APOGEE AES-8-DIGI-IFC Multi channel interface cable

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: AES-8-DIGI-IFC Category:
The Apogee AES-8-DIGI-IFC Multi-Channel Digital Cable System is an eight channel AES/EBU* input/output connection designed to interface the Apogee Rosetta 800 to a Digidesign 192’s AES/EBU connection via DB-25 multipin connectors on both ends with metal shells for improved grounding and RF rejection. This cable provides 8 channels of AES input and output as per […]

 

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The Apogee AES-8-DIGI-IFC Multi-Channel Digital Cable System is an eight channel AES/EBU* input/output connection designed to interface the Apogee Rosetta 800 to a Digidesign 192’s AES/EBU connection via DB-25 multipin connectors on both ends with metal shells for improved grounding and RF rejection. This cable provides 8 channels of AES input and output as per the AES standard. Thumb screws are 2.6mm.

Weight 0.30 kg

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APOGEE AES-8-DIGI-IFC Multi channel interface cable removeANDOWL Q-DA5 Digital To Analog Audio Converter Optical,USB,Coaxial To RCA removeTASCAM LA-40MKIII 4ch Balanced/Unbalanced Line CONVERTER removeRME ADI-648 Converter MADI to ADAT removeAPOGEE ROSETTA 200-2 CH. 24bit-192kHz AD-DA CONVERTER removeTASCAM DP-32 SD 32-Track Digital Portastudio remove
NameAPOGEE AES-8-DIGI-IFC Multi channel interface cable removeANDOWL Q-DA5 Digital To Analog Audio Converter Optical,USB,Coaxial To RCA removeTASCAM LA-40MKIII 4ch Balanced/Unbalanced Line CONVERTER removeRME ADI-648 Converter MADI to ADAT removeAPOGEE ROSETTA 200-2 CH. 24bit-192kHz AD-DA CONVERTER removeTASCAM DP-32 SD 32-Track Digital Portastudio remove
Imageusb dac digital analog converter bass volume control andowl artsound
SKUAES-8-DIGI-IFCQDA5TA/EM/000001J30RM00009 ROSETTA 200TAEM000555
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Description
  • Laptop USB Input Digital to Analog Audio Converter
  • DAC Digital Audio Input SPDIF, Optical
  • Analog RCA, 3.5 mm Jack, Output
  • For PS4 Xbox HDTV DVD
  • Bass and Volume Adjustment
Content

The Apogee AES-8-DIGI-IFC Multi-Channel Digital Cable System is an eight channel AES/EBU* input/output connection designed to interface the Apogee Rosetta 800 to a Digidesign 192's AES/EBU connection via DB-25 multipin connectors on both ends with metal shells for improved grounding and RF rejection. This cable provides 8 channels of AES input and output as per the AES standard. Thumb screws are 2.6mm.

Laptop USB Input Digital to Analog Audio Converter with Bass and Volume Adjustment,DAC Digital Audio SPDIF Optical to Analog RCA and 3.5 mm Jack, Optical to RCA for PS4 Xbox HDTV DVD

