Cardioid Condenser Instrument Microphone with Drum Mounting System (5″ Gooseneck) Designed for use with drums, the ATM350D UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491D drum […]
Cardioid Condenser Instrument Microphone with Drum Mounting System (5″ Gooseneck)
Designed for use with drums, the ATM350D UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491D drum mount and strong, flexible AT8490 5″ gooseneck, the mic can be securely fastened to the drum and positioned to stay where you want it. The drum mount’s unique spring-loaded mechanism clamps it tightly to a drum lug (without hindering your ability to adjust the lug) and provides excellent shock resistance for the mic; the gooseneck’s rigidity ensures that it won’t flop around no matter how aggressively you play.
The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
Low-profile mic design for minimum visibility
Crisp, clear, well-balanced microphone response, even at high SPLs
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
UniMount® drum mount with unique spring-loaded mechanism attaches securely to a drum lug, and provides excellent shock resistance for the microphone
Rugged UniMount® 5″ gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
Interchangeable elements available for hypercardioid and omnidirectional polar patterns
Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT
Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN
Cardioid
FREQUENCY RESPONSE
40 – 20,000 Hz
LOW FREQUENCY ROLL-OFF
80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY
–49 dB (3.5 mV) re 1V at 1 Pa
IMPEDANCE
200 ohms
MAXIMUM INPUT SOUND LEVEL
159 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical)
130 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO
65 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS
11– 52V DC, 3.5 mA typical
SWITCH
Flat, roll-off
WEIGHT (MICROPHONE)
14.5 g (0.5 oz)
WEIGHT (POWER MODULE)
90 g (3.2 oz)
DIMENSIONS (MICROPHONE)
37.8 mm (1.49\’\’) long, 12.2 mm (0.48\’\’) maximum body diameter
DIMENSIONS (POWER MODULE)
92 mm (3.62“) long, 18.9 mm (0.74“) diameter
OUTPUT CONNECTOR (POWER MODULE)
Integral 3-pin XLRM-type
CABLE
4.0 m (13.1\’) long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector
Cardioid Condenser Instrument Microphone with Drum Mounting System (5" Gooseneck)
Designed for use with drums, the ATM350D UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491D drum mount and strong, flexible AT8490 5" gooseneck, the mic can be securely fastened to the drum and positioned to stay where you want it. The drum mount’s unique spring-loaded mechanism clamps it tightly to a drum lug (without hindering your ability to adjust the lug) and provides excellent shock resistance for the mic; the gooseneck’s rigidity ensures that it won’t flop around no matter how aggressively you play.
The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
Low-profile mic design for minimum visibility
Crisp, clear, well-balanced microphone response, even at high SPLs
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
UniMount® drum mount with unique spring-loaded mechanism attaches securely to a drum lug, and provides excellent shock resistance for the microphone
Rugged UniMount® 5" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
Interchangeable elements available for hypercardioid and omnidirectional polar patterns
Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT
Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN
Cardioid
FREQUENCY RESPONSE
40 – 20,000 Hz
LOW FREQUENCY ROLL-OFF
80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY
–49 dB (3.5 mV) re 1V at 1 Pa
IMPEDANCE
200 ohms
MAXIMUM INPUT SOUND LEVEL
159 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical)
130 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO
65 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS
11– 52V DC, 3.5 mA typical
SWITCH
Flat, roll-off
WEIGHT (MICROPHONE)
14.5 g (0.5 oz)
WEIGHT (POWER MODULE)
90 g (3.2 oz)
DIMENSIONS (MICROPHONE)
37.8 mm (1.49\'\') long, 12.2 mm (0.48\'\') maximum body diameter
DIMENSIONS (POWER MODULE)
92 mm (3.62“) long, 18.9 mm (0.74“) diameter
OUTPUT CONNECTOR (POWER MODULE)
Integral 3-pin XLRM-type
CABLE
4.0 m (13.1\') long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector
ATM350a cardioid condenser microphone; AT8543 power module; AT8491D UniMount® drum mount; AT8490 UniMount® 5" gooseneck; AT8468 violin mount (hook-and-loop fastener); protective carrying case
AUDIO-TECHNICA CASE STYLE
M36
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
Mew A98D flexible drum mount
SPL handling to 160dB
frequency response of 20 to 20,000Hz and included preamplifier
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g
Audio Frequency Response 20 Hz - 10,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 150 Ω
Mic Type Instrumental
Open Circuit Voltage 0.63 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Shipping Weight 23.7 oz (672 g)
Wired/Wireless Wired
Weight Net 12.84 oz (364 g)
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