| Content | The Swiss Army Knife of microphones
for vocal and instrumental recording, on stage, in ENG/EFP and video production
The C1000 S from AKG is a small-diaphragm condenser microphone with a cardioid pattern designed for recording, live-sound, ENG and video-production applications with vocals and instruments. Using the included polar-pattern converter accessory, the microphone can be switched from cardioid to hypercardioid to reduce feedback when used on stage. The presence-boost adapter offers three discrete frequency settings to add clarity to speech and instrument sounds.
A switchable low-cut filter at 80 Hz helps reduce rumble or wind noise, and a switchable 10 dB pad enables distortion-free recording of very loud sound sources associated with proximity miking. If no phantom power is available, the C1000 S can be powered by two standard AA batteries for up to 120 hours.
Featuring a pre-polarized design encased in a sturdy metal chassis, a gold-sputtered microphone capsule housing and gold-plated XLR pins, this microphone is well suited for mobile applications such as broadcast and interviews, even in high-humidity environments.
The C1000 S comes with a stand adapter, a foam windscreen and a microphone bag.
- Presence-boost adapter offers three discrete frequency settings to add clarity to speech and instrument sounds
- Polar-pattern converter allows microphone pattern to be switched from cardioid to hypercardioid
- Pre-polarized design, gold-sputtered microphone-capsule housing and gold-plated XLR pins make this microphone well suited for portable applications and high-humidity environments
- Switchable low-cut filter at 80 Hz to reduce rumble or wind noises which may cause distortion at low frequencies.
- Switchable 10 dB pad to enable distortion-free recording of very loud sound sources in proximity miking
- If no phantom power is available, the C1000 S can be powered by two standard AA batteries for up to 120 hours
- Sturdy metal chassis and specialized mic clip to keep microphone securely attached to stands
| General |
| Audio Frequency bandwidth |
50 to 20000 Hz |
| Sensitivity |
6 mV/Pa |
| Equivalent Noise Level |
21 dB-A |
| Signal to Noise |
73 dB-A |
| Preattunation Pad |
10 dB |
| Bass Cut Filter |
80 Hz |
| Electrical Impedance |
200 Ohms |
| Recommended Load Impedance |
2000 Ohms |
|
| Polar Patterns |
| Polar Pattern |
hypercardioid; cardioid |
| Number |
2 |
|
| Powering Interface |
| Voltage |
9 to 52 V |
| Current |
3 mA |
|
| Audio Output |
| Type |
Balanced XLR |
| Gender |
Male |
| Contacts |
3-pin |
|
| Design |
| Body |
metal |
| Finish |
matte grayish blue |
|
| Dimensions / Weight |
| Length |
229 mm |
| Height |
34 mm |
| Diameter |
34 mm |
| Net Weight |
320 g |
|
|
The super-cardioid e 614 is a permantly polarized condenser microphone
designed for demanding applications which require a wide frequency response,
high SPL, fast transient response and a compact design. With its frequency
response of 40 Hz to 20 kHz, the e 614 is able to capture the full sound of the
instrument, while its super-cardioid pick-up pattern isolates the microphone
from other on-stage signals.
An excellent microphone for percussion instruments, the e 614 is also an ideal
choice for woodwind and string instruments. Its excellent acoustic properties
also make it a valuable tool for home recording.
Features
Rugged design Effective rejection of incidental rear noise Excellent directivity
across the whole frequency range Full, natural sound High maximum sound
pressure level
Wide frequency response
Delivery Includes
Microphone pouch
Microphone clip MZQ 100
Technical Data
Frequency response 40 Hz ... 20 kHz
Transducer principle permanently polarized condenser
Pick-up pattern supercardioid
Sensitivity in free field, no load (1kHz) 3 mV/Pa = - 50dB (0 dB = 1 V/Pa)
Nominal impedance 50 Ohm
Min. terminating impedance 1 kOhm
Maximum sound pressure level (passiv) 139 dB/SPL
Equivalent noise level 24 dB(A)
Equivalent noise level weighted as per CCIR 468-3 35 dB
Dimensions ? 20mm, L = 100mm
Weight w/o cable 93 g
|
Technical specifications | Polar pattern | | hypercardioid | | Frequency range | | 50 to 20,000 Hz | | Sensitivity | | 20 mV/Pa (?34 dBV) | | Max. SPL | | 125 dB (k=1 %) | | Equivalent noise level | | 21 dB-A | | Signal/noise ratio (A-weighted) | | 73 dB | | Impedance | | 600 ohms | | Recommended load impedance | | >2000 ohms | | Supply voltage | | 9 to 52 V phantom power, requires DPA adapter (supplied with most Installation Modules) | | Current consumption | | | | Connector | | Discreet Acoustics Modular standard | | Finish | | matte dark gray | | Dimensions | | 13.5 x 20 mm dia. (0.5 dia. x 0.8 in.) | | Net weight | | 5 g (0.17 oz.) | | Shipping weight | | 88 g (3.1 oz.) | | Accessories (included) | | W 30 |
|
The e 865 is a fully professional super-cardioid vocal microphone utilising the very best in condenser microphone technology to achieve new standards of quality and sound. The microphone capsule insorporates special blast/pop protiction plate to shield the diaphragm from excessive sound pressure levels. ON/OFF Switch.
- Pick-up pattern : super cardioid
- Sensitivity in free field, no load : (1kHz) 3 mV/Pa
- Max. Sound pressure level (aktiv) : 150 dB
- Nominal impedance : 200 Ohm
- Min. terminating impedance : 1000 Ohm
- Dimensions : d 47 x 193 mm
- Weight : w/o cable 311 g
- Frequency response (microphone) : 40.....20000 Hz
- Phantom powering : 12 - 48 V
|
The Stereo wonder. The new NT4, a visually striking microphone that solves
the age-old problem of stereo recording by eliminating the need to purchase
matched pairs and the associated complex set-up bars and adaptors to get
professional results. With a fixed 90 Deg. X/Y configuration and perfectly
matched stereo condenser capsules, the NT4 lets you record any source with
immaculate stereo detail.
The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering
selectable battery or phantom power operation with power indicator light, the NT4
is ideally suited to both studio and location recording.
The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack
and dual XLR cables for portable DAT or professional balanced input connection.
SPECIFICATIONS:
Acoustic principle:
Stereo Microphone. 90° XY placement. Each side comprises an
externally polarised single diaphragm condenser transducer
Directional pattern: Cardioid per capsule
Frequency range: 20Hz - 20kHz
Output impedance: 200? per side
Signal noise ratio din iec 651: 78dB
Equvalent noise:128 dB
Power supply voltage:
P48 (38V?52V), P24 (20V-26V), P12 (10.8V-13.2V), 9V battery
Current consumption: 4 mA, 2 mA, 2.8 mA, 2.4mA
Weight without battery: 480g
Weight with battery: 2.3kg
|
The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.
Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62
Technical Data
Pick-up pattern omni
Sensitivity in free field, no load (1kHz) 31 mV/Pa +- 2,5 dB
Nominal impedance 200 Ohm (K6)
Min. terminating impedance 1000 Ohm (K6)
Equivalent noise level 15 dB
Equivalent noise level weighted as per CCIR 468-3 27 dB
Dimensions d 22,5 x 94 mm
Weight 30 g
|
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