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LD SYSTEMS 7 Piece Drum-Mic-Set
Set consisting of:- 1 x bass drum dynamic microphone
- 4 x tom/snare drum dynamic microphones
- 2 x overhead condenser microphones
All microphones will be supplied with microphone clips in a hard case. Top cost/performance ratio!
| Product: | Bass-Drum (1x) | Overhead (2x) | Tom Tom/Snare (4x) | | Type: | Dynamic | Back Electret Cond. | Dynamic | | Polar Pattern: | Supercardioid | Supercardioid | Supercardioid | | Frequency response: | 50 - 16000 Hz | 40 - 18000 Hz | 80 - 12000 Hz | | Sensitivity: | -55 dbV/Pa (1.78mV/Pa) | -41 dBV/Pa (8.91 mV/Pa) | -51 dbV/Pa (2.82mV/Pa) | | Rated impedance: | 200 Ω | 200 Ω | 200 Ω | | Min. Load impedance: | / | 1000 Ω | / | | Max. SPL: | 147 dB | 137 dB (THD ≤ 1% 1000 Hz) | 150 dB | | Signal to Noise Ratio: | / | 74 dB | / | | Dynamic Range: | / | 112 dB | / | | Power Supply: | / | 9-48 V Phantom | / | | Current consumption: | / | 2 mA | / | | Connector: | 3 pin XLR gold-plated | 3 pin XLR gold-plated | 3 pin XLR gold-plated | | Dimension: | ø 46 x 100 mm | ø 21 x 200 mm | ø 46 x 100 mm | | Weight: | 260 g | 150 g | 240 g |
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Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands. - New volume control knob allows musicians to adjust the volume to fit each musical situation
- New rugged, dynamic cartridge with improved response
- High-impedance, omnidirectional
- Supplied with 1/4 inch connector
- Frequency response: 100 to 5,000 Hz
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Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string musical instruments
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Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A highly consistent cardioid polar pattern
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
- Mew A98D flexible drum mount
- SPL handling to 160dB
- frequency response of 20 to 20,000Hz and included preamplifier
- shock mount and windscreen
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