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Cardioid Condenser Instrument Microphone with Woodwind Mounting System (5" Gooseneck)
Designed for use with woodwinds, the ATM350W UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491W woodwind mount and strong, flexible AT8490 5" gooseneck, the mic can be securely fastened to any woodwind instrument and positioned to stay where you want it – the gooseneck won’t flop around no matter how much you move the instrument as you play. The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
- Low-profile mic design for minimum visibility
- Crisp, clear, well-balanced microphone response, even at high SPLs
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- UniMount® woodwind mount attaches securely to any woodwind instrument via a flexible strap, providing excellent shock resistance for the microphone
- Rugged UniMount® 5" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
- In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
- Interchangeable elements available for hypercardioid and omnidirectional polar patterns
- Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT |
Fixed-charge back plate, permanently polarized condenser |
POLAR PATTERN |
Cardioid |
FREQUENCY RESPONSE |
40 – 20,000 Hz |
LOW FREQUENCY ROLL-OFF |
80 Hz, 12 dB/octave |
OPEN CIRCUIT SENSITIVITY |
–49 dB (3.5 mV) re 1V at 1 Pa |
IMPEDANCE |
200 ohms |
MAXIMUM INPUT SOUND LEVEL |
159 dB SPL, 1 kHz at 1% T.H.D. |
DYNAMIC RANGE (typical) |
130 dB, 1 kHz at Max SPL |
SIGNAL-TO-NOISE RATIO |
65 dB, 1 kHz at 1 Pa |
PHANTOM POWER REQUIREMENTS |
11– 52V DC, 3.5 mA typical |
SWITCH |
Flat, roll-off |
WEIGHT (MICROPHONE) |
14.5 g (0.5 oz) |
WEIGHT (POWER MODULE) |
90 g (3.2 oz) |
DIMENSIONS (MICROPHONE) |
37.8 mm (1.49\'\') long, 12.2 mm (0.48\'\') maximum body diameter |
DIMENSIONS (POWER MODULE) |
92 mm (3.62“) long, 18.9 mm (0.74“) diameter |
OUTPUT CONNECTOR (POWER MODULE) |
Integral 3-pin XLRM-type |
CABLE |
4.0 m (13.1\') long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector |
OPTIONAL INTERCHANGEABLE ELEMENTS |
UE-H hypercardioid (100°); UE-O omnidirectional (360°) |
ACCESSORIES FURNISHED |
ATM350a cardioid condenser microphone; AT8543 power module; AT8491W UniMount® woodwind mount; AT8490 UniMount® 5" gooseneck; AT8468 violin mount (hook-and-loop fastener); protective carrying case |
AUDIO-TECHNICA CASE STYLE |
M36 |
| The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording |
Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string musical instruments
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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A highly consistent cardioid polar pattern
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
|
- Especially for tom and snare recording
- Polar pattern: cardioid
- Frequency range: 40 - 18,000 Hz
- Impedance: 350 Ω
- Robust metal chassis
- Incl. special tom holder
- Bag included
- Dimensions: 63 x 41 mm
- Weight: 125 g
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The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual
Technical Data
Pick-up pattern cardioid
Frequency response 20...18000 Hz
Sensitivity in free field, no load (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 128,5 x 60 mm
Weight 440 g
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