1. This DAC supports digital PCM audio format,PLS kindly set your digital audio device such as HDTV, TV BOX, or game console into PCM or LPCM audio before using, NOT support DTS Dolby AC3. PCM Setting Path: Device homepage -- system setting -- image and sound -- voice setting -- digital audio output -- PCM 2. If you are connecting to Samsung or LG TV,please follow the steps below to set it up:Samsung TV settings path:(1)PCM format: Settings--Sound--Expert Settings--Audio Format--PCM;(2)External speakers:Settings--Sound--Select Speaker--Optical B.LG;TV setting path:(1)PCM setting path:Menu--All Settings--Sound Out--Optical--Digital Sound Out--PCM;(2)If you need to synchronize the output of the TV speakers and fiber:Menu--All Settings--Sound Out--Optical--Internal TV Speaker+Optical 3. Power charging: USB Power Cable--seperate 5V 1A Standard Plug--wall socket. Do Not Power Converter by plugging in USB cable into your TV directly (unstable power supply which cause buzzing noise). If the volume (from DAC output) is not loud enough, please connect the output of DAC with low-impedance cellphone headset, headphone amplifier, or power amplifier. 4. Not compatible with Netflix and YouTube video websites. Before power on, you must turn the adjustment knob counterclockwise to minimize the volume to avoid damage to your hearing! Not support USB flash disk! 5. This product is specially designed for professional audio signal processing,can convert the digital audio signal of input of coaxial or optical interface to analog stereo audio signal of RCA interface and 3.5mm headphone jack.The built-in professional audio amplifier chip and volume adjustment knob can directly drive the headphones and adjust volume.The product's bass adjustment function can provide powerful stereo,heavy bass effects,and create a environment different from the sound field.Features: Connect to DVD, HD player and other devices Eliminate the noise when there is no input signal, and automatically mute when the non-audio signal is input. Support 192kHz 24bit sampling rate. Metal shell, anti-interference Support Audio Format: PCM Separating Degree(1KHZ): 94DB Response Frequency: 20Hz~20KHz -0.2db Signal-to-Noise Ratio(SNR): -100DB Total Harmonic Distortion(THD+N): 10Hz~20KHz 0.25-0.065% Blocking Time: 0.577Fs Sampling Rate: 32~192 KHz Bit Rate: 16~24 Bit Earphone output level(Adjust the bass to maximum):3V RCA output level(Adjust the bass to maximum): 9V Earphone Output Power(Adjust the bass tomaximum): (32 ohm)30mW Earphone Output Impedance: 0.8 ohm RCA Output Impedance: 450 ohm Working Voltage: +5V Maximum Voltage: +6V Maximum Power Consumption: 75mA Operating Temperature Range: -10-70℃ Storage Temperature Range: -60-150℃ Operating Humidity Range: 10% - 80%RH(No Condensation) Storage Humidity Range:5- 90%RH(No Condensation) colour: black Material: metal Size: 10x9.5x1.6CMPackage Contents: 1 x Host 1 x USB power cord 1 x USBA male cable 1 x Optical cable 1 x English manualOnly the above package content, other products are not included. Note: Light shooting and different displays may cause the color of the item in the picture a little different from the real thing. The measurement allowed error is +/- 1-3cm.
 

The Tascam LA-40 MKIII has been primarily designed to provide matching capabilities between professional equipment and semi-professional or consumer equipment. It consists of four RCA inputs and outputs (–10 dBV, unbalanced) as well as four XLR inputs and outputs (+4 dBu/–20 dBu, balanced) which enable the user to connect for instance four tracks of a multitrack recorder (ins and outs) to a balanced mixer ensuring optimum level and impedance matching. Also, a switch matrix allows channels to be linked, utilizing the converter as a distribution amplifier for splitting signals to multiple recorders, or for multizone sound routing applications.

Switches on the bottom panel allow to select a nominal level of +4 dBu or –20 dBu for each channel and ±12 dB trim pots on the front panel make perfect level matching easy. LEDs on the front panel indicate signal presence for each channel. The LA-40 MKIII has also ground lift switches for each channel and a combined master switch to avoid ground loops.
Main Features

    * 4 channels with unbalanced RCA inputs and balanced XLR outputs
    * 4 channels with balanced XLR inputs and unbalanced RCA outputs
    * XLR nominal level selectable between +4 dBu and –20 dBu
    * Trim pots for each channel on front panel (±12 dB)
    * Signal LED for each channel

    * Ground lift switches for each channel and master switch
    * Distribution amplifier functionality: One mono input signal can be routed to all four output channels, or one stereo input signal can be routed to two channels each (RCA to XLR and XLR to RCA)
    * Internal power supply, no AC adapter needed
    * 1 U rack-mountable chassis

