BEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor

437.00 incl. GR VAT

Available on backorder

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
Product Features: Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel) Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ […]

 

Read more

Product Features:

Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
64 user memories for complete setups and/or individual module configurations
Separate mic/line input with phantom power for RTA and Auto-EQ applications
Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
Open architecture allowing future software updates via MIDI
“Planet Earth” switching power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

acrobat_reader_logo.

Weight 3.50 kg

Reviews

There are no reviews yet.

Be the first to review “BEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor”

Your email address will not be published. Required fields are marked *

Quick Comparison

BEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeDBX 266XS COMPRESSOR/GATE 2CH removeARX COMBO DUAL CHANNEL COMPRESSOR-LIMITER removeARX SIXGATE 6 CHANNEL NOISE GATE removeAVALON VT-737SP DIRECT SIGNAL PATH removeDBX-1074 OUAD NOISE GATE remove
NameBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeDBX 266XS COMPRESSOR/GATE 2CH removeARX COMBO DUAL CHANNEL COMPRESSOR-LIMITER removeARX SIXGATE 6 CHANNEL NOISE GATE removeAVALON VT-737SP DIRECT SIGNAL PATH removeDBX-1074 OUAD NOISE GATE remove
Image
SKUE005263DBX 266XSCOMBOSIXGATEH05AV00000DBX 1074
Rating
Price 437.00 incl. GR VAT 162.00 incl. GR VAT 297.60 incl. GR VAT725.86 incl. GR VAT3,439.00 incl. GR VAT 589.00 incl. GR VAT
Stock

Available on backorder

Available on backorder

Available on backorder

Available on backorder

Available on backorder

Available on backorder

AvailabilityAvailable on backorderAvailable on backorderAvailable on backorderAvailable on backorderAvailable on backorderAvailable on backorder
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

Product Features:

Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
64 user memories for complete setups and/or individual module configurations
Separate mic/line input with phantom power for RTA and Auto-EQ applications
Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
Open architecture allowing future software updates via MIDI
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

acrobat_reader_logo.

  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
  • Specifications
    Input Connectors 1/4" TRS and female XLR (pin 2 hot)
    Input Type Electronically balanced/unbalanced, RF filtered
    Input Impedance 40kΩ balanced/unbalanced
    Max Input >+22dBu Balanced or Unbalanced
    Output Connectors 1/4" TRS, female XLR (pin 2 hot)
    Output Type Impedance-balanced/unbalanced, RF filtered
    Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
    Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
    Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
    Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
    Sidechain Max Input Level Tip = >+22dBu (Input)
    Sidechain Max Output Level Ring = >+20dBu (Output)
    Compressor Threshold Range -40dBu to +20dBu
    Compressor Threshold Characteristic Selectable OverEasy® or hard knee
    Compressor Ratio 1:1 to Infinity:1
    Compressor Attack Time Scalable Program-Dependent AutoDynamic™
    Compressor Release Time Scalable Program-Dependent AutoDynamic™
    Expander/Gate Threshold Range -60dBu to +15dBu
    Expander/Gate Ratio 1:1 to 4:1
    Expander/Gate Attack Time

    Features
    Enhance switch to restore spectral balance of compressed signal
    Switchable Mode - Dual Channel or Stereo linked
    Above or Below Threshold LEDs
    Balanced XLR and Jack Inputs and Outputs
    Intuitive, user friendly layout
    Flawless performance

