BEHRINGER MIC500USB Preamplifier mic/line

100.00 incl. GR VAT

Only 3 left in stock (can be backordered)

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
High-end pre-amplification for all microphone, instrument and line-level sources. Specifically designed for studio-grade condenser mics Perfectly matches your studio, live and hard disk recording set-up Ultra-flexible Preamp Modeling allows you to optimize your recordings Choose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals and more Built-in USB/Audio Interface […]

 

Read more

  • High-end pre-amplification for all microphone, instrument and line-level sources. Specifically designed for studio-grade condenser mics
  • Perfectly matches your studio, live and hard disk recording set-up
  • Ultra-flexible Preamp Modeling allows you to optimize your recordings
  • Choose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals and more
  • Built-in USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com
  • Powerful Phones output with Level control and Direct Monitor select
  • Hand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and lowest noise
  • Ensures outstanding signal transparency when used as a high-end DI-box
  • Sophisticated output limiter prevents the output signal from clipping
  • Dedicated low cut filter eliminates unwanted noise, e.g. floor rumble
  • +48 V phantom power, Phase Reverse switch and 20 dB Pad for utmost flexibility
  • Highly accurate 8-segment LED level meter
  • Balanced inputs and outputs on ¼” TRS and XLR connectors
  • Designed and engineered in Germany
Weight 0.30 kg

Reviews

There are no reviews yet.

Be the first to review “BEHRINGER MIC500USB Preamplifier mic/line”

Your email address will not be published. Required fields are marked *

Quick Comparison

BEHRINGER MIC500USB Preamplifier mic/line removeSOUND DEVICES MM-1 Portable Mic Preamp with Headphone Monitor removeFOCUSRITE ISA TWO Double Microphone Pre-amplifier with D.I. removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier removeGOLDEN AGE PRE73 DLX Microphone preamp removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box remove
NameBEHRINGER MIC500USB Preamplifier mic/line removeSOUND DEVICES MM-1 Portable Mic Preamp with Headphone Monitor removeFOCUSRITE ISA TWO Double Microphone Pre-amplifier with D.I. removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier removeGOLDEN AGE PRE73 DLX Microphone preamp removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box remove
Image
SKUE009971MM-1 SDISA TWOAUCPR12PRE-73 DLXE005316
Rating
Price 100.00 incl. GR VAT 695.00 incl. GR VAT 1,197.00 incl. GR VAT 487.31 incl. GR VAT475.00 incl. GR VAT 166.00 incl. GR VAT
Stock

Only 3 left in stock (can be backordered)

Available on backorder

In stock

In stock

Available on backorder

Available on backorder

AvailabilityOnly 3 left in stock (can be backordered)Available on backorderIn stockIn stockAvailable on backorderAvailable on backorder
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content
  • High-end pre-amplification for all microphone, instrument and line-level sources. Specifically designed for studio-grade condenser mics
  • Perfectly matches your studio, live and hard disk recording set-up
  • Ultra-flexible Preamp Modeling allows you to optimize your recordings
  • Choose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals and more
  • Built-in USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com
  • Powerful Phones output with Level control and Direct Monitor select
  • Hand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and lowest noise
  • Ensures outstanding signal transparency when used as a high-end DI-box
  • Sophisticated output limiter prevents the output signal from clipping
  • Dedicated low cut filter eliminates unwanted noise, e.g. floor rumble
  • +48 V phantom power, Phase Reverse switch and 20 dB Pad for utmost flexibility
  • Highly accurate 8-segment LED level meter
  • Balanced inputs and outputs on ¼" TRS and XLR connectors
  • Designed and engineered in Germany
Highly versatile and portable, Sound Devices' MM-1 is a single-channel, portable microphone preamplifier with a powerful headphone monitoring function. Proven in mission-critical applications, the high-performance microphone preamplifier uses a transformer-balanced input and output with a bipolar ±15 volt power supply to produce low-noise, low-distortion gain at all switch positions. It features an "unclippable" dual-stage limiter and two-position high-pass filter. Flexible microphone powering provides phantom power at 48 volts or 12 volts and 12-volt T-power. It is powered from two-AA batteries or external 5-18 VDC. The MM-1 is at home in high-definition television production, corporate/industrial environments, radio/television announce booths, and music production. Its headphone monitor is an advantage in applications where communications channels or mix-minus feeds need to be monitored in headphones. The user can monitor both microphone audio and external audio sources in headphones with level control. The MM-1 is designed to be durable. Its aluminum chassis, oversized end panels, machined knobs, and panel mounted connectors assure reliable mechanical operation.
  • Maximum of 66 dB of gain, in eleven discrete steps
  • Dynamic range exceeding 120 dB
  • 10 Hz to 50 kHz audio bandwidth
  • High immunity to RF interference
  • High current line output driver
  • Transformer-balanced input and output
  • Extended range peak limiter via dual opto-isolators makes preamplifier virtually "unclippable“
  • Selectable 48-volt / 12-volt phantom power or 12-volt "T" power
  • High-pass filter @ 80 or 160 Hz, 6 dB per octave
  • Headphone monitoring of microphone audio, monitor audio, or a mix of both
  • Monitor input accepts mono, balanced or unbalanced line-level inputs on 1/4-inch tip-ring-sleeve connector
  • Separate level control of Monitor gain and overall headphone gain
  • Split ear function via DIP switches
  • Internal battery power (two-AA)
  • Excellent battery life with alkaline and NiMH rechargeable batteries
  • External 5-17 VDC powering (plug included)
  • High-strength aluminum chassis with durable belt clip

