Cardioid Condenser Instrument Microphone with Universal Clip-on Mounting System (5″ Gooseneck) Designed for use with brass, saxophone and other instruments, the ATM350U UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed […]
Cardioid Condenser Instrument Microphone with Universal Clip-on Mounting System (5″ Gooseneck)
Designed for use with brass, saxophone and other instruments, the ATM350U UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491U universal clip-on mount and strong, flexible AT8490 5″ gooseneck, the mic can be clipped securely to the bell of your instrument and positioned to stay where you want it – the gooseneck won’t flop around no matter how aggressively you move the instrument as you play.
The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
Low-profile mic design for minimum visibility
Crisp, clear, well-balanced microphone response, even at high SPLs
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
UniMount® universal clip-on mount attaches securely to instrument bell and provides excellent shock resistance for the microphone
Rugged UniMount® 5″ gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
Interchangeable elements available for hypercardioid and omnidirectional polar patterns
Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT
Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN
Cardioid
FREQUENCY RESPONSE
40 – 20,000 Hz
LOW FREQUENCY ROLL-OFF
80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY
–49 dB (3.5 mV) re 1V at 1 Pa
IMPEDANCE
200 ohms
MAXIMUM INPUT SOUND LEVEL
159 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical)
130 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO
65 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS
11– 52V DC, 3.5 mA typical
SWITCH
Flat, roll-off
WEIGHT (MICROPHONE)
14.5 g (0.5 oz)
WEIGHT (POWER MODULE)
90 g (3.2 oz)
DIMENSIONS (MICROPHONE)
37.8 mm (1.49\’\’) long, 12.2 mm (0.48\’\’) maximum body diameter
DIMENSIONS (POWER MODULE)
92 mm (3.62“) long, 18.9 mm (0.74“) diameter
OUTPUT CONNECTOR (POWER MODULE)
Integral 3-pin XLRM-type
CABLE
4.0 m (13.1\’) long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector
Cardioid Condenser Instrument Microphone with Universal Clip-on Mounting System (5" Gooseneck)
Designed for use with brass, saxophone and other instruments, the ATM350U UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491U universal clip-on mount and strong, flexible AT8490 5" gooseneck, the mic can be clipped securely to the bell of your instrument and positioned to stay where you want it – the gooseneck won’t flop around no matter how aggressively you move the instrument as you play.
The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
Low-profile mic design for minimum visibility
Crisp, clear, well-balanced microphone response, even at high SPLs
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
UniMount® universal clip-on mount attaches securely to instrument bell and provides excellent shock resistance for the microphone
Rugged UniMount® 5" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
Interchangeable elements available for hypercardioid and omnidirectional polar patterns
Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT
Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN
Cardioid
FREQUENCY RESPONSE
40 – 20,000 Hz
LOW FREQUENCY ROLL-OFF
80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY
–49 dB (3.5 mV) re 1V at 1 Pa
IMPEDANCE
200 ohms
MAXIMUM INPUT SOUND LEVEL
159 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical)
130 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO
65 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS
11– 52V DC, 3.5 mA typical
SWITCH
Flat, roll-off
WEIGHT (MICROPHONE)
14.5 g (0.5 oz)
WEIGHT (POWER MODULE)
90 g (3.2 oz)
DIMENSIONS (MICROPHONE)
37.8 mm (1.49\'\') long, 12.2 mm (0.48\'\') maximum body diameter
DIMENSIONS (POWER MODULE)
92 mm (3.62“) long, 18.9 mm (0.74“) diameter
OUTPUT CONNECTOR (POWER MODULE)
Integral 3-pin XLRM-type
CABLE
4.0 m (13.1\') long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
Extended frequency response
Low self noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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Wind / percussion instrument clip microphone 
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