MICRO LOOPER inherits the MINI size of MICRO SERIES. Record, playback, stop, overdub and delete, all these functions can be controlled by one single footswitch. This gives you an easy and direct operation experience. MICRO LOOPER has up to 30 minutes of recording time and unlimited overdubbing times. You can focus on your music and […]
MICRO LOOPER inherits the MINI size of MICRO SERIES. Record, playback, stop, overdub and delete, all these functions can be controlled by one single footswitch. This gives you an easy and direct operation experience. MICRO LOOPER has up to 30 minutes of recording time and unlimited overdubbing times. You can focus on your music and need not to worry about other troubles.
1.True Bypass
When the Micro Looper is in bypass status it will not affect the original signal, which ensures your signal will be clear
2. Recording Time
Micro Looper has up to 30 minutes of recording time, enough for you to record down your songs.
3.Unlimited overdubbing times
Micro Looper has no maximum limit for overdubbing times.
4. High quality sound restoration
Using high quality electronic components which ensure the playback audio signal as clear as the way they are recorded, you will never lose any detail.
5.Mini Size
Inherit the Mini size of the MICRO SERIES pedals, your pedal board can have more space and therefore you can put more pedals in it.
6.Loop level knob
This little knob will control the volume of loop.
7.Easy operation
Stop/Delete/Redo, all these functions are controlled by just one footswitch.
8.Loop saving function
Worry about losing your recordings after you cut off the power? No need to worry, MICRO LOOPER will save all the loop recordings data automatically when the power is off. You will never lose your inspiration!
Application:
Εl.Guitar
Type:
Single
Effect:
Looper
Weight
0.20 kg
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MICRO LOOPER inherits the MINI size of MICRO SERIES. Record, playback, stop, overdub and delete, all these functions can be controlled by one single footswitch. This gives you an easy and direct operation experience. MICRO LOOPER has up to 30 minutes of recording time and unlimited overdubbing times. You can focus on your music and need not to worry about other troubles.
1.True Bypass
When the Micro Looper is in bypass status it will not affect the original signal, which ensures your signal will be clear
2. Recording Time
Micro Looper has up to 30 minutes of recording time, enough for you to record down your songs.
3.Unlimited overdubbing times
Micro Looper has no maximum limit for overdubbing times.
4. High quality sound restoration
Using high quality electronic components which ensure the playback audio signal as clear as the way they are recorded, you will never lose any detail.
5.Mini Size
Inherit the Mini size of the MICRO SERIES pedals, your pedal board can have more space and therefore you can put more pedals in it.
6.Loop level knob
This little knob will control the volume of loop.
7.Easy operation
Stop/Delete/Redo, all these functions are controlled by just one footswitch.
8.Loop saving function
Worry about losing your recordings after you cut off the power? No need to worry, MICRO LOOPER will save all the loop recordings data automatically when the power is off. You will never lose your inspiration!
Application:
Εl.Guitar
Type:
Single
Effect:
Looper
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
The Digitech XHP HYPER PHASE Guitar Effect Stomp Box Pedal. Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds.
The Digitech XHP Hyper Phase delivers 7 operational modes, instead of the typical one mode only that you find in some other pedals. These operational modes are easily selectable using the mode control allowing you to choose from a selection of awesome voicing sounds, triggering feature, and useful step functions. Now you are no longer limited to a one-trick pedal. You can dial in the exact phaser or flanger sound you want! The Hyper Phase has Speed, Depth, Regen, and Mode controls. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.
The main features of the Digitech XHP HYPER PHASE include:
Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds
7 Different phase types
Speed, Depth, Regen, and Mode controls
Triggering and step capability
Stereo outputs with switchable CIT Cabinet Modeling
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.
Compact chorus pedal especially designed for bass guitar
Applies chorus sound to the high frequencies without altering low frequencies
Experience true analog delay and vintage slap-back echo that rivals any tape delay
This BEHRINGER product has been designed to compete head to head with leading products on the market
Vintage BBDs produce up to 300 ms of delay and advanced noise reduction circuit keeps your signal clean
Dedicated Intensity, Echo and Repeat Rate controls for awesome sound shaping
Blue status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for highest signal integrity in bypass mode
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Analog at its Finest
Though digital sound technology constantly evolves, nothing sounds quite like the "old-school” analog Bucket Brigade-style delay you get when you step on the VD400. With its dedicated REPEAT RATE, INTENSITY and ECHO dials, this amazing little stomp box evokes the spirits of some of rock and rollʼs most legendary heroes, and provides up to 300 milliseconds of true analog delay. Every type of classic delay, from a deep-space whisper, to an interplanetary battle cry—is at your command.
Easy to Operate
The bright blue LED tells you when the Vintage Delay is activated (and serves as a beacon for other time travelers), and the top-quality on/off switch maintains excellent signal integrity in bypass mode. You can power the VD400 with either a 9 V battery or our PSU-SB DC power supply (not included).
Like a Trip Back in Time… The VINTAGE DELAY VD400 is like a snapshot pulled right out of time—and its low, low price tag will have you reminiscing about how much you miss those "good-old” days. Visit your BEHRINGER dealer without delay, delay, delay...
Features The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.
Classic "blues" guitar tones with tube amp simulation
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