APOGEE SIOC Electronics Symphony I/O Chassis

1,604.05 incl. GR VAT

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The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with […]

 

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The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following – channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4″ headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan  Connectors     2 x 1/4″ TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones     THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements     90~240VAC, 50/60Hz, 150W
System Requirements     Mac OS X 10.5.8 and above
Dimensions (WxDxH)     19 x 11.5 x 3.5″ (483 x 292 x 89mm) 

Weight 2.50 kg

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SKUSIOCBLUAEC-INZ-BLU DANDBX PMC16E005394MS520
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Description
Content

The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan  Connectors     2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones     THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements     90~240VAC, 50/60Hz, 150W
System Requirements     Mac OS X 10.5.8 and above
Dimensions (WxDxH)     19 x 11.5 x 3.5" (483 x 292 x 89mm) 

Κάρτα 4άρων εισόδων για BLU-800, BLU-320, BLU-160 & BLU-120 με δυνατότητα Echo cancellation.

The Soundweb London BLU-DAN offers Dante audio and BLU link. This means that the BLU-DAN can be used to ‘add’ Dante to one or more BLU link devices. The BLU-DAN is configurable through HiQnet Audio Architect. A rich palette of logic objects and a "drag and drop" method of configuration provide a simple and familiar design environment. The BLU-DAN features Dante audio. The BLU-DAN is capable of simultaneously transmitting and receiving up to 64 channels of Dante audio (64 x 64). Primary and Secondary ports are provided for fault tolerance. Control is through a separate Ethernet port. The BLU-DAN also features BLU link, a low latency, fault tolerant digital audio bus of 256 channels, which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km. A bi-directional locate function allows devices to be identified both from and within HiQnet Audio Architect. The BLU-DAN and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.

Features

  • AES67 and Dante Audio with support for Dante Domain Manager
  • BLU link – 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus
  • ‘Add’ Dante / AES67 to one or more BLU link devices
  • Clear Front Panel LED Indication
  • Bi-Directional Locate Functionality
  • HiQnet Device
  • Configuration, Control and Monitoring from HiQnet Audio Architect
  • 1RU, Half-Rack Device
  • AES67 Compatible
  • EN 54-16 Compliant for life safety applications
*The price is without VAT

Overview Dial in YOUR mix exactly as YOU want it, in Real Time.

The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for monitoring with headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Multiple PMC16s can be daisy chained using CAT5e cable allowing each user to receive 16 channels of high-resolution digital audio and create their own personalized mix to suit their monitoring needs. The PMC16 comprises a 16 channel mixer section with full control of levels, panning, effect send levels, muting, and soloing. Onboard Lexicon© reverb provides the finishing touch. The PMC16ʼs output processing section includes: stereo width control, wedge monitor compensation EQ, high and low master EQ, master level control, and dbx limiting. With a Setup Wizard for ease of configuration, full 16 channel level metering, channel grouping, 16 preset locations for future recall of configurations and mixes, and an intuitive yet powerful user interface, PMC16 gives you the power to dial in YOUR mix exactly as YOU want it, in real time.

Recommended for: Portable, Tour.

Features
  • 16 Channel Monitor Mixer with Level, Pan, Mute, Solo, & Reverb Send Control
  • 16 Preset Locations for Mix & Configuration Recall
  • LCD Display with 16 Channel Metering
  • Built-In Lexicon© Reverb
  • dbx PeakStopPlus™ Limiting
  • Global High & Low EQ
  • Global Master Level Control
  • Global Stereo Width Control
  • BLU Link High Bandwidth, Fault Tolerant Digital Audio Bus
  • XLR & 1/4” Stereo or Mono Outputs
  • 1/8” & 1/4” Headphone Outputs
  • Setup Wizard for Easy Configuration
  • Supports 48 kHz & 96 kHz Sampling Rates
  • Channel Linking, Grouping, & Multi-Select Capabilities
  • Supports up to 60 PMC16s on a Single BLU Link Ring
  • Built-In Sturdy Mic Stand Mount
  • USB Port for Firmware Updates

The MULTIGATE PRO XR4400 provides four frequency-selective expanders/noise gates in a single rack space. Each section comprises an ultra-fast gate, a program dependent expander, a filter section and precision meters indicating both threshold point and gain reduction.