    Innovation
    The ARX COMPO? is a unique compressor/limiter designed for use in any
    professional audio dynamics control application, packaged in a compact 1
    RU chassis.The COMPO operates as two independent compressor/limiters,
    with 'industry standard' variable Threshold, Ratio and Output gain controls.
    A Stereo Link switch on the front panel lets both channels track as a stereo
    pair in a Master/Slave configuration.
    Enhance Switch
    The COMPO features an 'Enhance' switch, which provides frequency restoration
    to preserve the spectral balance of the audio signal, compensating for the sagging
    Low and High frequency response of compressed program material.
    The best way to think of it is as a 'smart' loudness control.
    Wide Scale metering
    There is comprehensive LED indication of all operating functions and status. Above
    or Below Threshold LEDs on each channel give you instant visual confirmation of
    compressor activity, as well as easy to read LED Gain Reduction meters.
    Balanced Inputs and Outputs
    On the rear panel, each channel has true differential Balanced inputs and outputs,
    on both XLR and TRS jack connectors. Other features include an Active/Bypass
    switch for each channel, and passive RFI filters on the inputs.
    Universal AC Power
    AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to
    the unit via a removable power lead and standard 3 pin IEC connector, with built-in
    fuse and voltage change switch.
    ARX Quality
    With its smooth compression, intuitive user friendly layout, high density precision
    circuitry, and extensive user-variable operating parameters, the ARX COMPO is the
    ideal installation 'set and forget' compressor, and is also equally at home in Studio,
    Broadcast and Sound Reinforcement environments.

    Every day, ARX Audio interface products solve audio problems for thousands of people
    around the world.


    T E C H N I C A L S P E C I F I C A T I O N S
    Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
    Input Headroom + 22 dB
    CMRR >60 dB, 20 Hz-20 KHz
    Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
    Output Level (Max) + 22 dB
    Frequency Response 20Hz to 20KHz ±0.4dB
    Signal to Noise ratio -85 dB Unweighted, -99 dB 'A' weighted
    Distortion .02% THD @ 0dB,1KHz
    Dynamic Range 107 dB
    Enhance Section
    Low Enhance 50 Hz, High Enhance 10 KHz
    Power Requirements 100/120 V AC, 220/240 V AC
    Weight 5 lbs/2.2 Kg
    Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm
    Input/OutputConnector type XLR, Balanced Jack

    Front Panel Controls
    Channel A Active/Bypassed IN/OUT switch
    Threshold, Ratio and Output Gain controls
    Numbered marker panel for labelling compressor assigns
    5 segment LED Gain Reduction display
    Above/Below Threshold status LEDs
    Enhance switch and status LED
    Stereo link switch and status LED
    Channel B controls identical to Channel A
    Rear Panel Connectors
    Balanced XLR Input and Output connectors.
    Balanced TRS jack Input and Output connectors.
    AC input connector, with voltage switch and fuse.
     

    Features
    Unique High Density design puts SIX gates in
    minimum rack space
    Intuitive, 'user friendly' layout
    Balanced Inputs and Outputs
    Fast, low noise opto-coupler circuitry
    Sidechain/Key Input points on each channel
    Hardwire Bypass switch on each gate
    Flawless performance in any audio environment

    The sheer amount of effects and signal processors required for today's
    standards of audio production puts a great strain on the available space
    in equipment racks, both in the studio and on the road.
    So, in order to give engineers more control in less space, we've created
    the ARX Sixgate; Six full function noise gates neatly housed in a compact,
    all steel 1 RU package, without sacrificing features or quality.
    Why Six gates?
    Research shows that the majority of noise gates get used on drum kits,
    which means using typically 5 to 6 gate channels. Compare this to the
    two or maybe 4 channels that most other units have, and you'll see the
    reason for the Sixgate's success.And, by using a minimalist approach to
    drum gates, the ARX Sixgate has enough gates left over for backing vocals
    and other instruments.
    Industry Standard controls
    Front panel controls for each gate consist of the 'Industry Standard' controls
    for Release, Depth and Threshold, plus Red and Green LED displays to indicate
    Gate Open or Closed status, and an IN/OUT hardwire bypass switch.
    In addition to this, each gate has a blank panel to write on for easy confirmation
    of gate assigns. No more pieces of masking tape stuck everywhere!
    Ultra Low Noise
    Internally, each gate has proprietary ARX ultra low noise high-speed opto-coupler
    circuitry with program dependent Attack time, which tracks the incoming signal to
    automatically determine optimum gate response.
    Balanced Inputs and Outputs
    The rear panel features true differential Balanced Inputs and Outputs for each gate,
    on insulated TRS jack connectors.Each gate channel also has Individual Key Inputs/
    Sidechain access insert points which can be used either for gate control by an external
    signal, or for frequency sensitive gating (when used in conjuction with an external
    equalizer such as the ARX EQ260).
    Universal AC Power
    AC power range on the Sixgate is a universal 100 to 120V or 220 to 240V, and is
    connected to the unit via a standard 3 pin IEC connector, with built-in fuse and voltage
    switch.
    The Sixgate's unique combination of High Density design, intuitive 'user friendly' controls,
    and clean uncluttered layout make it a truly useful audio tool for all applications.

