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Broadcaster - ?The Master of the Airwaves?
Like its name suggests this R?DE microphone was specifically designed ?ON-AIR?
applications where wide frequency response and low distortion are demanded.
Winner of the Radio World/US National Association of Broadcasters (NAB) ?What?s
Cool? award in 1998, the Broadcaster has become an industry standard when studio
sound quality is required for on air applications.
Utilizing an Australian designed and manufactured R?DE 1? externally biased condenser
transducers, the Broadcaster features a switch-able high pass filter to remove low frequency
rumble. A unique ?ON-AIR? LED indicator can be switched ?on? or ?off? by shorting contacts
on the 5 pin audio connector. This feature allows console operators to warn the ?Talent?
that the mic is live.
SPECIFICATIONS:
Features:
True condenser transducer On-Air indicator L.E.D. Ultra low noise
Cardioid polar pattern with high 180 rejection Voice tailored Low Cut
Filter Internal Pop Filter Rugged stainless steel body
Acoustic principle: Externally polarised 25mm (1?) condenser
Directional pattern: Cardioid
Frequency range: 20 Hz ~ 20 kHz
Output impedance: 40Ω
Signal noise ratio din iec 651:
>80 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 114 dB (per IEC651, IEC268-15)
Power supply voltage: P48, P24 phantom
Weight without battery: 577g
Weight with battery: 1.3kg
Dimensions width: 167mm
Dimensions depth: 50mm
Dimensions height: 50mm
Maximum output voltage: +2 dBu (@ 1% THD into 1kΩ)
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The CS-50 is a compact, light-weight stereo condenser microphone designed for the R-4 and R-4 Pro, videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable wide stereo or narrow (focused) polar patterns.
From Edirol, the CS-50 Stereo Microphone is designed for use with the Edirol/Roland R4 portable digital field recorder. The microphone features wide stereo and narrow polar patterns. The wide stereo pattern reproduces audio with accurate stereo imaging while the mono pattern is focused and reduces signal at the sides of the capsule. The CS-50 features a low frequency roll-off switch for eliminating hum and low-frequency noise due to wind or proximity effect. A dual XLR output cable is supplied.
Wide Stereo PatternThe wide stereo pattern provides a generous pick up area while reproducing signal with accurate stereo placement. This setting is ideal for ambiance capturing, live music, sound effects, etc.Mono (Narrow) PatternThe narrow pattern provides a focused pick up at the front end of the capsule. The result is an accurate signal without noise at the off-axis sections of the capsule.Low Frequency Roll-OffThe low-frequency roll-off switch eliminates hum and low-frequency noise due to wind, handling and proximity effect.Light Weight ProfileThe light weight, slim profile make the CS-50 ideal for location use while mounted on a boom, pistol grip or camera.
What's in the Box:
- Windscreen
- Desktop Prop
- Mic Stand Adapter
- L/R XLR Cable 6.56 feet (2m)
- Soft case
- 1 Year Warranty
Specifications: | ransducer | Back Electret Condenser | | Polar Pattern | Line Cardioid | | Frequency Response |
50 - 20,000Hz
| | Open Circuit Sensitivity | 14.9 mV/Pa, -36.5 dBV @ 1 Pa | | Dynamic Range (Typical) | Not Specified by Manufacturer | | Signal-to-Noise Ratio | Greater than 70dB (at 1kHz/1Pa) | | Maximum Input Sound Level | 126dB S.P.L (at 1kHz, 1% T.H.D. Typical) | | Power Requirements | 48V Phantom x 2ch | | Output Impedance | 200 Ohms | | Current Consumption | 3.8 mA (Typical) | | Output Connectors | 3-pin XLR | | Pad | No | | Low Frequency Roll-Off | Yes | | Dimensions | Not Specified by Manufacturer | | Weight | 2.92 oz (83g) |
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This product, like the VideoMic (VM), now the worldʼs biggest selling on camera shotgun microphone, is also destined to become an Industry standard and not only offers the same sound quality & performance as itʼs predecessor, but also meets the industry demand for stereo recording.
Now videographers may use true ʽstudioʼ stereo recording techniques in the field with ease. The X/Y configuration enables the SVM to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.
Fitted with a shoe mount, the SVM has the same low noise circuit design as the VM. The SVM offers 9V battery operation, an LED battery status indicator, a high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control.
You can also use the SVM as a remote mic on a stand, or a RØDE boom pole (Optional Accessory), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews.
Rode Stereo Video Mic Features - Stereo X/Y condenser microphone
- Broadcast sound quality
- Two stp high-pass filter - flat or 80 Hz
- Rugged cast aluminum body
- 9V battery operation
- Custom designed integral windshield
- Low noise circuitry
- Low handling noise
- Integral camera-shoe mount
- Includes Dead Kitten windscreen
- Acoustic Principle: Pressure Gradient
- Directional Pattern: Super Cardioid
- Frequency range: 40 Hz - 20 kHz
- Output Impedance: 200 Ohms
- Signal/Noise Ratio: 74 dB SPL (A - weighted per IEC651)
- Equivalent Noise: 20 dB SPL (A - weighted per IEC651)
- Maximum SPL: 134 dB (@ 1kHz, 1% THD into 1 Ohm load)
- Sensitivity: -38 dB re 1Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
- Power (Supply voltage): 7 mA, 9 V DC Alkaline Battery, (NSI: 1604A or IEC:6LR61)
- Battery Life: 60+ hours
- Output Connection: Stereo mini jack plug - ø3.5mm (Right Channel - Ring, Left Channel - Tip)
- Dimensions (WxHxD): 6.75 x 3.9 x 2.5 Inches (172 x 100 x 64 mm)
- Weight: .72 lbs (330 grams)
| The R?DE VideoMic is a professional grade shotgun microphone. Based on the
latest ?Film industry? technology, the VideoMic is designed specifically for use with
high quality Digital Video Cameras.