Specifications
Inputs and outputs (unbalanced to balanced)
Inputs         4 RCA jacks (unbalanced)
  Input impedance         23 kOhm (when all INPUT LINK switches are OFF)
5.7 kOhm (when all INPUT LINK switches are ON)
  Nominal input level         –10 dBV, ±1 dB
  Maximum input level         +4.8 dBV
  Indicator detection level         –36 dBV or more (OUTPUT LEVEL switch set to +4 dB or –20 dB)
Outputs         4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
  Output impedance         94 Ohm
  Nominal load impedance         10 kOhm
  Minimum load impedance         600 Ohm
  Nominal output level         +4 dBu, ±1 dB (OUTPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (OUTPUT LEVEL switch set to –20 dB)
  Maximum output level         +23 dBu
Inputs and Outputs (balanced to unbalanced)
Inputs         4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
  Input impedance         54 kOhm (when all INPUT LINK switches are OFF)
13.5 kOhm (when all INPUT LINK switches are ON)
  Nominal input level         +4 dBu, ±1 dB (INPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (INPUT LEVEL switch set to –20 dB)
  Maximum input level         +30 dBu (INPUT LEVEL switch set to +4 dB)
+8 dBu (INPUT LEVEL switch set to –20 dB)
  Indicator detection level         –22 dBV or more (INPUT LEVEL switch set to +4 dB)
–46 dBV or more (INPUT LEVEL switch set to –20 dB)
Outputs         4 RCA jacks (unbalanced)
  Output impedance         200 Ohm
  Nominal load impedance         10 kOhm
  Minimum load impedance         1 kOhm
  Nominal output level         –10 dBV, ±1 dB
  Maximum output level         +18 dBV
Audio performance
TRIM range         ±12 dB
S/N ratio (at nominal levels)         90 dB(A) (20 kHz LPF)
87 dB(A) (20 Hz HPF and 20 kHz LPF)
Total harmonic distortion
(1 kHz, at nominal levels)         0.005 % or less
Frequency response (at nominal levels)         20 Hz – 100 kHz, ±3 dB
Crosstalk
(1 kHz, nominal levels, 600 Ohm load)         –90 dB
Other specifications
Power requirements         100–240 V AC, 50/60 Hz
Power consumption         6 W
Dimensions (W x H x D)         483 mm x 44 mm x 280 mm
Weight         3 kg

Input MADI: 1 x BNC, 1 x optical
Output MADI: 1 x BNC, 1 x optical
Input ADAT optical: 8 x TOSLINK, 24-Bit, Bitclock PLL
Output ADAT optical: 8 x TOSLINK, 24-Bit
Input word clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal), switchable termination
Output word clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof
MIDI input and output: via two 5-pin DIN jacks
Sync sources: MADI, ADAT optical, word clock, internal
Varipitch: by input signal or word clock
Sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync/word clock)
Sample rate range: MADI: 32 kHz - 96 kHz, word clock: 27 kHz-105 kHz, ADAT: 33 kHz - 57 kHz
Jitter: Internal clock Jitter suppression on external clock: circa 30 dB (2.4 kHz)
Jitter sensitivity: all PLLs operate even at 100 ns Jitter without problems
Power supply: internal switching mode ps, 100 V-240 V AC, 50-60 Hz, 10 Watts
Dimensions: 483 x 44 x 200 mm

The Rosetta 200, Apogees successor to the PSX-100 and Rosetta AD namesake,
delivers the quality of the popular Rosetta 800, in a 2-channel AD/DA solution. Like
the Rosetta 800, the 200 features premium Apogee A/D and D/A conversion, 192k
sampling rates (standard), optional Pro Tools HD, Mix and FireWire expansion cards
and core Apogee technologies such as UV22HR, and SoftLimit. And while the
Rosetta 200 shares much of its feature set with its cousin, it throws in some irresistible
extras such as the new, CODA, Audio Finishing Module, full channel metering, and
MIDI and S/PDIF input and output. Flexibility and features galore make the Rosetta 200
an outstanding option for professional and project studios, mastering engineers, and
audio archivists.

