AUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS

230.00 incl. GR VAT

Available on backorder

EAN: N/A
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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features […]

 

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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone’s sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone’s extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

  • Unique side-address stick design maximizes placement options with minimal obstructions
  • Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
  • Integral 80 Hz HPF switch and 10 dB pad
  • Durable performance for professional applications
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Rugged, all-metal design and construction for years of trouble-free use
  • Includes isolation clamp for shock protection, secure mounting and easy positioning

 

 

 

  • Element: Fixed-charge back plate permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 40-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 41 dB (8.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 152 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 127 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 69 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 3.5 mA typical
  • Weight: 98 g (3.5 oz)
  • Dimensions: 126.9 mm (5.00“) long, 21.0 mm (0.83“) diameter
  • Output Connector: Integral 3-pin XLRM-type
  • Accessories: AT8471 isolation clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch

 

Weight 0.40 kg

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Quick Comparison

AUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeNPG CB-410 Instrument Microphone 48V remove
NameAUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeNPG CB-410 Instrument Microphone 48V remove
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SKUATM 450BETA 56ABETA 52AKSM141SLH10SE00102CB-410
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Price 230.00 incl. GR VAT 196.80 incl. GR VAT 231.36 incl. GR VAT 515.99 incl. GR VAT 185.00 incl. GR VAT 47.11 incl. GR VAT
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Description
Content

One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone's sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone's extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

  • Unique side-address stick design maximizes placement options with minimal obstructions
  • Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
  • Integral 80 Hz HPF switch and 10 dB pad
  • Durable performance for professional applications
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Rugged, all-metal design and construction for years of trouble-free use
  • Includes isolation clamp for shock protection, secure mounting and easy positioning

 

 

 

  • Element: Fixed-charge back plate permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 40-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 41 dB (8.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 152 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 127 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 69 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 3.5 mA typical
  • Weight: 98 g (3.5 oz)
  • Dimensions: 126.9 mm (5.00“) long, 21.0 mm (0.83“) diameter
  • Output Connector: Integral 3-pin XLRM-type
  • Accessories: AT8471 isolation clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch

 

 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

  • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Compact design reduces stage clutters
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum. The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. Features
  • Frequency response shaped specifically for kick drums and bass instruments
  • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Studio quality performance, even at extremely high sound pressure levels
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal–to–noise ratio output
  • Low sensitivity to varying load impedance
  • Legendary Shure quality and reliability
Type Dynamic (moving coil)
Frequency Response 20 to 10,000 Hz
Polar Pattern Supercardioid, rotationally symmetrical about microphone axis
Output Level Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
  • A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications Acoustic Guitar Acoustic Bass Cymbals Brass/Woodwinds Orchestra Ensemble Vocals Piano Strings Room Ambience Live Recording

The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 


Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string  musical instruments
Weight0.40 kg0.80 kg0.80 kg0.50 kg0.44 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.40 kg
Weight 0.80 kg
Weight 0.80 kg
Weight 0.50 kg
Weight 0.44 kg
Weight 1.00 kg