The microphone exhibits low noise and an unusually wide bandwidth for its size. It
is ultra lightweight, yet rugged due to it?s ABS construction. The VideoMic is powered
by a standard 9 V battery and offers a Low Battery LED status indicator and a
switchable high pass filter to reduce unwanted low frequency rumble.
The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting
and utilizes a stereo mini jack for audio output.
SPECIFICATIONS:
Features:
Studio recording quality. Rugged fibre-reinforced ABS construction. 9 V battery operation.
Custom designed integral wind shield. Condenser Microphone. Low noise circuitry. Low
handling noise. Integral camera-shoe mount. Designed & manufactured in Australia.
Full 2 year guarantee.
Operation power:
The VideoMic is designed to operate from a 9 V battery (ANSI:1604A or IEC:6LR61).
The battery is conveniently located within the support arm of the microphone. A fully
removable access cover and a 1-way insertion mechanism ensure ease of loading.
The battery will provide more than 100 hrs. of continuous use due to a low consumption
of only 5.0 mA.
Operation output impedance:
The microphone will operate satisfactorily into a load impedance as low as 1 k?.
If a load below this is used, the output signal level will be reduced.
Acoustic principle: Line plus Gradient
Directional pattern: Super-Cardioid
Frequency range:
40 Hz ~ 20 000 Hz selectable HPF @ 80 Hz/12 dB/octave
Output impedance: 200 Ω
Signal noise ratio din iec 651:
74 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 20 dB SPL (per IEC651, IEC268-15)
Maximum spl: 134 dB (@ 1% THD into 1 kΩ)
Sensitivity:
-38 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB (at 1 kHz in free field into open circuit)
Dynamic range din iec 651: 114 dB (per IEC651, IEC268-15)
Power supply voltage:
9 V DC Alkaline Battery (ANSI:1604A or IEC:6LR61)
Current consumption: 5 mA
Battery life: >100 hours
Output connection: Stereo mini jack plug - ?3.5 mm.
Weight: 176 grm.
Dimensions width: 250mm
Dimensions depth: 65mm
Dimensions height: 102mm | OLED display (on receiver)
One button pairing
Three level gain control
AA battery or USB powered
Includes RØDE\'s broadcast Lavalier microphone
RØDELink represents the next generation of digital wireless systems. Using a series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDEʼs omnidirectional Lavalier microphone is included in the kit to provide the highest possible audio reproduction quality.
RØDELink Filmmaker Kit Specifications
Transmission type 2.4GHz Fixed Frequency Agile System
System dynamic range 112dB
Range (distance) 100m
Frequency range 35Hz - 22kHz
Maximum output level 1v Rms (2.8v P-p)
Max input signal level 1v Rms (2.8v P-p)
Max latency 4ms
Receiver (RX-CAM)
Power source 2 X AA Battery Or MicroUSB
Antenna Internal
Output connection 3.5mm TRS Locking Jack Socket - Dual Mono
Output impedance 300Ω
Dimensions 111mm X 65mm X 52mm
Weight 190gm
Transmitter (TX-BELT)
Power source 2 X AA Battery Or MicroUSB
Antenna Internal
Output connection 3.5mm TRS Locking Jack Socket
Output impedance 10kΩ
Dimensions 111mm X 65mm X 40mm
Weight 190gm
Lavalier
Acoustic Principle Pressure Gradient
Active Electronics JFET impedance converter
Capsule 0.10“
Address Type End
Frequency Range 60Hz - 18kHz
Output Impedance 3000Ω
Maximum SPL 110dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Maximum Output Level 189.0dBu (@ 1kHz, 1% THD into 1KΩ load
Sensitivity -33.5dB re 1 Volt/Pascal (21.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted) 25dB-A
Weight 1.00gm
Dimensions 12.00mmH x 4.50mmW x 4.50mmD
Warranty 10 year warranty |
Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone's internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.
Designed for broadcasters, videographers and sound recordists
Compact, lightweight design is perfect for camera-mount use
Independent Line-cardioid and Figure-of-eight condenser elements
Switchable low-frequency roll-off
Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes
Includes a 0.61 m (24“) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
RoHS compliant - free from all substances specified in the EU directive on hazardous substances
Frequency Response: 30-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Mid: -30 dB (31.6 mV) re 1V at 1 Pa; Side: -34 dB (19.9 mV) re 1V at 1 Pa; LR Stereo: -36 dB (15.8 mV) re 1V at 1 Pa
Impedance: 200 ohms
Maximum Input Sound Level: Mid: 123 dB SPL, 1 kHz at 1% T.H.D.; Side: 127 dB SPL, 1 kHz at 1% T.H.D.; LR Stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Mid: 101 dB, 1 kHz at Max SPL; Side: 101 dB, 1 kHz at Max SPL; LR Stereo: 102 dB, 1 kHz at Max SPL
Signal to Noise Ratio: Mid: 72 dB SPL, 1 kHz at 1 Pa; Side: 68 dB SPL, 1 kHz at 1 Pa; LR Stereo: 70 dB SPL, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 4 mA typical at 48V, each channel
Weight: 142 g (5.0 oz)
Dimensions: 380.0 mm (14.96“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral XLR5M-type
Cable: Dual 0.61 m (24“) shielded two-conductor, terminated in two XLR3M-type connectors
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8135 foam windscreen; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case
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