The included side chain parametric filters allow the user to fine-tune control signals so that the gate reacts only when required. The Interactive Attack Control (IAC) circuit analyzes the program material to calculate the attack time of the gate. Separate hold and release controls offer additional flexibility. The XR4400 has a switchable operating mode for the gate and expander. With the MODE function off, the unit works in gate mode using an extremely fast attack time, thus preserving the transient details of the program material. In expander mode, the device analyzes the shape and dynamic contents of the input signal to calculate the control time parameters. The result is that vocals, instruments and complex mix signals can be cleaned up without audible clicks or other detrimental effects.

A couple function on the XR4400 provides a great deal of flexibility to link the expander/gate sections in a master/slave configuration.

Quadruple expander/gateHigh-precision parametric filter for frequency selective operationFully adjustable Ratio control in Expander modeFully adjustable Attenuation control in Gate modeIndependent Hold/Release controls for any envelope shapingFlexLink system for flexible Master/Slave configurationsExtremely low-noise operational amplifiers and high-grade VCA\'sFilter Monitor facility for monitoring the filter sectionHigh-quality detent potentiometers and backlit switchesServo-balanced gold-plated XLR and 1/4" TRS inputs and outputs8-digit LED meters for input level, output level and gain reduction monitoring

Function Four channel expander/gate
Number of Channels 4
Inputs 4 x XLR, 4 x TRS 1/4" phone
Output 4 x XLR, 4 x TRS 1/4" phone
Maximum Input Level +21dBu
Compression Threshold Not applicable
Compression Ratio Not applicable
Attack Time Not applicable
Release Time Not applicable
Gate Threshold 0 to -80dB
Gate Rate Attack: Program dependant
Hold: 0 to 4 sec, variable
Release: 50ms to 4 sec, variable
Maximum Output Level +21dBu
Make-up Gain Not specified by manufacturer
Frequency Response 18HZ to 30kHz
Dynamic Range Not specified by manufacturer
Noise >95dBu, unweighted, 22Hz to 22kHz
Dimensions 1U rack mount, 8 1/2" deep
Specialties Unit will operate at either +4dB or -10 dB

An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.

Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.

Features
3 Music Source Inputs individually selectable to each output
One Input Source with Override facility (Jukebox or Auto Announcer)
5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones
Can be expanded interlink of two or more MS520 units
Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option)
Direct Inputs and Outputs on each zone
Paging or Alarm Input Override System
Full Digital Matrix control of functions to all 5 zones
Up to 10 remote control panels RC 62 can be connected to each MS 520
AMPLIFIER SPECIFICATIONS
Power output:5 x 20Watt rms
Frequency Response (Music):30 ÷ 45Hz ÷ kHz
Frequency Response (Direct):30 ÷ 45Hz ÷ kHz
Frequency Response (Paging):200 ÷ 18Hz ÷ kHz
Distortion:0.5%
Signal / noise ratio (Music):-78dB
Signal / noise ratio (Direct):-78dB
Signal / noise ratio (Paging):-60dB
INPUT SECTION
Input sensitivity (Music):-16dBu
Input sensitivity (Direct):-16dBu
Input sensitivity (Paging - Line):- 43 ÷ -27dBu
Input sensitivity (Paging - Mic):- 58 ÷ -41dBu
Bass Tone:(100 kHz) ± 8dB
Treble Tone:(12.5 kHz) ± 8dB
OUTPUT SECTION
Out level:-6 / -10dB
Protections:Short ciurcuit, thermal, AC / DC fuses 
Power supply:16V dc
POWER REQUIREMENT
Operating voltage:220÷240 / 110÷120 V ~ 50 / 60 HzV ~ Hz
Power (consumption):370W
Max. Available power:100W
PHISICAL SPECIFICATION
Width:438 / 17.24mm/inch
Height:44 / 1.73mm/inch
Depth:253 / 9.96mm/inch
Net Weight:3.66 / 8.06Kg/Lbs
SHIPPING INFORMATION
Package height:75 / 2.95mm/inch
Package width:520 / 20.47mm/inch
Package depth:280 / 11.02mm/inch
Shipping Weight:4.18 / 9.21Kg/Lbs

 

Weight2.50 kg2.00 kg2.00 kg2.00 kg3.20 kg4.18 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 2.00 kg
Weight 2.00 kg
Weight 2.00 kg
Weight 3.20 kg
Weight 4.18 kg