| Content | Behringer CX-2310 2-Way Stereo/3-Way Mono Frequency Crossover with Subwoofer Out
Like the CX3400, the CX2310 offers absolute precision, state-of-the-art circuitry, professional components, ultra low-noise op amps, fully balanced in and outputs and intuitive operation. In addition to full-fledged 2-way stereo/3-way mono operation, the CX2310 features a separately adjustable subwoofer output, giving you an extra low-frequency band.
SUPER-X PRO CX2310 V2
The CX2310 stereo 2-way/mono 3-way crossover provides amazing-accurate audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. Additionally, the CX2310 features an independently-adjustable Subwoofer Output, effectively providing an extra low-frequency band a control range from 10 - 235 Hz. By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX2310 is able to guarantee surgically-precise frequency selection with incredibly-low thermal noise. Put simply, the easy-to-use SUPER-X PRO CX2310 is one of the best-sounding crossovers in its class!
Sound Quality
When a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX2310 crossover’s accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection – plus Mute and Phase Invert switches, making troubleshooting even a large system – virtually effortless!
What’s a Crossover?
Chances are if you’re reading this, you already know what a crossover is – and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you’re bench-pressing your limit!)
That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover’s function to divide these tasks between the various amplifiers and transducers.
Divide and Conquer
The CX2310 provides two modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way mono, for Lows, Mids and Highs. In either mode, there is an additional output provided for a mono Subwoofer, with its own Frequency and Level controls. This extra feature effectively turns the CX2310 into a stereo 2-way + mono 1-way, or a mono 4-way frequency crossover. The Subwoofer Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional. For your convenience, the CX2310’s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected – and which controls are currently active.
Extraordinary Value
The high-precision CX2310 is the super-effective and affordable way to optimize the performance of your sound system – and protect your valuable loudspeaker investment at the same time! Stop by your authorized Behringer dealer, or get your SUPER-X PRO CX2310 online today!
- 2-way Stereo, 3-way Mono
- Linkwitz-Riley
- 24 dB/Octave
- Low, High
- Low, Mid, High
- 2 x XLR
- 2 x XLR (low/mid), 2 x XLR (high), 1 x XLR (sub out)
- 1U
- 1.7"/ 4.30 cm
- 5.8" / 14.73 cm
- 19"/ 48.26 cm
- 3.5 lbs./ 1.7 KG
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Lab Gruppen NLB 60E
The NomadLink network provides remote monitoring, control and power sequencing functions for multiple C Series or FP+ amplifiers. Indeed up to 16 NLB 60E network bridges, each monitoring up to 60 amplifiers may be accommodated in one system. Easy setup, redundancy, and minimum maintenance were bywords when developing this network format.
NomadLink is a closed-loop, daisy-chained network topology with the NLB 60E providing the bridge to the familiar world of Ethernet/LAN. NomadLink reduces installation time and cost significantly, includes redundancy during operation by design and simplifies the location of faults or system abuse.
NomadLink together with the associated DeviceControl software allows the subnets’ architecture to be automatically uploaded even without individual IP addresses in the amplifiers. All in all, it is the fastest and easiest monitoring and control network on the market today.
Specifications:
Network Connectors:
* Nomadlink Out: EtherCon housed RJ45
* Nomadlink In: EtherCon housed RJ45
* Ethernet rear-panel: EtherCon housed RJ45
* Ethernet front-panel: Standard RJ45
General Purpose Inputs (GPI):
* One Voltage sensing input: Two pole Phoenix
* Two contact closure inptus: Two pole Phoenix
Front Panel Indicators:
* Front operation locked: Yellow LED
* Fault warning: Red LED
* Amplifier subnet muted: Red LED
* NomadLink network connected/activity: Blue LED
* Ethernet connected: Orange LED
* Ethernet Activity: Yellow LED
2 x 16 Character display: White text, Blue background
Navigation and Adjust keys: Yes, x 6
Subnet Power on/off keys: Yes, x 2
Power: 100 to 240 VAC, 50 to 60 Hz (auto-select)
Power consumption:
Finish: Anodized aluminum front, Plated and painted steel chassis
Approvals: CE, CSA
Dimensions (W x H x D): 19" x 1.73" x 8.2" (483 x 44 x 208 mm), 1 RU
Weight: 5 lbs. (2.25 kg)
| The DriveRack® PA2 provides all the processing you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbx's proprietary AutoEQTM and AFSTM algorithms, a new input delay module for delaying the FOH system to the backline, Ethernet control via an Android®, iOS®, Mac®, or Windows® device, and updated Wizards, the DriveRack PA2 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation.