    T E C H N I C A L  S P E C I F I C A T I O N S
    Input Impedance
    Balanced 20 Kohms, Unbalanced 10 Kohms
    Input Headroom + 22 dB
    CMRR >60 dB, 20 Hz-20 KHz
    Output Impedance
    Balanced 300 ohms, Unbalanced 150 ohms
    Output Level (Max) + 20 dB
    Frequency Response 20Hz to 20KHz ±0.2dB
    Signal to Noise Ratio
    Gate Closed: -95 dB Unweighted, -105 dB 'A' weighted
    Gate Open, Depth Minimum: -93.5 dB Unweighted -98dB
    'A' weighted
    Distortion 0 .01% THD @ 0dB,1KHz
    Dynamic Range 125 dB
    Attack Time Program dependent using high-speed
    opto-couplers
    Release Time User variable
    Input and Output Connector type Balanced Jack
    Sidechain Insert Connector TipRingSleeve Jack
    Sidechain Insert Impedance 10 Kohm
    Power Requirements 100/120 V AC, 220/240 V AC
    Weight 5 lbs/2.2 Kg
    Dimensions
    19“Wide x 13/4“High x 6“Deep; 482 x 44 x 155mm

    Front Panel Controls
    Individual Release, Depth and Threshold controls
    Hardwire bypass IN/OUT switch
    Open/Closed gate status LED
    Marker panel for labelling gate assigns
    Rear Panel
    Balanced Inputs and Outputs, on Balanced jack
    connectors
    Sidechain Insert/Key Input TipRingSleeve jack on
    each channel
    AC input connector, with voltage switch and fuse 

    The Avalon VT-737SP features a combination of TUBE preamplifiers,
    opto-compressor,sweep equalizer, output level and VU metering in a
    2U space.
    PREAMPLIFIER
    The VT-737SP has three input selections: 1. The VT-737SP features a
    higher-performance microphone input transformer with +48v phantom
    selection. 2. Instrument DI high source input with jack located on front
    panel. 3. Balanced line input, discrete high-level Class A. The Class A
    preamplifier utilizes two cascaded, dual vacuum tube triodes configured
    with minimum negative feedback. A high gain switch boosts the overall
    gain of the preamplifier. The four high quality tubes are configured as
    singled ended anode coupled followers. A passive-variable high pass filter
    and hard-wire relay bypass completes the input signal conditioning. The
    phase reverse relay is available on all three inputs.
    OPTO-COMPRESSOR
    The opto-compressor features a minimum signal path design with twin Class
    A vacuum tube triodes for gain matching. The optical attenuator acts as a
    simple passive level controller. Full dynamic control from soft compression to
    hard- knee limiting can be achieved with threshold, ratio-compression, attack
    and release controls plus gain reduction selection on the large VU meter. Special
    spectral control including de-ess is available with the dual sweep mid EQ to side-
    chain switch. The EQ section can be flipped pre or post the opto-compressor
    via a front panel switch for alternate effects and tone shaping. Two VT-737SPs
    can be linked via a rear panel link cable for stereo tracking. The compressor
    bypass is a sealed silver relay for the most direct signal path.
    SWEEP-EQUALIZER AND OUTPUT LEVEL
    The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors
    for optimum sonic performance. The high and low frequency bands provide the
    smooth characteristics of an all passive design, while the dual mid bands include
    variable frequency and switched Q-width selection. The enhanced range of the mid
    bands is extended into the high and low bands by the use of X10 frequency multipliers.
    The bypass switch incorporates a sealed silver relay for the most direct signal path.
    When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for
    "tone enhancement“. The output level control provides a variable control of the overall
    signal path. The output amplifier utilizes another dual triode vacuum tube driving a
    100% discrete, Class A, high-current, balanced and DC coupled low noise output
    amplifier.

