AUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS

One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone's sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone's extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

• Unique side-address stick design maximizes placement options with minimal obstructions
• Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
• Integral 80 Hz HPF switch and 10 dB pad
• Durable performance for professional applications
• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
• Rugged, all-metal design and construction for years of trouble-free use
• Includes isolation clamp for shock protection, secure mounting and easy positioning

• Element: Fixed-charge back plate permanently polarized condenser
• Polar Pattern: Cardioid
• Frequency Response: 40-20,000 Hz
• Low Frequency Roll Off: 80 Hz, 18 dB/octave
• Open Circuit Sensitivity: 41 dB (8.9 mV) re 1V at 1 Pa
• Impedance: 200 ohms
• Maximum Input Sound Level: 152 dB SPL, 1 kHz at 1% T.H.D.
• Dynamic Range: 127 dB, 1 kHz at Max SPL
• Signal to Noise Ratio: 69 dB, 1 kHz at 1 Pa
• Phantom Power Requiremens: 11-52V DC, 3.5 mA typical
• Weight: 98 g (3.5 oz)
• Dimensions: 126.9 mm (5.00“) long, 21.0 mm (0.83“) diameter
• Output Connector: Integral 3-pin XLRM-type
• Accessories: AT8471 isolation clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch

The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

• Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
• Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
• Compact design reduces stage clutters
• Hardened steel mesh grille resists wear and abuse
• Neodymium magnet for high signal-to-noise ratio output
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Frequency response: 50 to 16,000 Hz

• Frequency response shaped specifically for kick drums and bass instruments
• Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
• Studio quality performance, even at extremely high sound pressure levels
• Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
• Hardened steel mesh grille that resists wear and abuse
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Neodymium magnet for high signal–to–noise ratio output
• Low sensitivity to varying load impedance
• Legendary Shure quality and reliability

Audio Frequency Response    20 Hz - 10,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Dynamic
Finish    Textured Satin Black
Impedance, Low-Z balanced    150 Ω
Mic Type    Instrumental
Open Circuit Voltage    0.63 mV/Pascal
Polar Pattern    Supercardioid
Power Requirement    Passive
Shipping Weight    23.7 oz (672 g)
Wired/Wireless    Wired
Weight Net    12.84 oz (364 g)

The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.

Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g