Available Input Processing
- dbx Compression
- AFSTM (Advanced Feedback Suppression)
- Graphic EQ
- 8-Band Parametric EQ (adjusted when using the AutoEQ)
- Subharmonic Synthesis
Available Output Processing
- Crossover (supports full range, 2-way, and 3-way systems)
- 8-Band Parametric EQs (used for speaker tunings)
- dbx Limiting
- Driver Alignment Delays
| Input |
(2) line inputs. (1) RTA Mic input |
| Input Connectors |
(2) Female XLR line inputs. (1) Female XLR RTA Mic input |
| Input Type |
Electronically balanced/RF filtered |
| Input Impedance |
>50 kohm |
| A/D Converter |
dbx Type IVTM Conversion System |
| CMRR |
> 45dB |
| Mic Preamp Phantom Power |
+15VDC (RTA) |
| Mic Preamp Equivalent Input Noise (EIN) |
|
| Output |
(6) Line Outputs |
| Output Connectors |
Male XLR |
| Output Type |
Electronically balanced, RF filtered |
| Output Impedance |
120 Ω |
| Max Output |
+20dBu |
| A/D Dynamic Range |
112 dB A-weighted, 110 dB unweighted |
| Type IV Dynamic Range |
123 dB with transient material, A-weighted, 22kHz BW; 121 dB with transient material, unweighted, 22kHz BW; 115 dB typical with program material, A-weighted, 22kHz BW |
| Input Delay Length |
100ms |
| Alignment Delay |
10ms per channel (60ms total) |
| Sample Rate |
48kHz |
| Dynamic Range |
>110 dB A-weighted, >107dB unweighted |
| THD+Noise |
0.003% typical at +4dBu, 1kHz, 0dB input gain |
| Frequency Response |
20Hz - 20kHz, +/- 0.5dB |
| Interchannel Crosstalk |
|
| Operating Voltage |
100-120VAC 50/60 Hz - EU: 220-240 VAC 50/60 Hz |
| Power Consumption |
22 W |
| Unit Weight |
5.25 lbs. (2.4 kg) |
| Shipping Weight |
6.75 lbs. (3.1 kg) |
| Dimensions |
1.75" (H) x 5.75" (D) x 19" (W), 4.4cm (H) x 14.6cm (D) x 48.26cm (W) |
| D/A Dynamic Range |
112 dB A-weighted, 110dB unweighted |
|
The DX 4008 is a complete 4 input - 8 output digital loudspeaker management system designed for the touring or fixed sound installation markets.
The absolute latest in available technology is utilized with 32-bit (40-bit extended) floating point processor and high performance 24-bit Analog Converters. The high-bit DSP prevents noise and distortion induced by truncation errors of the commonly used 24-bit fixed-point devices. A complete set of parameters include I/O levels, delay,polarity, 6 bands of parametric EQ per channel, multiple crossover selections and full function limiters. The DX 4008 can be controlled or configured in real time on the panel or with the intuitive PC GUI accessed via the RS 232 interface. Software upgrade for CPU and DSP via PC keeps the device current with newly developed algorithms and function once available. Multiple setup storage and system security complete this professional package.
