The Sontronics STC-3X PACK is a NEW all-in-one mic and accessories package and the ideal solution for achieving professional-quality recordings at home or in the studio. Our NEW, British-designed STC-3X multi-pattern condenser microphone features the three most commonly used polar patterns – cardioid, omnidirectional and figure-of-eight – selectable using a switch on the rear of […]
The Sontronics STC-3X PACK is a NEW all-in-one mic and accessories package and the ideal solution for achieving professional-quality recordings at home or in the studio.
Our NEW, British-designed STC-3X multi-pattern condenser microphone features the three most commonly used polar patterns – cardioid, omnidirectional and figure-of-eight – selectable using a switch on the rear of the mic. It boasts a dual one-inch, gold-sputtered diaphragm housed in a large, open grille and its filter and pad controls make it a versatile, flexible workhorse in any recording situation.
The STC-3X gives stunning results on everything from male and female vocals to acoustic guitar, piano, percussion and other acoustic instruments. It also works extremely well on spoken word, making it a great option for voiceover, broadcast and podcast.
In omni mode, STC-3X is fantastic for room and overhead miking, and also for ensemble recording (vocals, choral, instrumental, orchestral). In figure-of-eight mode, it is perfect for stringed instruments and for stereo miking applications.
The Sontronics STC-3X is available in black or silver and is supplied in one box with the following FREE accessories…
• a spider-style shockmount (with spare elastics)
• a professional-quality, nylon-mesh popshield
• a 5-metre female-to-male XLR cable
• a vinyl, leather-look, zip-up microphone pouch
Like all of Sontronics mics, the STC-3X mic is protected by our FREE LIFETIME WARRANTY (simply activate online) and also comes with a FREE download of Toontrackʼs EZMix 2 Lite.
Contact your local distributor or dealer today or email us to find out how and where to buy your Sontronics STC-3X PACK!
Weight
4.00 kg
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The Sontronics STC-3X PACK is a NEW all-in-one mic and accessories package and the ideal solution for achieving professional-quality recordings at home or in the studio.
Our NEW, British-designed STC-3X multi-pattern condenser microphone features the three most commonly used polar patterns – cardioid, omnidirectional and figure-of-eight – selectable using a switch on the rear of the mic. It boasts a dual one-inch, gold-sputtered diaphragm housed in a large, open grille and its filter and pad controls make it a versatile, flexible workhorse in any recording situation.
The STC-3X gives stunning results on everything from male and female vocals to acoustic guitar, piano, percussion and other acoustic instruments. It also works extremely well on spoken word, making it a great option for voiceover, broadcast and podcast.
In omni mode, STC-3X is fantastic for room and overhead miking, and also for ensemble recording (vocals, choral, instrumental, orchestral). In figure-of-eight mode, it is perfect for stringed instruments and for stereo miking applications.
The Sontronics STC-3X is available in black or silver and is supplied in one box with the following FREE accessories...
• a spider-style shockmount (with spare elastics)
• a professional-quality, nylon-mesh popshield
• a 5-metre female-to-male XLR cable
• a vinyl, leather-look, zip-up microphone pouch
Like all of Sontronics mics, the STC-3X mic is protected by our FREE LIFETIME WARRANTY (simply activate online) and also comes with a FREE download of Toontrackʼs EZMix 2 Lite.
Contact your local distributor or dealer today or email us to find out how and where to buy your Sontronics STC-3X PACK!
Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone
The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.
Professional true condenser microphone for studio and live applications
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
Low-mass gold sputtered diaphragm for ultimate sound reproduction
Perfect for acoustic instruments, voice and overhead etc.
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Smooth, super-wide frequency response and incredible musicality
Switchable low-frequency roll-off and -10 dB input attenuation
Gold-plated 3-pin XLR output connector
Rugged construction with satin nickel-plated brass body
Custom microphone stand adapter, windscreen and transport case included
Manual Download
The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg)
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range: 20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm
Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation
Ideal as main and as support microphone in the most differing recording situations
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Omnidirectional, cardioid, figure-8 plus
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
20/28/22 mV/Pa1)
Rated impedance
200 ohms
Rated load impedance
1 kohms
Equivalent noise level, CCIR2)
26/23/25 dB1)
Equivalent noise level, A-weighted2)
15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL)
68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL)
79/82/80 dB1)
Maximum SPL for THD 0.5%3)
117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3)
127 dB
Maximum output voltage
390 mV
Dynamic range of the microphone amplifier (A-weighted)
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