BEHRINGER C-2 – 2 Matched Studio Condenser Microphones

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Only 1 left in stock (can be backordered)

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Behringer C-2 2 Matched Studio Condenser Microphones 2 Matched Studio Condenser Microphones 2 matched condenser microphones for stereo studio recording and live applications Ideal as main and support microphones for studio and live applications Cardioid pickup pattern for effective feedback elimination Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction Switchable low-frequency roll-off and […]

 

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Behringer C-2 2 Matched Studio Condenser Microphones

2 Matched Studio Condenser Microphones

  • 2 matched condenser microphones for stereo studio recording and live applications
  • Ideal as main and support microphones for studio and live applications
  • Cardioid pickup pattern for effective feedback elimination
  • Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
  • Switchable low-frequency roll-off and input attenuation
  • Ultra low-noise transformerless FET input eliminates low-frequency distortion

Excellent Source Isolation

Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.

The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!

Sound That Astounds

Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity.

Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz – 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.

Excellent Source Isolation

The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!

Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.

You Are Covered

We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.

As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.

Weight 0.90 kg

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Quick Comparison

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Price67.00 incl. GR VAT 4,789.00 incl. GR VAT 1,499.00 incl. GR VAT 1,399.00 incl. GR VAT 1,169.00 incl. GR VAT 2,849.00 incl. GR VAT
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Description
ContentBehringer C-2 2 Matched Studio Condenser Microphones 2 Matched Studio Condenser Microphones
  • 2 matched condenser microphones for stereo studio recording and live applications
  • Ideal as main and support microphones for studio and live applications
  • Cardioid pickup pattern for effective feedback elimination
  • Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
  • Switchable low-frequency roll-off and input attenuation
  • Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Sound That Astounds Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity. Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response. Excellent Source Isolation The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. You Are Covered We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world. As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.
Acoustical operating principlePressure gradient transducer
Directional patternOmnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm34/47/62 mV/Pa*
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-328/25/23 dB*
Equivalent SPL DIN/IEC 65116/13/11 dB-A*
S/N ratio CCIR 468-366/69/71 dB*
S/N ratio DIN/IEC 65178/81/83 dB*
Typical SPL (tube characteristic)K
Maximum output voltage18 dBu
Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for 101 (121) dB
PoweringPower supply N 149
Matching connectorsMicrophone DIN 8F, Power supply XLR 3F
Weight730 g
Diameter70 mm
Length201 mm
* Omnidirectional / cardioid / figure-8
Acoustical operating principlePressure gradient transducer
Directional patternCardioid
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm13 mV/Pa
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent noise level, CCIR1)23 dB
Equivalent noise level, A-weighted1)12 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)71 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)82 dB
Maximum SPL for THD 110 dB
Maximum SPL for THD 129 dB
Maximum output voltage for THD -1 dBu
Dyn. range of the mic. amplifier /A-weighted, 0.5 %2))98 dB
Dyn. range of the mic. amplifier /A-weighted, 5 %2))117 dB
Supply voltage (P48, IEC 61938)48 V ± 4 V
Current consumption (P48, IEC 61938)3.2 mA
Matching connectorXLR 3F
Weight825 g
Diameter78 mm
Length165 mm
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal

Acoustical operating principlePressure gradient transducer
Directional patternCardioid
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohms18 mV/Pa
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-321 dB
Equivalent SPL DIN/IEC 65110 dB-A
S/N ratio CCIR 468-373 dB
S/N ratio DIN/IEC 65184 dB
Maximum SPL for THD 0.5%140 dB
Maximum output voltage13 dBu
Dynamic range of the microphone amplifier DIN/IEC 651130 dB
Supply voltage48 V ± 4 V
Current consumption3 mA
Matching connectorsXLR 3F
Weight480 g
Diameter49 mm
Length175 mm
Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios

High-quality professional equipment for limited budgets

Acoustical operating principle Pressure gradient transducer
Directional pattern Cardioid
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 23 mV/Pa
Rated impedance 50 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR1) 17.5 dB
Equivalent noise level, A-weighted1) 7 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 76.5 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 87 dB
Maximum SPL for THD 0.5%2) 138 dB
Maximum output voltage 13 dBu
Dynamic range of the microphone amplifier (A-weighted) 131 dB
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 3 mA
Matching connector XLR3F
Weight approx. 450 g
Diameter 60 mm
Length 132 mm

 

Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation

Ideal as main and as support microphone in the most differing recording situations

 

Acoustical operating principle Pressure gradient transducer
Directional pattern Omnidirectional, cardioid, figure-8 plus
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1)
Rated impedance 200 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR2) 26/23/25 dB1)
Equivalent noise level, A-weighted2) 15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1)
Maximum SPL for THD 0.5%3) 117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3) 127 dB
Maximum output voltage 390 mV
Dynamic range of the microphone amplifier (A-weighted) 105 dB
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 0.8 mA
Matching connectors XLR3F
Weight 500 g
Diameter 56 mm
Length 200 mm

 

Weight0.90 kg0.73 kg0.82 kg0.48 kg3.00 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.90 kg
Weight 0.73 kg
Weight 0.82 kg
Weight 0.48 kg
Weight 3.00 kg
Weight 2.00 kg