programs.
Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
Atmospheric and cycling pads voiced for performing, producing, and scoring.
New Guitars:
New samples modeled after the Gibson Les Paul and Fender Stratocaster.
Palm muted and sustained articulations playable in a picked or legato style.
Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.
New Brass/Woodwinds:
New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
New programs include solo instruments and custom sections with many combinations of the different instruments.
Articulate with pressure on several new programs.
Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.
New Drums
Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
72 new Drum Kits and 62 percussion instruments and templates.
10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
Unsurpassed realism and playability for sampled drums.
Full complement of Electronic and Processed Drum samples.
Scratches, hits and Industrial Sounds.
Wide variety of traditional and processed Percussion sounds.
Download the full preset Objects List under the Downloads section
User Installable.
Requires: PC3K OS v2.20 or better
PC3 OS v2.20 or better
All specifications subject to change without notice.
Weight
0.30 kg
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The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!
New Setups:
50 new setups featuring the KORE 64™ sounds.
Over 200 new drum grooves in multiple styles.
New Dance and Hip Hop setups for triggering and controlling beats in real time.
New Synths:
New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
Over 100 new synth programs.
Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
Atmospheric and cycling pads voiced for performing, producing, and scoring.
New Guitars:
New samples modeled after the Gibson Les Paul and Fender Stratocaster.
Palm muted and sustained articulations playable in a picked or legato style.
Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.
New Brass/Woodwinds:
New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
New programs include solo instruments and custom sections with many combinations of the different instruments.
Articulate with pressure on several new programs.
Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.
New Drums
Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
72 new Drum Kits and 62 percussion instruments and templates.
10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
Unsurpassed realism and playability for sampled drums.
Full complement of Electronic and Processed Drum samples.
Scratches, hits and Industrial Sounds.
Wide variety of traditional and processed Percussion sounds.
Download the full preset Objects List under the Downloads section
User Installable.
Requires: PC3K OS v2.20 or better
PC3 OS v2.20 or better
All specifications subject to change without notice.
6-track Portable Multi-track Recorder
CD-Quality Recording (44.1kHz/16-bit)
Easy, Intuitive User interface
Built-in High-quality Stereo Condenser Microphone
Two Mic/Line inputs
Compact size and ultra light weight (360g/0.79lb without batteries)
Dedicated Level and Pan/Balance controls per track
Recording media: SD/SDHC card up to 32GB (2GB SD card included)
Recording: 2 tracks simultaneous
Playback: 6 tracks simultaneously
Power: Four AA batteries or optional AC adapter (PS-P520), optional external battery pack(BP-6AA)
Graphic LCD (128 x 64 dots)
Chromatic Tuner/Metronome
USB 2.0 Connection for Wav File import/export (Stereo and Mono)
Undo/Redo (includes Undo history)
Tripod socket hole
Auto punch in/out
Footswitch input
Dedicated stereo mix-down track
Specifications
General
Recording media CompactFlash card
Tested media SanDisk Extreme IV 4 GB, 8 GB, 16 GB
SanDisk Extreme 4 GB, 8 GB, 16 GB
File system FAT32
File format BWF (single-channel, multi-channel)
