N-AUDIO MX400 Mini audio mixer

29.94 incl. GR VAT

Available on backorder

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Availability: Available in 4-10 d. Available in 4-10 d. SKU: MX400 N-AUDIO Category:
Mini audio mixer 4 channel ( 4xIN   1xOUT ) * 4xIN Jack 6,3mm to 1xOUT Jack 6,3mm * Power supply included 4x 6.3 mm Mono jack inputs 1x 6.3 mm Mono jack outputs

 

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Mini audio mixer
4 channel ( 4xIN   1xOUT )

* 4xIN Jack 6,3mm to 1xOUT Jack 6,3mm
* Power supply included

  • 4x 6.3 mm Mono jack inputs
  • 1x 6.3 mm Mono jack outputs
Weight 0.50 kg

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Quick Comparison

N-AUDIO MX400 Mini audio mixer removeBEHRINGER DJX750 Pro Mixer 5-Channel DJ Mixer with Digital Effects and BPM Counter removeECLER SAM 614T Installation Mixer 6 Channels removeRane AM2 Automixer removeECLER AC-6 Professional Mixer 8 Channels removeDYNACORD MP-7 Powered Mixer 2x300 Watts 7 Channels remove
NameN-AUDIO MX400 Mini audio mixer removeBEHRINGER DJX750 Pro Mixer 5-Channel DJ Mixer with Digital Effects and BPM Counter removeECLER SAM 614T Installation Mixer 6 Channels removeRane AM2 Automixer removeECLER AC-6 Professional Mixer 8 Channels removeDYNACORD MP-7 Powered Mixer 2x300 Watts 7 Channels remove
ImageAM2
SKUMX400 N-AUDIOE005267SAM 614T134.401AC-6MP 7
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Price 29.94 incl. GR VAT 301.00 incl. GR VAT830.79 incl. GR VAT891.45 incl. GR VAT1,776.92 incl. GR VAT 1,612.00 incl. GR VAT
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DescriptionThe Rane AM2 is both an 8 channel, gain-sharing automatic mic mixer and simultaneously a Rane RAD. Use it as a standalone mic-only mixer, add more gain-shared mics using up to seven additional AM2 Automixers, and/or use the RAD Port to transport the mic mix to Rane's HAL system
ContentMini audio mixer 4 channel ( 4xIN   1xOUT ) * 4xIN Jack 6,3mm to 1xOUT Jack 6,3mm * Power supply included
  • 4x 6.3 mm Mono jack inputs
  • 1x 6.3 mm Mono jack outputs
 
