APOGEE AO16 card with 16 Analog Out + 16 Optical IN Signal Converter

1,914.44 incl. GR VAT

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ADC     Not applicable DAC     24-bit Sample Rates     Up to 192kHz Analog In     Not applicable Input Impedance     Not applicable Maximum Input Level     Not applicable Analog Outputs     2 x 25-pin D-Sub (requires optional breakout cable) Output Impedance     25Ω Maximum Output Level     ∞ to +24dBu Digital Input Connectors 1 […]

 

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ADC     Not applicable
DAC     24-bit
Sample Rates     Up to 192kHz
Analog In     Not applicable
Input Impedance     Not applicable
Maximum Input Level     Not applicable
Analog Outputs     2 x 25-pin D-Sub (requires optional breakout cable)
Output Impedance     25Ω
Maximum Output Level     ∞ to +24dBu
Digital Input Connectors
1
    4 x TOSlink optical ADAT, ADAT SMUX or S/PDIF
1 x RCA coaxial S/PDIF
Digital Output Connectors     1 x RCA coaxial S/PDIF
Dynamic Range     129dB, A-weighted
THD + N     -117dB @ 20dBu (0.00014%)
Frequency Response     DC to 20kHz (+/-0.05dB)@ 44.1kHz
Word Clock     On chassis
Power Requirements     From chassis
Dimensions (WxDxH)     Fits slot on chassis

Weight 0.50 kg

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Quick Comparison

APOGEE AO16 card with 16 Analog Out + 16 Optical IN Signal Converter removeYAMAHA GO 46 FIREWIRE AUDIO-MIDI INTERFACE removeYAMAHA Audiogram 3 USB Audio Interface removeEDIROL FA-101 FireWire Audio Capture removeMOTU Traveler-mk3 - Portable bus-powered audio interface with on-board effects and mixing removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE remove
NameAPOGEE AO16 card with 16 Analog Out + 16 Optical IN Signal Converter removeYAMAHA GO 46 FIREWIRE AUDIO-MIDI INTERFACE removeYAMAHA Audiogram 3 USB Audio Interface removeEDIROL FA-101 FireWire Audio Capture removeMOTU Traveler-mk3 - Portable bus-powered audio interface with on-board effects and mixing removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE remove
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SKUAI16GO46J080.00020FA101Traveler-mk3Ultralite-mk3
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Description
Content

ADC     Not applicable
DAC     24-bit
Sample Rates     Up to 192kHz
Analog In     Not applicable
Input Impedance     Not applicable
Maximum Input Level     Not applicable
Analog Outputs     2 x 25-pin D-Sub (requires optional breakout cable)
Output Impedance     25Ω
Maximum Output Level     ∞ to +24dBu
Digital Input Connectors
1
    4 x TOSlink optical ADAT, ADAT SMUX or S/PDIF
1 x RCA coaxial S/PDIF
Digital Output Connectors     1 x RCA coaxial S/PDIF
Dynamic Range     129dB, A-weighted
THD + N     -117dB @ 20dBu (0.00014%)
Frequency Response     DC to 20kHz (+/-0.05dB)@ 44.1kHz
Word Clock     On chassis
Power Requirements     From chassis
Dimensions (WxDxH)     Fits slot on chassis

Yamaha GO46 FireWire Interface

The GO46 FireWire interface from Yamaha provides a means to stream
high-quality 24-bit/192kHz digital audio and MIDI into a computer. Connect
it to a laptop, and you've got a rugged and portable interface that can go
anywhere you go, hence the name "GO46." This box is the ideal interface
for great-sounding audio on the "GO."

Yamaha GO46 FireWire Audio/MIDI Interface At a Glance
Premium Mic Pres and Inputs
FireWire Connectivity
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI

Premium Mic Pres and Inputs
The GO46 features combo mic/line terminals (for both XLR and phone jack)
 on the front panel. Phantom power is also available and independently
switchable for each input channel. In other words, you can use a condenser
microphone on channel 1 with phantom power switched on to capture the
delicate sounds of a vocal while simultaneously recording an electric/acoustic
guitar plugged into channel 2. These combo inputs are captured at up to 24-bit/
192kHz resolution. This pro-level quality makes the GO46 perfect for any type
of recording, and allows you to capture the full details and nuances of the
original source - from the breathiness of a vocal to the delicate finger slides of
an acoustic guitar performance.

