The MB/Dk5 Drum Pack includes a core selection of five microphones specifically engineered for drum applications. The four included MB 5k snare/tom microphones and one MB 6k kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit. Also included in the package are four AT8665 drum-rim microphone mounts and […]
The MB/Dk5 Drum Pack includes a core selection of five microphones specifically engineered for drum applications. The four included MB 5k snare/tom microphones and one MB 6k kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit. Also included in the package are four AT8665 drum-rim microphone mounts and a durable carrying case.
Tailored for snare, rack toms and other highly dynamic instruments, the MB 5k snare/tom microphone offers a moving coil dynamic design with cardioid polar pattern, delivering superior off-axis rejection for maximum gain before feedback. With a frequency response of 100-12,000 Hz, the mic is engineered to handle fast transients and high SPLs.
The cardioid dynamic MB 6k kick microphone has a frequency response of 60-12,000 Hz. A natural at handling high SPLs, the MB 6k delivers superior results on bass drum as well as on floor and deep rack toms.
The MB/Dk5 Drum Pack includes a core selection of five microphones specifically engineered for drum applications. The four included MB 5k snare/tom microphones and one MB 6k kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit. Also included in the package are four AT8665 drum-rim microphone mounts and a durable carrying case.
Tailored for snare, rack toms and other highly dynamic instruments, the MB 5k snare/tom microphone offers a moving coil dynamic design with cardioid polar pattern, delivering superior off-axis rejection for maximum gain before feedback. With a frequency response of 100-12,000 Hz, the mic is engineered to handle fast transients and high SPLs.
The cardioid dynamic MB 6k kick microphone has a frequency response of 60-12,000 Hz. A natural at handling high SPLs, the MB 6k delivers superior results on bass drum as well as on floor and deep rack toms.
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
Extended frequency response
Low self noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
Audio Frequency Response 20 Hz - 10,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 150 Ω
Mic Type Instrumental
Open Circuit Voltage 0.63 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Shipping Weight 23.7 oz (672 g)
Wired/Wireless Wired
Weight Net 12.84 oz (364 g)
Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
Neodymium magnet for high signal-to-noise ratio output
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
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