  • Professional 5-channel ultra-low noise DJ mixer with stylish, black design
  • State-of-the-art 24-bit digital effects with advanced parameter control
  • Intelligent dual auto-BPM counter with time and beat sync display
  • Super-smooth ULTRAGLIDE faders with up to 500,000 life cycles
  • Awesome adjustable XPQ stereo surround effect
  • VCA-controlled crossfader for utmost reliability and smooth audio performance
  • Adjustable crossfader curve for all mixing styles
  • 3-band kill EQ (-32 dB) and precise level meters with peak hold function per channel
  • Additional 3-way kill switches with extremely steep frequency separation
  • Monitor function with master/cue balance control and split option
  • Auto-talkover function with separate depth control
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
Need an analog DJ mixer for your dance club? Donʼt want to settle for some run-of-the-mill DJ desk youʼll outgrow in just a few weeks? The new PRO MIXER DJX750 DJ Mixer merges intuitive operation with built-in digital effects processing for clean, transparent sound that will set your dance floor on fire! Because your voice is your instrument, the DJX750 features a dedicated mic channel with all the tools to make your sound supremely distinctive. Vocal fine-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at LOW (80 Hz), MID (2.5 k), and HIGH (12 kHz) frequency centers — creating an extremely broad tonal palette. Not Just a DJX700 Dressed in Black! DJs the world over love the DJX700 — and we are grateful that so many have made it their "go-to” mixer. So when we began design on the DJX750, we knew we had to do something very special. We started by revving up the FX processor and putting advanced parameter control right at your fingertips. No longer are you confined to rigid presets that limit your creativity. With the DJX750, you can change FX parameters on-the-fly, pushing your performance to the next level. In no time youʼll be creating powerful sets with your own custom-tailored effects sounds, all of which can be controlled in real-time. Some parameters at your disposal include Bit Crusher depth, manual filter sweeps, Panning (LFO Rate), delay/echo time and much more. You can even set delay and echo timing relative to the internal BPM counter for extremely musical results. It is kinda like a DJX700 — but one on steroids! Really good digital effects add the finishing touch to a solid performance, and ours are really good! With 33 outstanding effects to choose from, including an assortment of Phase Shifters, Flangers, Reverbs, Delays and more, your audience wonʼt know what hit them. There are even Auto Filter and Voice Changer effects that will take your show to a whole new level. Channels Galore Because your voice is your instrument, the DJX750 features a dedicated mic channel with all the tools to make your sound supremely distinctive. Vocal fi ne-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at LOW (80 Hz), MID (2.5 k), and HIGH (12 kHz) frequency centers — creating an extremely broad tonal palette. The DJX750ʼs stereo channelsʼ EQ utilize the same frequency centers with a boost of up to 12 dB and a cut of as much as -32dB. These channels are equipped to handle every conceivable input source — from line level, phono, CD and tape decks to mp3 and minidisk players, weʼve got you covered. Auto DuckingDJX750ʼs talkover function automatically detects your voice and brings down the volume of the music track (referred to as "ducking”), so your voice is always out front — you can even set this level to your own personal preference. Auto BPM Counter Syncʼing up tracks is an art unto itself — thatʼs why we gave the DJX750 dual Auto BPM Counters. This cool feature helps take the guess work out of making a smooth transition from one track to the next. Each BPM counterʼs digital display shows which channel it is tracking and the tempo of the music in beats per minute. Optionally, you can push the Beat Assist button in time with the song to manually enter the tempo. You get a read out of the tempo diff erence between the tracks, as well as a visual confirmation when they are in sync. These tools will help you seamlessly align two tracks — without having to rely solely on your ears. Crossfader & Channel FadersAll of our super-smooth faders are of the high-grade 45-mm ULTRAGLIDE variety. Faders are, after all, the heart and soul of every mixer, and with their 500,000 cycle life expectancy (thatʼs 275 fades per night, per fader for five years without a break!), they outperform standard faders more than twenty-to-one. And since the crossfader uses VCA (Voltage Controlled Amplifi er) technology, there is virtually no audio noise. For those of you who prefer customized crossfading, the DJX750 also includes our CF Curve control, which lets you set the crossfaderʼs control characteristic just the way you like it. It is, after all, your show! XPQ 3DMaking music larger than life is what itʼs all about and the DJX750 comes through on this in a big way. XPQ 3D Surround widens the stereo field, giving it immense depth and a stereo image that is full of life, with amazingly transparent sound. You determine the intensity of this stunning effect with a simple twist of the Surround control — from barely noticeable to supremely spectacular. Sound QualityNone of the above-mentioned features would amount to much if the DJX750 didnʼt sound truly remarkable. Thatʼs why we equip each one with our tried-and-true ULN (Ultra Low-Noise) preamps: what comes in comes out, with nothing added. So you get maximum headroom, extremely low noise and ultra-transparent sound. Compare it to the competition for sound quality, features and value and youʼll see why more and more DJs "own the night” with their BEHRINGER DJX750. Monitor Multi-tasking You canʼt put on much of a show if you canʼt hear what youʼre mixing! Thatʼs why we didnʼt cut any corners on DJX750ʼs monitor section. When the monitor Mode switch is in the "Split” position, you hear the PFL (Pre-Fader Level) output on the left side of your phones, and the Master signal on your right. If you prefer working in "Stereo” mode, you can turn the MIX control fully counterclockwise to hear the channel PFL signal in both sides of your headphones, fully clockwise for the Master output, or you can "mix” both signals by adjusting the control to anywhere in-between. You can listen to one or multiple sources, and LEDs light up to indicate what youʼre listening to.  
  • 6 input channels
  • MIC (XLR3) inputs on channels 1 and 2
  • MIC (JACK ¼”) / stereo LINE (RCA) in channels 3 and 4. Input signal pushbutton selector (MIC/LINE) on back panel
  • Stereo LINE (RCA) on channels 5 and 6
  • Input signal gain level control (accessible only with screwdriver)
  • Each channel features signal present (SP) and CLIP indicators
  • General phantom power switch located on back panel. Independent internal phantom power assignment to any MIC input
  • Triple tone control (accessible only with screwdriver)
  • 2 main stereo OUTPUTS (XLR3) with independent volume control
  • 3 LED OUTPUT level meter
  • Input channels can be routed to any main output (A,B) or both
  • 2 additional stereo REC outputs (REC1, REC2)
  • Mono mode selector in outputs A and B
  • Headphones monitoring of selected output (A or B)
  • Integrated, internally configurable talkover. Affects OUT A and REC A
  • Remote MUTE function (PHOENIX) allows linking to external fire detection centrals
  • TALKOVER function fully configurable to –20dB or –30dB that affects boths outputs A and REC A
The SAM mixer series has been specially designed for all public address and communication systems requiring a minimum risk of unwanted external manipulation. Frequently used controls are easily accessible. Specific adjustments remain only accessible by the installer for precise and permanent settings. SAM SERIES are very easy to use, even for non-technical users. All this is packed into a compact, 1 unit high, 19'' rack unit. SAM series general KEY features
  • Universal 1 RU, 19” installation mixers
  • Excellent frequency response
  • Balanced MIC and stereo LINE inputs and main outputs
  • Reliable proprietary power supply
  • Ideal for any application requiring a trouble free mixer
Χαρακτηριστικά:Inputs:Gain-Sharing Automatic Mic Mixing Eight XLR Inputs with Level controls & Sig/OL indicators Each can be Mic, Mic with 48V phantom, or Line-level Add up to 64 more gain-sharing inputs by cascading AM2 Automixers Add other audio sources, line inputs and remote controls by connecting to HAL systemOutputs (all mono)XLR Main with Mic/Line switch, Level control & Sig/OL Rane RAD and Cascade IN RJ-45 Ports Cascade In Port connects up to seven additional Rane AM2 mixers, (eight units total) RAD Port may send Output to HAL (DSP/control). It is possible to cascade the AM2 mix into Halogen's Gain-Sharing Auto Mixer or Room Combine Processor DSP, so that all mics connected to HAL may gain-shareAlthough the origins of the company date from 1965, ECLER presented its first mixer back in the 70s: the A4, a simple 4 channel mixer oriented to Super 8 film sound edition. The company grew in the 70s with the boom of disco and tourism. The AC-4 was a high fidelity mixer designed to meet the most demanding sound requirements in discos, theatres, cinemas, recording studios, conference rooms... The electronic circuits and the extreme selection of all components and transistors used, made the AC-4 a professional high quality mixer. The new AC-6 is a tribute to those old school, simple, robust, reliable and great sounding mixers. The AC6 enables a new generation of DJs to enjoy the unique sound of those legendary mixers.

