Audio Technica ATR6250 Stereo condenser video/recording microphone

Capture the realism of live sound with two mics in one. The ATR6250 provides extremely affordable, high-quality stereo pickup in a single microphone. Its compact design is ideal for use with video cameras and portable audio recorders. Provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of day-to-day use.

• High-quality stereo pickup in a single mic
• Plugs into your video camera or audio recorder
• Includes short camera cable & long recording cable
• Generously equipped with accessories

• Element: Stereo Condenser
• Polar Pattern: Dual cardioid
• Frequency Response: 70 – 18,000 Hz
• Open Circuit Sensitivity: -50 dB
• Impedance: 600 ohms
• Weight: 79 g (2.8 oz) without cable
• Output Connector: Screw-in 3.5 mm (1/8“) stereo (female)
• Cable: Camera Cable: 0.2 m (8“) long, 3.5 mm (1/8“) stereo to 3.5 mm (1/8“) stereo, Recording Cable: 3 m (9.8') long, 3.5 mm (1/8“) stereo to two 3.5 mm (1/8“) mono plugs
• Accessories Furnished: Professional camera mount; interchangeable mic-stand base; foam windscreen; two 3.5 mm (1/8“) to 6.3 mm (1/4“) mono adapters; AA battery

Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone's internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

Designed for broadcasters, videographers and sound recordists
Compact, lightweight design is perfect for camera-mount use
Independent Line-cardioid and Figure-of-eight condenser elements
Switchable low-frequency roll-off
Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes
Includes a 0.61 m (24“) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Frequency Response: 30-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Mid: -30 dB (31.6 mV) re 1V at 1 Pa; Side: -34 dB (19.9 mV) re 1V at 1 Pa; LR Stereo: -36 dB (15.8 mV) re 1V at 1 Pa
Impedance: 200 ohms
Maximum Input Sound Level: Mid: 123 dB SPL, 1 kHz at 1% T.H.D.; Side: 127 dB SPL, 1 kHz at 1% T.H.D.; LR Stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Mid: 101 dB, 1 kHz at Max SPL; Side: 101 dB, 1 kHz at Max SPL; LR Stereo: 102 dB, 1 kHz at Max SPL
Signal to Noise Ratio: Mid: 72 dB SPL, 1 kHz at 1 Pa; Side: 68 dB SPL, 1 kHz at 1 Pa; LR Stereo: 70 dB SPL, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 4 mA typical at 48V, each channel
Weight: 142 g (5.0 oz)
Dimensions: 380.0 mm (14.96“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral XLR5M-type
Cable: Dual 0.61 m (24“) shielded two-conductor, terminated in two XLR3M-type connectors
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8135 foam windscreen; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case

For when you need even more advanced recording than R-09's built-in mic
CS-15CS-15 For serious field recording, the optional CS-15 cardioid-type stereo microphone is a great match for the R-09. For portability and convenience, the R-09 supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.
    
Cardioid-type stereo microphone
    
Battery operation is also possible when using with a recorder that doesn't supply the power
    
Ideal combination with the R-09 --- also the UA-4FX and the UA-1EX
    
Comes with a desktop stand, a hand-held mount (can be attached to the microphone stand) and a windscreen

Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 40-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -38 dB (12.5 mV) re 1V at 1 Pa Battery: -39 dB (11.2 mV) re 1V at 1 Pa
Impedance: Phantom: 250 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 132 dB SPL, 1 kHz at 1% T.H.D. Battery: 120 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 110 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 72 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off
Weight: 195 g (6.9 oz)
Dimensions: 460.0 mm (18.11“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8135 windscreen; battery; protective carrying case

Broadcaster - ?The Master of the Airwaves?

Like its name suggests this R?DE microphone was specifically designed ?ON-AIR?
applications where wide frequency response and low distortion are demanded.
Winner of the Radio World/US National Association of Broadcasters (NAB) ?What?s
Cool? award in 1998, the Broadcaster has become an industry standard when studio
sound quality is required for on air applications.
Utilizing an Australian designed and manufactured R?DE 1? externally biased condenser
transducers, the Broadcaster features a switch-able high pass filter to remove low frequency
rumble. A unique ?ON-AIR? LED indicator can be switched ?on? or ?off? by shorting contacts
on the 5 pin audio connector. This feature allows console operators to warn the ?Talent?
that the mic is live. 

SPECIFICATIONS:
Features:
True condenser transducer On-Air indicator L.E.D. Ultra low noise
Cardioid polar pattern with high 180 rejection Voice tailored Low Cut
Filter Internal Pop Filter Rugged stainless steel body
Acoustic principle: Externally polarised 25mm (1?) condenser
Directional pattern:  Cardioid
Frequency range: 20 Hz ~ 20 kHz
Output impedance:  40Ω
Signal noise ratio din iec 651:
>80 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 114 dB (per IEC651, IEC268-15)
Power supply voltage: P48, P24 phantom
Weight without battery: 577g
Weight with battery: 1.3kg
Dimensions width: 167mm
Dimensions depth: 50mm
Dimensions height: 50mm
Maximum output voltage: +2 dBu (@ 1% THD into 1kΩ)