AUDIX D2 Special micro for toms

Ideal for rack toms, floor tom, congas and horns. Slight mid-bass boost.

The D2 is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.

The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass.  Transformer less design, low impedance and balanced output insure that the D2 will perform interference-free.

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.

Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g

Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

Features:

• Identical acoustics of the legendary CK 1.
• Rugged construction.
• Ruler-flat on-axis frequency response.
• Precise, nearly frequency independent cardioid.
• Extremely accurate signal transfer.
• Transformerless output stage for minimum distortion at low frequencies.
• Protected against electrostatic and magnetic interference.
• Selectable 10-dB and 20-dB preattenuation pads.
• Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
• Operates on phantom power to DIN/IEC between 12 V and 48 V.
• Complete with SA 40 stand adapter and W 90 windscreen.
• Each microphone comes with its own individual frequency response plot.

Specifications:

• Polar pattern: Cardioid
• Frequency range: 20 to 20,000 Hz
• Sensitivity: 9 mV/Pa (-41 dBV)
• Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
• Equivalent noise level (CCIR 468-3): 29 dB
• Equivalent noise level: 18 dB-A
• Signal/noise ratio (A-weighted): 76 dB
• Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
• Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
• Impedance: 1000 ohms
• Supply voltage: 9 to 52 V phantom power to DIN 45596
• Current consumption:

• Especially for tom and snare recording
• Polar pattern: cardioid
• Frequency range: 40 - 18,000 Hz
• Impedance: 350 Ω
• Robust metal chassis
• Incl. special tom holder
• Bag included
• Dimensions: 63 x 41 mm
• Weight: 125 g