Number of audio channels 8 channels at 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
8 channels + stereo mix at 44.1 kHZ, 48 kHz
4 channels at 176.4 kHz, 192 kHz
Quantization bit rates 16 bit/24 bit
Sampling frequencies 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1% pull-up/pull-down)
Reference clock Internal, Word in, Video in,
Digital in (CH 1-2, CH 3-4, CH 5-6, CH 7-8)
Timecode frame rates 23.976, 24, 25, 29.97 DF, 29.97 NDF, 30 DF, 30 NDF
Built-in mic Omni directional, monaural
Low cut filter Cut-off frequency: 40/80/120 Hz
Slope: –12/–18 dB/oct
Analogue audio inputs and outputs
MIC IN/LINE IN connectors (1–8) XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance (LINE) 10 kOhm
Nominal input level (LINE) + 6 dBu (Ref. level: –9 dB)
+ 4 dBu (Ref. level: Other than –9 dB)
Maximum input level (LINE) Selectable: +15 dBu, +18 dBu, +20 dBu, + 22 dBu, +24 dBu
Input impedance (MIC –25) 2.4 kOhm
Minimum input level (MIC –25) –45 dBu
Maximum iput level (MIC –25) +11 dBu
Input impedance (MIC 0) 2.4 kOhm
Minimum input level (MIC 0) –70 dBu
Maximum input level (MIC 0) –14 dBu
LINE OUT connectors (L/R) XLR-3-32 (1: GND, 2: HOT, 3: COLD)
Output impedance 100 Ohm or less
Nominal output level +6 dBu (Ref. level: –9 dB)
Nominal output level +4 dBu (Ref. level: Other than –9 dB)
Maximum output level Selectable: +15 dBu, +18 dBu, +20 dBu, +22 dBu, +24 dBu
PHONES connector 6.3-mm stereo phone jack
Maximum output power 100 mW + 100 mW or more (THD+N: 1 % or less, at 32 Ohm)
Digital audio inputs and outputs
DIGITAL I/O connector D-Sub, 25-pin connector
Format AES3-2003/IEC60958-4 (AES/EBU)
Minimum input voltage 200 mVpp
Maximum input voltage 7 Vpp
Output voltage 3.5 Vpp
DIGITAL OUT connectors BNC
Format AES3-2003/AES-3id-2001 (AES/EBU)
Output voltage 1 Vpp at 75 Ohm
Control inputs and outputs
EXT DC IN connector XLR-4-32 (1: –, 2: NC, 3: NC, 4: +)
Input voltage 11–16 V (2 A)
CASCADE/WORD/VIDEO IN connector BNC
Input voltage 5 V TTL equivalent
Input impedance 75 Ohm ±10 %
Allowable frequency deviation of external sync ±100 ppm
CASCADE/WORD OUT connector BNC
Output voltage 5 V TTL equivalent
Output impedance 75 Ohm ±10 %
Sampling frequencies 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1 % pull-up/pull-down)
TIME CODE IN connector BNC
Input voltage 0.5–5 Vpp
Input impedance 10 kOhm
TIME CODE OUT connector BNC
Output voltage 2.0 Vpp
Output impedance 600 Ohm
USB port USB B-type, 4-pin
Format USB2.0 HIGH SPEED (480 MBit/s)
KEYBOARD connector Mini-DIN connector (PS/2)
Audio performance
Frequency response (MIC/LINE IN to LINE OUT)
All sample rates 20 Hz – 20 kHz, 0 dB (±0.5 dB)
88.2/96 kHz sample rates at 40 kHz –1 dB (±1.0 dB)
176.4/192 kHz sample rates at 80 kHz –3 dB (+1/–2 dB)
Distortion
LINE IN to LINE OUT 0.003 % or less (–20 dB reference level, +23 dBu input, 1 kHz, AES-17 LPF)
MIC IN (MIC –25) to LINE OUT 0.02 % or less (–20 dB reference level, –10 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
MIC IN (MIC 0) to LINE OUT 0.02 % or less (–20 dB reference level, –35 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
S/N ratio
LINE IN to LINE OUT 110 dB(A) or more (22 kHz LPF)
MIC IN (MIC –25 or MIC 0) to LINE OUT 100 dB(A) or more (22 kHz LPF)
Computer compatibility
Windows Windows XP, Windows Vista, Windows 7
CPU Pentium 300 MHz or faster
Memory 128 MB or more
USB USB 2.0 port
Macintosh Macintosh Mac OS X 10.2 or later
CPU Power PC G3, G4, Intel Mac 266 MHz or faster
Memory 64 MB or more
USB USB 2.0 port
Recommended USB host controller Intel chipset
Power supply and other specifications
Power requirements 100–240 V AC, 50–60 Hz (AC adaptor PS-1225L)
10 AA batteries (Alkaline or NiMH)
External DC battery (DC 11–16 V, 2 A or more)
Battery operation time (continuous operation) Measured according to JEITA standard at 48 kHz, 24-bit, 8 ch playback or recording, phantom power off. Varies with operating conditions.