    AVALON VT-737SP FEATURES
    Vacuum tube triode signal path, transformer balanced microphone input, high-voltage
    circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power
    supply with toroidal transformer, soft-start tube life extender, stereo link for compressors,
    all discrete Class A equalizer with musical passive filter design, sealed silver relays for
    signal routing, large control knobs with professional conductive plastic potentiometers,
    VU meter for output level monitoring and compressor gain reduction.

    VT-737SP SPECIFICATIONS
    Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete
    Class A
    Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument:
    Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB
    Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced
    XLR Instrument+30dB unbalanced front panel jack socket
    Line +36dB balanced XLR
    Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A
    Output type and gain XLR connector, output trim gain -45dB to20dB
    Noise 20kHz unweighted -92dB
    Noise microphone EIN -116dB, 22Hz to 22kHz unweighted
    Distortion THD, IMD 0.5%
    Frequency response -/2.5dB 10Hz to 120kHz input filter included
    Frequency response -3dB 1Hz to 200kHz line in-out
    VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB
    High cut filter Variable 6dB per octave 30Hz to 140Hz
    Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link
    Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1
    Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds
    Equalizer type Discrete Class A, variable active and switched passive design
    Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf
    High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid -
    variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz,
    30Hz, 60Hz, 150Hz, +/- 24dB range, shelf
    AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum
    Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm)
    Weight 22lbs (10kg)
    Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm)
    Weight-packed 26lbs (11.8kg)

    The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed. 

    From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074ʼs independent channel design with key filtering capabilities make it the perfect tool for countless applications.

    • Four independent channels of gating
    • Independent key filtering
    • Independent Threshold and Release controls
    • Differentially balanced gold-plated XLR and 1/4" inputs and outputs
    • True RMS level detection
    • Stereo Coupling mode
    • Switchable +4dBu or -10dBv operation per channel

      Input ConnectorsXLR (Pin 2 and tip hot)
      Input TypeElectronically balanced/unbalanced, RF filtered
      Input ImpedanceBalanced > 50 kOhm, unbalanced >25 kOhm
      Max Input> +22 dBu balanced or unbalanced
      CMRR40dB: Typically >55 dB at 1 kHz
      Key InputElectronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm
      Output ConnectorsXLR (Pin 2 hot)
      Output TypeServo-balanced/unbalanced, RF filtered
      Output ImpedanceBalanced 60 Ohm, unbalanced 30 Ohm
      Max Output> +22 dBm balanced, > +20 dBm unbalanced
      Bandwidth20 Hz to 20 kHz, +0/-0.5 dB
      Frequency Response0.35 Hz to 200 kHz, +0/-3 dB
      Noise
      Dynamic Range> 115 dB, unweighted
      THD+Noise0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
      Interchannel Crosstalk
      Stereo CouplingTrue RMS Power Summing
      Operating Voltage100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
      Power Consumption30 Watts
      Fuse100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
      Power ConnectorIEC receptacle
      Unit Weight6.9 lbs.
      Shipping Weight9.3 lbs.


    Weight3.50 kg3.00 kg5.20 kg5.20 kg11.80 kg3.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 3.50 kg
    Weight 3.00 kg
    Weight 5.20 kg
    Weight 5.20 kg
    Weight 11.80 kg
    Weight 3.00 kg