Features:
Channels of premium 24-bit AD/DA conversion
Sample rates up to 192kHz with Apogee's "Intelliclock"
2 channels of AES, S/PDIF (coax & optical), and ADAT/SMUX I/O MIDI I/O
Optional FireWire expansion card for compatibility with OS X, and
Windows XP (X-FireWire card)
Optional expansion card for direct connection to Pro Tools HD & Mix systems
(X-HD card, X-Digi-Mix card)
“Soft Limit" for maximum digital level without overs
CODA: The Aptomizer Level Normalizer, Sample Rate Conversion (SRC), and
Apogees UV22HR for superior dither to 16-bit
Full channel metering

Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording. For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example. Main Features 32-track digital Portastudio 8 mono tracks, 12 stereo tracks (can also be used as mono tracks) Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution Simultaneous playback of all 32 tracks Virtual tracks for alternate takes and undo Dedicated stereo master track Colour LC display and 12-encoder channel strip for simple operation Built-in 40-channel mixer Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track Dedicated controls for EQ, pan and effect sends Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording 8 balanced microphone inputs on balanced combo XLR/jack connectors Switchable phantom power for 4 channels each One input switchable to instrument level for direct recording of a guitar or bass Unbalanced stereo output (RCA jacks) Balanced stereo monitor output (6.3-mm TRS jacks) Two unbalanced effect sends (6.3-mm TS jacks) Stereo headphones output (6.3-mm TRS jack) MIDI input and output for MMC, Control Change and MTC output Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory) Input effects (Limiter, Compressor, Noise suppressor, Exciter) Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter) Mixdown effects (Reverb, Delay, Stereo chorus) Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping) Mark function (up to 99 location marks) Built-in chromatic tuner and metronome CD-RW drive for audio CD creation as well as file import and export USB 2.0 port for data backup/restore and file transfer with a computer Specifications Recording media and file systems Recording media        SD card (512 MB to 2 GB) SDHC card (4–32 GB) File system        SD card (512 MB to 2 GB): FAT16 SDHC card (4–32 GB): FAT32 Analogue audio inputs and outputs MIC/LINE INPUTS A–H, XLR (balanced) Connector        XLR-3-31 (1: GND, 2: HOT, 3: COLD) Input impedance        2.4 kOhm Nominal input level        –14 dBu Maximum input level        +2 dBu MIC/LINE INPUTS A–H, phone jack (balanced) Connector        6.3-mm TRS phone jack Input impedance        >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR) Nominal input level        +4 dBu Maximum input level        +20 dBu STEREO OUT L/R connectors        RCA pin jack Nominal output level        –10 dBV Maximum output level        +6 dBV Output impedance        200 Ohm EFFECT SENDS 1/2 connectors        6.3-mm TS phone jack Nominal output level        –10 dBV Maximum output level        +6 dBV Output impedance        200 Ohm MONITOR OUT L/R connectors        6.3-mm TRS phone jack Nominal output level        –2 dBu Maximum output level        +14 dBu Output impedance        200 Ohm PHONES connector        6.3-mm TRS phone jack Maximum output power        70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load) Other inputs and outputs MIDI input (MIDI IN)        DIN 5 pin Format        Standard MIDI format MIDI output (MIDI OUT)        DIN 5 pin Format        Standard MIDI format USB connector        USB 4-pin mini-B type Format        Mass Storage Class USB 2.0 High Speed REMOTE connector        2.5-mm TRS jack Audio performance Frequency response        20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Distortion        ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) S/N ratio        ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Audio performance Frequency response        20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Distortion        ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) S/N ratio        ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Operating system requirements Windows        Pentium 300 MHz or faster 128 MB or more memory Macintosh        Power PC, iMac, G3, G4 266 MHz or faster 64 MB or more memory Recommended USB port        USB 2.0 Recommended USB host controller        Intel chipset Supported operating systems        Windows XP, Windows Vista, Windows 7 Mac OS X 10.2 or later Power requirements and other specifications Power supply        AC adaptor (TASCAM PS-1225L) Power consumption        12 W (Phantom power on) Dimensions (Width x Height x Depth, excluding projections)        514 mm x 104 mm x 340 mm Weight        6.2 kg Operating temperature        5–35 °C Design and specifications subject to change without notice.
Weight0.30 kg0.400 kg3.00 kg1.00 kg2.00 kg6.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.30 kg
Weight 0.400 kg
Weight 3.00 kg
Weight 1.00 kg
Weight 2.00 kg
Weight 6.20 kg