| Features |
|---|
| The DX 4008 is a complete 4 input - 8 output digital loudspeaker management system designed for the touring or fixed sound installation markets | | Sampling rate can be set to 96kHz | | Precise frequency control is achieved with its 1 Hz resolution | | Inputs and outputs can be routed in multiple configuration to meet any requirements | | The DX 4008 is shipped with a special PC Graphic User Interface (GUI) application - XLink | | XLink gives the user an option to control the DX 4008 unit from a remote PC via the RS232 serial communication link | | The GUI application makes much easier control and monitor the device, allowing the user to get the whole picture on one screen | | Programs can be recalled and stored from/to PC's hard drive, thus expanding the storage to become virtuality limitless |
| INPUT AND OUTPUT SECTION |
|---|
| Input Impendance: | >10 | kΩ | | Output Impendance: | 50 | Ω | | Maximum Level: | + 20 | dBu | | Type: | XLR 3 | Electronically balanced |
| AUDIO PERFORMANCE |
|---|
| Frequency Response: | +/- 0.1 | dB (20 to 20 kHz) | | Dynamic Range: | 115 | dB typ (unweighted) | | CMMR: | > 60 | dB (50 to 10 kHz) | | Crosstalk: | | dB | | Distortion: | 0.001% | (1 kHz @ 18 dBu) |
| DIGITAL AUDIO PERFORMANCE |
|---|
| Resolution: | 32 bit | (40-bit extended) | | Sampling Rate: | 48 / 96 | kHz | | A/D - D/A Converters: | 24 | bit | | Propagation Delay: | 3 | ms | | No. of Programs: | 30 | |
| FRONT PANEL CONTROL |
|---|
| Display: | 4 x 26 | Character Backlit LCD | | Buttons: | 12 Mute Controls 12 Gain / Manu Controls 6 Menu Controls | | | “DATA" control: | (dial encoder) | Embedded Thumb Wheel | | Level Meters: | 5 | segment LED | | Interface | RS 232 | Female DB-9 |
| LIMITERS |
|---|
| Threshold: | -20 to +20 | dBu | | Attack Time: | 0.3 to 100 | ms | | Release Time: | 2 to 32 | X the attack time |
| EQUALISATION |
|---|
| Type: | Parametric, Hi-shelf, Lo-shelf | 6 per I/O | | Gain: | in 0.25dB steps | -30 to +15dB | | Bandwidth: | (Q=0.5 to 72) | 0.02 to 2.50 octaves |
| CROSSOVER FILTERS |
|---|
| Filter Types: | Butterworth, Bessel, Linkwitz Riley | | | Slopes: | 6 to 24dB/oct (96kHz) | 6 to 48dB/oct (48kHz) |
| POWER REQUIREMENT |
|---|
| Operating voltage: | 220÷240 / 110÷120 ~ 50 / 60 | V ~ Hz | | Power (consumption): | | mA | | Fuse model: | | | | Operating temperature range: | 0 ÷ +55 | °C | | Operating humidity: | 20 ÷ 90 | % RH non-condensing |
| PHISICAL SPECIFICATION |
|---|
| Height: | 44 / 1.73 | mm/inch | | Width: | 483 / 19.01 | mm/inch | | Depth: | 203 / 7.99 | mm/inch | | Net Weight: | Kg/Lbs | 3 / 6.61 |
| SHIPPING INFORMATION |
|---|
| Package height: | 80 / 3.14 | mm/inch | | Package width: | 615 / 24.2 | mm/inch | | Package depth: | 360 / 14.17 | mm/inch | | Shipping Weight: | 4.3 / 9.4 | Kg/Lbs |
| Overview
More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 223xs Crossover you\'ll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world\'s finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs
Features
- XLR balanced ins and outs
- Mode switch for stereo 2-way or mono 3-way operation
- Low frequency summed (subwoofer) output
- x10 range switch on both channels
- 40Hz high pass (low cut) filter both channels
- Phase reverse switch on all outputs
- Individual level controls on all outputs
- 24dB per octave Linkwitz-Riley filters (the professional standard)
- Stereo/Mono status LEDs indicate the selected mode
- dbx® 2 year parts and labor as standard
- CSA NRTL/C approved
- CE compliant
Specifications
| Input Connectors |
XLR (pin 2 hot) |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
| Max Input |
>+22dBu balanced or unbalanced |
| CMRR |
>40dB, typically >55dB at 1kHz |
| Output Connectors |
XLR |
| Output Type |
Impedance-balanaced/unbalanced, RF filtered |
| Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
| Bandwidth |
20Hz to 20kHz, +/-0.5dB |
| Frequency Response |
90 kHz, +0/-3 dB |
| Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
| Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >91dB (High Output) |
| Signal-to-Noise (Mono Mode) |
>94dB (Low Output), >93dB (Mid Output), >91dB (High Output) |
| Dynamic Range |
> 106 dB, unweighted, any output |
| THD+Noise |
< 0.004% at +4 dBu, 1 kHz; < 0.04% at +20 dBu, 1 kHz |
| Interchannel Crosstalk |
< -80 dB, 20 Hz to 20 kHz |
| Crossover Frequencies (Stereo Mode) |
Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) |
| Crossover Frequencies (Mono Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) |
| Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
| Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
| Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
| x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
| Mode Switch |
Selects stereo/mono and 2/3-way operation |
| LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
| Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
| Operating Voltage |
100 VAC 50/60 Hz; 120 VAC 60 Hz 230 VAC50 HZ |
| Operating Temperature |
32°F to 113°F (0°C to 45°C) |
| Power Consumption |
15W |
| Power Connector |
IEC receptacle |
| Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
| Unit Weight |
3.7 lbs. (1.7 kg) |
| Shipping Weight |
5.4 lbs. (2.5 kg) |
|
With the DSP 260 digital 2-in-6 sound system manager, DYNACORD is continuing its proud tradition in the fi eld of innovative digital signal processors.
