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Cardioid Condenser Instrument Microphone with Piano Mounting System (9" Gooseneck)
Designed for use with pianos, the ATM350PL UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491P magnetic piano mount and strong, flexible AT8490L 9" gooseneck, the mic can be securely fastened to any metal portion of the piano and positioned to stay where you want it.
The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
- Low-profile mic design for minimum visibility
- Crisp, clear, well-balanced microphone response, even at high SPLs
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- UniMount® magnetic piano mount attaches securely to the frame or other metal part of the piano, and provides excellent shock resistance for the microphone
- Rugged UniMount® 9" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
- In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
- Interchangeable elements available for hypercardioid and omnidirectional polar patterns
- Included violin mount with hook-and-loop fastener provides an additional mounting option
| ELEMENT |
Fixed-charge back plate, permanently polarized condenser |
| POLAR PATTERN |
Cardioid |
| FREQUENCY RESPONSE |
40 – 20,000 Hz |
| LOW FREQUENCY ROLL-OFF |
80 Hz, 12 dB/octave |
| OPEN CIRCUIT SENSITIVITY |
–49 dB (3.5 mV) re 1V at 1 Pa |
| IMPEDANCE |
200 ohms |
| MAXIMUM INPUT SOUND LEVEL |
159 dB SPL, 1 kHz at 1% T.H.D. |
| DYNAMIC RANGE (typical) |
130 dB, 1 kHz at Max SPL |
| SIGNAL-TO-NOISE RATIO |
65 dB, 1 kHz at 1 Pa |
| PHANTOM POWER REQUIREMENTS |
11– 52V DC, 3.5 mA typical |
| SWITCH |
Flat, roll-off |
| WEIGHT (MICROPHONE) |
14.5 g (0.5 oz) |
| WEIGHT (POWER MODULE) |
90 g (3.2 oz) |
| DIMENSIONS (MICROPHONE) |
37.8 mm (1.49\'\') long,
12.2 mm (0.48\'\') maximum body diameter |
| DIMENSIONS (POWER MODULE) |
92 mm (3.62“) long,
18.9 mm (0.74“) diameter |
| OUTPUT CONNECTOR (POWER MODULE) |
Integral 3-pin XLRM-type |
| CABLE |
4.0 m (13.1\') long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector |
| OPTIONAL INTERCHANGEABLE ELEMENTS |
UE-H hypercardioid (100°);
UE-O omnidirectional (360°) |
| ACCESSORIES FURNISHED |
ATM350a cardioid condenser microphone; AT8543 power module; AT8491P UniMount® magnetic piano mount; AT8490L UniMount® 9" gooseneck; AT8468 violin mount (hook-and-loop fastener); protective carrying case |
| AUDIO-TECHNICA CASE STYLE |
M36 |
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Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string musical instruments
| Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
| Type |
Dynamic (moving coil) |
| Frequency Response |
20 to 10,000 Hz |
| Polar Pattern |
Supercardioid, rotationally symmetrical about microphone axis |
| Output Level |
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL |
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The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g
| The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps.
Technical Info
Type: Dynamic, Moving coil.
Freq.Resp.: 40 to 16.500 Hz.
Polar Pattern: Cardioid
Sensitivity (1000Hz): 1,7 mV/Pa*
(*1 Pa = 94 dB SPL)
Max SPL: 137dB
Impedance: 600 Ohm
Power supply: none
Connector: 3p. XLR male-type).
Net. Weight: 245 g
Dimensions: (Ø 32 mm x L 157 mm)
Accessories: 6 mtr balanced cable
with XLR plugs |
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
- Mew A98D flexible drum mount
- SPL handling to 160dB
- frequency response of 20 to 20,000Hz and included preamplifier
- shock mount and windscreen
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