NP type battery (Li-Ion: 14.8 V/4.6 Ah) About 5 hours
AA type batteries (NiMH) About 2 hours
Power consumption 18 W
Dimensions (W x H x D) 270 mm x 100 mm x 260 mm (excluding protrusions)
Weight 3.65 kg (excluding batteries)
Operating temperature range 0–40 ºC
* 8-track Digital Portastudio with CD Burner * Records to SD/SDHC Card media * Import audio tracks from CD * Built-in stereo condenser microphone * Two XLR microphone inputs with phantom power * 1/4" stereo line inputs * Switchable instrument-level input for guitar/bass direct recording * Multi-band mastering effects * 2-band EQ per track * Internal reverb processor with dedicated send per track * Chromatic Tuner and Metronome * Track editing, autopunch and bounce features * Optional RC-3F footswitch offers three switches for punch-in and transport operation * Compact and lightweight * Dimensions: 11.4" W x 2.1" H x 8.2" D * Weight: 4lbs
Set to "LINE“
• Input impedance: 10k ohms or more
• Standard input level: +4dBu
• Maximum input level: +20dBu
1/2 connector
• Connector: 3.5mm(1/8“)stereo mini jack (this connector can be supplied plug-in power)
• Input impedance: 10k ohms
• Maximum input level: +10dBV
• Minimum input level: -50dBV
• MIC input gain: TRIM MAX
• LOW: +3dB
• HIGH: +26dB
• HI + PLUS: +38dB
CAMERA IN connector
• Connector: 3.5mm(1/8“)stereo mini jack
• Input impedance: 10k ohms
• Standard input level: -10dBV
• Maximum input level: +6dBV
Analog audio output
LINE OUT connector
• Connector: 3.5mm(1/8“)stereo mini jack
• Output impedance: 200 ohms
• Standard output level: -10dBV
• Maximum output level: +6dBV
CAMERA OUT connector
• Connector: 3.5mm(1/8“)stereo mini jack
• Output impedance: 200 ohms
• Standard output level: -40dBV
• Maximum output level: -24dBV
PHONES connector
• Connector: 3.5mm(1/8“)stereo mini jack
• Maximum output level: 20mW + 20mW
USB
• Connector: Micro-B type
• Format: USB2.0 HIGH SPEED mass storage class
REMOTE Connector: 2.5mm TRS jack
Power: 4 AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption: 5.0W
Continuous operation time: 2ch WAV, 44.1kHz, 16bit rec, Phantom power not used
Dimensions: 169(W)×55.2(H)×106.5(D)mm (with the top adapter attached)
Weight: 625g ( including batteries) / 530g (without batteries )
TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
Record to SD/SDHC card (Up to 32GB)
Simultaneously record up to 4 tracks
Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
TASCAM original HDDA microphone preamps
Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
Plug-in power and high-output mic input supported on inputs 3-4
CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
CAMERA IN connector for sound monitoring from the camera
Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
50mW/ch headphone output
Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
Handles protect the screen and can be used to attach a shoulder strap
Soft-Touch Rubber Keys for silent operation
HOLD switch to prevent accidental operation
QUICK button feature for easy access to various functions
128x64 pixel LCD with backlight
USB 2.0 connection for high-speed transferring of files
Mini USB cable included
Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
Can extend battery life with BP-6AA battery pack (sold separately)
Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
Internal mixer: PAN and LEVEL controls
Low cut filter(40/80/120Hz)
Limiter (1/L and 2/R can be selected for link-operation)
Delay function for microphone distance adjustment (up to 150ms)
M-S decode function
Slate tone generator (AUTO/MANUAL)
Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
File name format can be set to use a user-defined word or date
Dual-recording function allows two files to be recorded simultaneously at different levels
Auto-record function can automatically start and stop recording at set level
Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
Self-timer function for solo recording
New file starts recording automatically without interruption when maximum file size is reached
Track incrementing function allows a recording to be split by creating a new file when desired