Based on the most modern hardware, this system manager offers tried-and-tested as well as new algorithms for the simple and swift construction of active multi-way systems. As much importance has been attached here by the developers to high user-friendliness as to the realization of an extremely favorable price.
24-bit sigma-delta AD/DA converters and a 32-bit floating-point signal processor make possible a dynamic range of 111 dB. In addition to the two analog inputs, a digital stereo input in AES/EBU format is available. A -6 dB pad switch in front of the AD converters offers additional security against overload when the device is connected to mixing desks with very high output levels. The 6 individually mutable outputs are electronically balanced and available on XLR sockets. For all inputs and outputs, easily read LED level meters are provided on the front panel.
Users can choose whether to configure their own systems at the device itself using the controls and display provided or else by means of the intuitive editing software.
3-way stereo, 2-way stereo + FR, 4-way mono + FR etc. Furthermore, factory presets compatible with those of the tried-and-tested DSP-244 are available for Dynacord loudspeaker systems.
In terms of DSP, the device offers parametric and graphic EQs as well as a delay function in the input and crossover, channel EQ, channel delay and a level control with limiter in each output channel.
An RS-232 interface allows Master/Slave operation of multiple devices as well as GPI switching of settings. A PC (the editing software runs under Windows) can be connected via the USB interface on the front panel.
A variable parameter lockout function allows you to determine which settings and parameters can be accessed directly at the device. This is just one of many features that make the DSP 260 an ideal choice also for the rental business.
The wealth of features combined with its outstanding audio performance and favorable price commend this audio system manager for a multitude of professional applications.
General Mains Voltage 100-240 VAC 50-60 Hz Power Consumption 25W Audio Analog Inputs 2x XLR IN, electronically balanced, 2x XLR THRU OUT, electronically balanced Digital Inputs 1x XLR AES/EBU IN Nominal Input Voltage 1.23 V / +4 dBu Maximum Input Voltage (Without -6dB Analog Pad Engaged) 8.7 V / +21 dBu Input Impedance 10k ohm Common Mode Rejection -80 dB @ 1 kHz (typical) A/D Conversion 24-Bit Sigma-Delta Outputs 6x XLR OUT, electronically balanced Nominal Output Voltage 1.23 V / +4 dBu Maximum Output Voltage 8.7 V / +21 dBu Output Impedance 50 ohm D/A Conversion 24-Bit Sigma-Delta Frequency Response 10 Hz-22 kHz (+/- 0.5 dB) THD+N < 0.01% (band limited 22Hz-22kHz) Dynamic Range 111 dB unweighted, band limited 22 Hz - 22 kHz Interfaces USB USB Type B on front panel (PC Interface) 9-pin DSUB Software Confi gurable for GPI Preset Recall or Master/Slave Connection to second DSP 260 unit Signal Processing Sample Rate 48 kHz Data Format 24-Bit Internal Processing 32-Bit Floating Point Physical Dimensions (WxHx) 19 x 14 x 1.75 inches (482.6 x 355.6 x 44.45 mm) Weight (Net) 10.1 lb (4.6 kg) Weight (Gross) 13.0 lb (5.9 kg)
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