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The MD 42 is a high-quality reporter's microphone with omni-directional pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 42 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.
Features
Two-ply sound inlet basket provides increased protection from wind and pop noise
Rugged metal housing
Rubber mounted capsule (or Elastically mounted capsule) ensures low sensitivity to handling noise
Omni-directional pick-up pattern ensures excellent speech intelligibility without having to point the microphone directly at your interview partner
Pick Up Pattern omni-directional
Frequency response 40 - 18 000 Hz
Sensitivity 2,0 mV/Pa
Ιmpedance 1000 Ohm
Dimensions Ø 49 x 250 mm
Weight 360 gr
| The R?DE VideoMic is a professional grade shotgun microphone. Based on the
latest ?Film industry? technology, the VideoMic is designed specifically for use with
high quality Digital Video Cameras.
The microphone exhibits low noise and an unusually wide bandwidth for its size. It
is ultra lightweight, yet rugged due to it?s ABS construction. The VideoMic is powered
by a standard 9 V battery and offers a Low Battery LED status indicator and a
switchable high pass filter to reduce unwanted low frequency rumble.
The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting
and utilizes a stereo mini jack for audio output.
SPECIFICATIONS:
Features:
Studio recording quality. Rugged fibre-reinforced ABS construction. 9 V battery operation.
Custom designed integral wind shield. Condenser Microphone. Low noise circuitry. Low
handling noise. Integral camera-shoe mount. Designed & manufactured in Australia.
Full 2 year guarantee.
Operation power:
The VideoMic is designed to operate from a 9 V battery (ANSI:1604A or IEC:6LR61).
The battery is conveniently located within the support arm of the microphone. A fully
removable access cover and a 1-way insertion mechanism ensure ease of loading.
The battery will provide more than 100 hrs. of continuous use due to a low consumption
of only 5.0 mA.
Operation output impedance:
The microphone will operate satisfactorily into a load impedance as low as 1 k?.
If a load below this is used, the output signal level will be reduced.
Acoustic principle: Line plus Gradient
Directional pattern: Super-Cardioid
Frequency range:
40 Hz ~ 20 000 Hz selectable HPF @ 80 Hz/12 dB/octave
Output impedance: 200 Ω
Signal noise ratio din iec 651:
74 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 20 dB SPL (per IEC651, IEC268-15)
Maximum spl: 134 dB (@ 1% THD into 1 kΩ)
Sensitivity:
-38 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB (at 1 kHz in free field into open circuit)
Dynamic range din iec 651: 114 dB (per IEC651, IEC268-15)
Power supply voltage:
9 V DC Alkaline Battery (ANSI:1604A or IEC:6LR61)
Current consumption: 5 mA
Battery life: >100 hours
Output connection: Stereo mini jack plug - ?3.5 mm.
Weight: 176 grm.
Dimensions width: 250mm
Dimensions depth: 65mm
Dimensions height: 102mm | OLED display (on receiver)
One button pairing
Three level gain control
AA battery or USB powered
Includes RØDE\'s broadcast Lavalier microphone
RØDELink represents the next generation of digital wireless systems. Using a series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDEʼs omnidirectional Lavalier microphone is included in the kit to provide the highest possible audio reproduction quality.
RØDELink Filmmaker Kit Specifications
Transmission type 2.4GHz Fixed Frequency Agile System
System dynamic range 112dB
Range (distance) 100m
Frequency range 35Hz - 22kHz
Maximum output level 1v Rms (2.8v P-p)
Max input signal level 1v Rms (2.8v P-p)
Max latency 4ms
Receiver (RX-CAM)
Power source 2 X AA Battery Or MicroUSB
Antenna Internal
Output connection 3.5mm TRS Locking Jack Socket - Dual Mono
Output impedance 300Ω
Dimensions 111mm X 65mm X 52mm
Weight 190gm
Transmitter (TX-BELT)
Power source 2 X AA Battery Or MicroUSB
Antenna Internal
Output connection 3.5mm TRS Locking Jack Socket
Output impedance 10kΩ
Dimensions 111mm X 65mm X 40mm
Weight 190gm
Lavalier
Acoustic Principle Pressure Gradient
Active Electronics JFET impedance converter
Capsule 0.10“
Address Type End
Frequency Range 60Hz - 18kHz
Output Impedance 3000Ω
Maximum SPL 110dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Maximum Output Level 189.0dBu (@ 1kHz, 1% THD into 1KΩ load
Sensitivity -33.5dB re 1 Volt/Pascal (21.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted) 25dB-A
Weight 1.00gm
Dimensions 12.00mmH x 4.50mmW x 4.50mmD
Warranty 10 year warranty |
Audio-Technicaʼs high-SPL BP892 MicroSet® offers the ultimate in low-profile, high-performance audio. Delivering clear and accurate sound in an inconspicuous package, the ultra-lightweight BP892 hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn unit.
The microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use.
Handles high sound pressure levels with ease
Extremely intelligible natural audio
Inconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibility
Ergonomic under-ear design—flexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glasses
Comes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn unit for maximum stability and comfort
High-pass filter on power module provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Omnidirectional
Frequency Response: 20-20,000 Hz
Low Frequency Roll-Off: 80 Hz, 18 dB/octave (wired only)
Open Circuit Sensitivity: –49 dB (3.5 mV) re 1V at 1 Pa
Impedance: 250 ohms (wired only)
Maximum Input Sound Level: 135 dB SPL, 1 kHz at 3% T.H.D.
Dynamic Range: (Typical) 104 dB, 1 kHz at Max SPL (wired only)
Signal-To-Noise Ratio: 63 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 11-52V DC, 2 mA typical (wired only)
Switch: Flat, roll-off (wired only)
Current Consumption: 0.1 mA typical at 5V (wireless only)
Voltage Range: 2.5-11V (wireless only)
Weight (Microphone): Microphone, boom & earpiece: 2.6 g (0.09 oz)
Weight (Power Module): 85 g (3.0 oz) (wired only)
Dimensions Microphone: 8.1 mm (0.32“) long, 2.6 mm (0.10“) diameter Boom: 98.4 mm (3.87“) long, 1.07 mm (0.04“) diameter
Dimensions (Power Module)@ 97.6 mm (3.84“) long, 18.9 mm (0.74“) diameter (wired only)
Output Connector: (Power Module) Integral 3-pin XLRM-type
Cable: 1.4 m (55“) long (permanently attached to microphone), 1.6 mm (0.06“) diameter, 2-conductor shielded cable with locking 4-pin connector (wired only)
Accessories Furnished: BP892: AT8539 power module (wired only); AT8464 dual-ear microphone mount; AT8440 cable clip; two AT8157 windscreens; two AT8156 element covers; moisture guard; belt clip (wired only); carrying case BP892-TH: AT8539 power module (wired only); AT8464-TH dual-ear microphone mount; AT8440 cable clip; two AT8157-TH windscreens; two AT8156-TH element covers; moisture guard; belt clip (wired only); carrying case
Audio-Technica Case Style: M31
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Internally switchable proximity effect compensation and sensitivity reduction.
The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.
Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user
Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.
Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.
Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.
Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm
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For when you need even more advanced recording than R-09's built-in mic
CS-15CS-15 For serious field recording, the optional CS-15 cardioid-type stereo microphone is a great match for the R-09. For portability and convenience, the R-09 supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.
Cardioid-type stereo microphone
Battery operation is also possible when using with a recorder that doesn't supply the power
Ideal combination with the R-09 --- also the UA-4FX and the UA-1EX
Comes with a desktop stand, a hand-held mount (can be attached to the microphone stand) and a windscreen |
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