Jump back and play function
Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
Resume function to memorize the playback position before the unit is turned off
MARK function up to 99 points per audio track
DIVIDE function
SPECIFICATIONS
Recording media
SD card(64MB to 2GB), SDHC card(4GB to 32GB)
Recording format
WAV
44.1/48/96kHz, 16/24bit
BWF
44.1/48/96kHz, 16/24bit
Number of channels
4channel (stereo x2)
Analog audio input
1/L, 2/R connectors
Connector
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
Input impedance
2k ohms
Phantom power
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH)
Maximum input level
0dBu
Minimum input level
-72dBu
MIC input gain
TRIM MAX
LOW
+11dB
MID
+36dB
HIGH
+52dB
Set to "LINE“
Input impedance
10k ohms or more
Standard input level
+4dBu
Maximum input level
+24dBu
3-4 connector
Connector
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power)
Input impedance
10k ohms
Maximum input level
+10dBV
Minimum input level
-50dBV
MIC input gain
TRIM MAX
LOW
+3dB
HIGH
+26dB
CAMERA IN connector
Connector
3.5mm (1/8“) stereo mini jack
Input impedance
10k ohms
Standard input level
-10dBV
Maximum input level
+6dBV
Analog audio output
CAMERA OUT connector
Connector
3.5mm (1/8“) stereo mini jack
Output impedance
200 ohms
Standard output level
-50dBV
Maximum output level
-30dBV
LINE OUT connector
Connector
3.5mm (1/8“) stereo mini jack
Output impedance
200 ohms
Standard output level
-10dBV
Maximum output level
+10dBV
PHONES connector
Connector
3.5mm (1/8“) stereo mini jack
Maximum output level
50mW + 50mW
USB
Connector
Mini-B type
Format
USB2.0 HIGH SPEED mass storage class
REMOTE
Connector
2.5mm TRS jack
Power
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption
5.4W
Continuous operation time
2ch WAV, 44.1kHz, 16bit rec
DR-60D
Alkaline batteries (EVOLTA)
About 2:30 min (Phantom on)
About 4:30 min (Phantom off)
NI-MH batteries (eneloop)
About 3:15 min (Phantom on)
About 5:00 min (Phantom off)
NI-MH batteries (eneloop pro)
About 3:45 min (Phantom on)
About 6:00 min (Phantom off)
DR-60D+BP-6AA
Alkaline batteries (EVOLTA)
About 5:30 min (Phantom on)
About 10:30 min (Phantom off)
NI-MH batteries (eneloop)
About 7:30 min (Phantom on)
About 12:00 min (Phantom off)
NI-MH batteries (eneloop pro)
About 9:30 min (Phantom on)
About 14:30 min (Phantom off)
Dimensions
133(W)×93.2(H)×78(D)mm (with the top adapter attached)
Weight
510g (not including batteries)
Operating temperature
0˚C to 40˚C
Standard accessories
USB cable, warranty card, Owner's manual
Computer compatibility
Windows
OS
Windows XP, Windows Vista, Windows 7, Windows 8
CPU
Pentium 300MHz or more
RAM
128MB or more
USB
recommended: USB2.0
Macintosh
OS
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8)
CPU
Power PC, iMac, G3, G4 266MHz or more
64MB or more
USB
recommended: USB2.0
Audio performance
Frequency response
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
Distortion
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
S/N ratio
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
Equivalent input noise
-120dBu or more
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting)
SD/SDHC card capacity(hours:mintes)
1GB
2GB
4GB
8GB
WAV/BWF 16bit(STEREO)
44.1kHz
1:41
3:22
6:44
13:28
48kHz
1:33
3:06
6:12
12:24
96kHz
0:46
1:33
3:06
6:12
WAV/BWF 24bit(STEREO)
44.1kHz
1:07
2:15
4:30
9:00
48kHz
1:02
2:04
4:08
8:16
96kHz
0:31
1:02
2:04
4:08
The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
If recorded in mono in WAV files, the maximum recording time will be double the figures above.
For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
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,%20SDHC%20card(4GB%20to%2032GB),%20SDXC%20card(48GB%20to%20128GB)/li%20liRecording%20format/li/ul• %20 WAV:%2044.1k%20/%2048k%20/%2096k%20Hz,%2016bit%20/%2024bit• %20 BWF:%2044.1k%20/%2048k%20/%2096k%20Hz,%2016bit%20/%2024bitul%20liNumber%20of%20channels:%204-channel%20(stereo%20×%202,%20mono%20×%204)/li%20liAnalog%20audio%20input/li/ul• %20 Connector:%20XLR-3-31%20(1:GND,%202:HOT,%203:COLD)%20/%206.3mm(1/4“)TRS%20standard%20jackSet%20to "DP-08")
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