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The RPM 2m is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane's Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows.
The RPM 2m provides two balanced, mic/line level analog inputs and two balanced analog outputs, each I/O having its own 100% user-defined signal processing path. An AES3 digital output is included, bringing the total number of outputs to four.
Cost-effective end user control is possible using optional Rane accessories in conjunction with the Versatile Input Port. Whether your application requires contact closure preset recall or remote level control using a potentiometer on a wall, the RPM 2m keeps the user interface easy and inexpensive.
Euroblock and XLR connectors are provided for audio input/output. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel is an RJ-45 Ethernet connector for computer control, and an IEC AC power input.
All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane's team of audio-savvy DSP mathematicians -- a rare breed itself -- in conjunction with our industry-leading analog signal processing gurus have combined forces to offer superlative digital and analog audio performance. With 24-bit converters, greater than 105 dB throughput dynamic range and double-precision 48-bit internal DSP 'math,' the RPM 2m offers the best DSP algorithms and audio performance available.
This ain't no Internet appliance! For example, the RPM's 215 MIPs translate into 150 fully parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.
Multiple units are controlled from a single computer using low-cost Ethernet switches. The recessed Default button on the rear panel recalls Preset 1 in case of communications failure. The front panel has three-color LED meters for each input and output, allowing fast and intuitive signal flow verification without a computer. Current Preset, Control Port, Power, Ethernet and Status indicators are also on the front panel. Powered from an internal power supply and certified as UL, CSA and CE complient, the RPM 2m is compatible with any installation mandating agency compliance.
| WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
- Wireless Digital Audio Receiver System
- Operating Band ISM 2.4GHz (free band).
- One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
- GFSK digital modulation/demodulation.
- External antenna can help to increase the transmission distance.
- Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
- Automatic mute in bad channel quality conditions or high error code rate.
- Transmission distance higher than 30 meters in open places.
- Up to three transmitters WDT 24 in a zone
- Balanced XLR and unbalanced ¼\'\' jack outputs
- Working mode: stereo or mono
Power Supply |
AC 9V-500 mA 50/60 Hz |
Frequency |
2404-2476MHz |
Channel |
25 |
Modulation/Demodulation |
GFSK |
Receive Sensitivity (WDR 24) |
-84dBm (min.) |
Transmitted Power (WDT 24) |
6 dBm |
Output Level (WDR 24) |
+13dBu (BAL max.) |
Input Level (WDT 24) |
+5dBu (max.) |
Bandwidth |
>=1.8 MHz |
Frequency Response |
20Hz - 20kHz, +3dB / -3dB |
S/N |
>80 dB |
Dynamic Range @ 1 kHz |
>90 dB |
Crosstalk @ 1kHz |
>90 dB |
THD |
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Κάρτα τεσσάρων εξόδων line για τα BLU-80, BLU-32, BLU-16.
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AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
Optional X-Video expansion card to provide master video sync generator
Realtime format conversion between all digital formats
Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
Three stage Termination Sensing for each word clock output
INPUTS
2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
S/PDIF optical on TOS-LINK 44.1-48k
S/PDIF coaxial on RCA 44.1-192k
ADAT 44.1-48k
ADAT/SMUX II for 88.2-96k
ADAT/SMUX IV for 176.4-192k
Word Clock BNC 44.1 –192k
Video
Optional video sync (X-Video card)
OUTPUTS
2 x AES-EBU on XLR single or double wide 44.1-192k
S/PDIF coaxial 44.1-192k
S/PDIF optical on TOS-LINK 44.1-48k
6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
ADAT
SMUX II
SMUX IV
Optional video sync (X-Video card)
SPECS
Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
Video: PAL/NTSC/60Hz
"SuperClock" (256fs)
Pull up/down 0.1% and 4% from any sample rate
Apogee´s new Ultra Low Jitter C777 clock
Three stage termination indicator (under/correct/over) on each
Word Clock output:
"SureLock" technology for drop out prevention
4 digit numeric true sample rate indication
Universal power: 15 W 90-250 VAC 50-60 HZ
Connection:
Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
Operating System:
Mac and Windows
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An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.
Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.
Features |
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3 Music Source Inputs individually selectable to each output | One Input Source with Override facility (Jukebox or Auto Announcer) | 5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones | Can be expanded interlink of two or more MS520 units | Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option) | Direct Inputs and Outputs on each zone | Paging or Alarm Input Override System | Full Digital Matrix control of functions to all 5 zones | Up to 10 remote control panels RC 62 can be connected to each MS 520 |
AMPLIFIER SPECIFICATIONS |
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Power output: | 5 x 20 | Watt rms | Frequency Response (Music): | 30 ÷ 45 | Hz ÷ kHz | Frequency Response (Direct): | 30 ÷ 45 | Hz ÷ kHz | Frequency Response (Paging): | 200 ÷ 18 | Hz ÷ kHz | Distortion: | 0.5 | % | Signal / noise ratio (Music): | -78 | dB | Signal / noise ratio (Direct): | -78 | dB | Signal / noise ratio (Paging): | -60 | dB |
INPUT SECTION |
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Input sensitivity (Music): | -16 | dBu | Input sensitivity (Direct): | -16 | dBu | Input sensitivity (Paging - Line): | - 43 ÷ -27 | dBu | Input sensitivity (Paging - Mic): | - 58 ÷ -41 | dBu | Bass Tone: | (100 kHz) ± 8 | dB | Treble Tone: | (12.5 kHz) ± 8 | dB |
OUTPUT SECTION |
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Out level: | -6 / -10 | dB | Protections: | Short ciurcuit, thermal, AC / DC fuses | | Power supply: | 16 | V dc |
POWER REQUIREMENT |
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Operating voltage: | 220÷240 / 110÷120 V ~ 50 / 60 Hz | V ~ Hz | Power (consumption): | 370 | W | Max. Available power: | 100 | W |
PHISICAL SPECIFICATION |
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Width: | 438 / 17.24 | mm/inch | Height: | 44 / 1.73 | mm/inch | Depth: | 253 / 9.96 | mm/inch | Net Weight: | 3.66 / 8.06 | Kg/Lbs |
SHIPPING INFORMATION |
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Package height: | 75 / 2.95 | mm/inch | Package width: | 520 / 20.47 | mm/inch | Package depth: | 280 / 11.02 | mm/inch | Shipping Weight: | 4.18 / 9.21 | Kg/Lbs |
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The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.
The dbx 530\'s overlapping bands each offer control of frequency bandwidth (Q) and up to 15dB of reciprocal cut or boost to provide exact, complimentary filter action for the most demanding of equalization needs. For problem situations requiring the removal of spurious signals, each of the bands can be independently switched into ?infinite notch? mode without affecting the operation of others. In situations where a shelving equalizer will produce better results than a peaking one, the 530’s high and low bands can be independently switched from peaking to shelving operation. You can also make instant affected/bypassed comparisons using the 530\'s ?On? switch.
Load up your 500 Series rack with dbx 530 Parametric EQs and cut your way through mixes like an audio surgeon! |
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