A professional mixer offering two digital effect units and a 2 x 300 watts power amplifier to be used in entertainment and multimedia applications. Whether it is being used as mobile DJ-mixer, by a rental company, in a clubhouse, a hotel, a club / bistro, or in the party cellar at home: the comprehensive set of features and professional audio quality of the MP-7 Entertainment System also solves your sound reinforcement problem.

Maximum Midband Output Power, 1 kHz, THD = 1%: - into 4 ohms 2 x 340 W into 8 ohms 2 x 200 W Rated Output Power, 20Hz… 20 kHz, THD =0.2%: - into 4 ohms 2 x 300 W into 8 ohms 2 x 150 W Maximum Output Voltage of the power amplifier, no load THD @ 1 kHz, MBW=80kHz 43 Vrms MIC input to Main L/R output, +16 dBu 90 dB Channel seperation > 70 dB Input Sensitivity, all level controls in max. position: - MIC input -74 dBu (155µV) Line Input (Mono) -54 dBu (1.55 mV) CD/MD Line Input (Stereo) -24 dBu (49 mV) Phone Input (Stereo) -61.5 dBu (652 µV) Power Amplifier Input +6 dBu (1.55 V) Maximum Level, mixing desk: - MIC inputs +11 dBu Line inputs +30 dBu All other inputs +20 dBu Record Send output +14 dBu All other outputs +20 dBu Input Impedances: - MIC 1.8 kohms All other inputs > 10 kohms Output Impedances: - Record Send 1 kohms Phones 47 ohms All other outputs 75 ohms Equivalent Input Noise, MIC Input, A-weighted 150 ohms -130 dBu Noise, Channel inputs to Main L/R outputs, A-weighted: - Master fader down -104 dBu Master fader 0 dB, Channel fader down -91 dBu Master fader 0 dB, Channel fader 0 dB, Channel gain unity -84 dBu Signal/Noise-Ratio, power amplifier, A-weighted 105 dB Equalization STEREO: - LO Shelving +9/-30 dB / 60 Hz MID Peaking +9/-30 dB / 2.4 kHz HI Shelving +9/-30 dB / 12 kHz Equalization MIC: - LO Shelving ±15 dB / 60 Hz MID Peaking ±12 dB / 2.4 kHz HI Shelving ±15 dB / 12 kHz Master EQ, 2x7-band, Stereo ±10 dB Phantom Power, all MIC Inputs +24V dc Lamp +12V dc Power Requirements, factory preset, 50Hz....60Hz 100V/120V/230V/240V Power Consumption at 1/8 maximum output power 4 ohms 450 W Dimensions, (WxHxD), mm 455,5 x 175,8 x 340.6 Weight, including lid 13 kg Optional Rack-Mount-Kit MP7

Weight0.50 kg3.00 kg2.00 kg1 kg4.00 kg13.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 3.00 kg
Weight 2.00 kg
Weight 1 kg
Weight 4.00 kg
Weight 13.00 kg

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