FireWire Connectivity
The FireWire equipped GO46 not only offers the convenience of one plug
connection to a computer, but the GO46 can be powered via bus power
from the FireWire port. Connect the GO46 to the FireWire terminal of a
laptop and you've got and extremely powerful and portable recording studio
that will fit in a backpack. This is also great for using the GO46 in places
where electrical outlets can be scarce, like local clubs.

Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
In order to maximize the flexibility of the GO46, Yamaha included virtually
any kind of connection you might need on location recording gigs. Two
insert points allow for connection to outboard gear like compressors or EQs.
MIDI in/out allows for connection of MIDI sound modules or instruments.
S/PDIF jacks are great for inputting digital signal from another interface or
throughputting the GO46 signal to a digital mixer, separate digital recorder,
or any other digital device.

Yamaha GO46 Features:
FireWire (IEEE1394)
Durable aluminum die cast body
2 x Premium Quality Mic pre amps with XLR/Combo connectors
Phantom Power ( +48V ) switch for each connector
2 x Insert connectors for analog inputs
1 MIDI In/ 1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
Included Cubase LE, HALion SE, and Groove Agent SE

Yamaha AUDIOGRAM3 Computer Recording System Specifications:

  • Mic/Hi-Z input: 1
  • Audio Format: USB AUDIO 1.1, 16bit/44.1kHz
  • Combo Connectors: 1
  • Stereo In connectors: Phone connector x 2 (L/MONO x 2, R x 2)
  • USB Connector: To Host x 1
  • Headphone connector: Stereo Phone connector x 1
  • Stereo Out connector: Phone connector x 2 (L, R)
  • Power Supply: USB powered
  • Dimensions (W x H x D): 180 mm x 61 mm x 112 mm (7-1/8" x 2-3/8" x 4-3/8“)
  • Accessories: CUBASE AI DVD, Owner's Manual, USB Cable

    System Requirements
  • Windows Vista
  • Windows-based computer with built-in USB interface
  • OS: Windows Vista
  • CPU: 1GHz or better Intel Core / Pentium / Celeron processor
  • Memory: More than 1GB

    Windows XP
  • Windows-based computer with built-in USB interface
  • OS: Windows XP Professional / XP Home Edition
  • CPU: 750MHz or better Intel Core / Pentium / Celeron processor
  • Memory: More than 128MB

    Macintosh
  • Macintosh computer with built-in USB interface
  • OS: Mac OS X 10.3.3 or higher
  • CPU: Intel CPU / Macintosh G3 processor 300 MHz or better
  • Memory: More than 128MB

    Cubase AI4 System Requirements:

  • Windows
  • OS: Windows XP Professional SP1 / XP Home Edition SP1 / Windows Vista (32-bit)
  • CPU: Intel Pentium 1.4GHz or better
  • Available Memory: More than 512MB
  • Hard Disk: Free disk space of 1GB or more
  • Audio Interface: Windows DirectX / ASIO compatible

    Macintosh
  • OS: Mac OS X 10.4 or higher
  • CPU: Power Mac G4 1GHz or Core Solo 1.5GHz or better
  • Available Memory: More than 512MB
  • Hard Disk: Free disk space of 1GB or more
Portable 10-in/10-out compact, mobile FireWire audio at home or on the road The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need. Supports up to 24 bit, 192 kHz Compatible with Mac OS X standard driver Two independent, on board mic pre-amps Capable of full duplex recording and playback on 10 independent channels Bus powered and durable metal construction for mobile applications Lots of ins and outs to support a wide range of recording and gigging applications The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality. * 10x10 24-bit/96kHz audio performance * 6x6 24-bit/192kHz audio performance * Firewire bus-powered * Direct monitoring * Low-latency driver support * Native Support in Mac OS X (10.3.4 or later) * 2x phantom-powered mic preamps * 8x8 balanced analog I/O * S/PDIF optical I/O * MIDI I/O

 

The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.

The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.

Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.

The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
Weight0.50 kg1.50 kg2.00 kg1.00 kg4.00 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
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