Two channel classic Focusrite ISA transformer-based preamps Front panel, per channel:

  • 1/4" instrument input
  • Variable input impedance - Low, ISA 110, Medium, High
  • Input selection - Mic, Line, Instrument
  • 0 - 30 dB/30 - 60 dB gain switch
  • Phantom power switch
  • Phase invert switch
  • 0 - 60 dB gain in 10 dB steps
  • 0 - +20 dB continuously variable trim
  • Variable high-pass filter with on/off switch
  • Insert point on/off switch
  • Eight-LED user-calibrated level meters
  • Single power switch
Rear panel, per channel:
  • XLR-F mic inputs
  • 1/4" TRS line inputs
  • 1/4" TRS Sends
  • 1/4" TRS Returns
  • XLR-M line output
  • Single peak meter calibration dial
  • Single IEC power socket
Measured Performance
Maximum Input and Output Levels
Maximum Output Level

+24 dBu with a THD+N

Maximum Microphone Transformer Input Level +7 dBu with a THD+N
Mic Input Response
Gain range 0 dB to +60 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim

Input Impedance

Switched Impedance setting
Equivalent Input Impedance at 1 kHz
Low = 600 Ω
ISA 110 = 1.4 kΩ
Med = 2.4 kΩ
High = 6.8 kΩ
EIN
(Equivalent Input Noise)
Measured at 60 dB of gain with 150 Ω
source impedance and 22 Hz-22 kHz band pass filter
-127 dB

Noise

Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu

Signal-to-Noise Ratio

Measured with 150 Ω source impedance and 22 Hz-22 kHz band pass filter 121 dB relative to max output +24 dBu

Total Harmonic Distortion + Noise

Measured with a -20 dBu input signal at +30 dB of gain and with a 22 Hz-22 kHz band pass filter

Frequency Response

At minimum gain (0 dB)

-0.5 dB at 10 Hz,
-1 dB at 135 kHz, relative to 1 kHz

At +60 dB gain

-6 dB at 10 Hz,
-1 dB at 115 kHz, relative to 1 kHz

CMRR (Common Mode Rejection Ratio)

-94 dB for mic input at 60 Hz for max. output = +24 dBu
-91 dB for mic input at 10 kHz for max. output = +24 dBu

Crosstalk Channel to Channel

Mic input, with I/P = 0 dBu, gain = 0 dB @ 1 kHz input to channel A, channel B output = -85 dB
Line Input Response

Gain Range

-20 dB to +10 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim

Input Impedance

10 kΩ from 10 Hz to 200 kHz

Noise

Noise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter

-97 dBu

Signal-to-Noise Ratio

Measured with 50 Ω source impedance and a 22 Hz-22 kHz band pass filter

121 dB relative to max output +24 dBu

Total Harmonic Distortion + Noise

Measured with a 0 dBu input signal, +10 dB of gain and a 22 Hz-22 kHz band pass filter

Frequency Response

At unity gain (0 dB) -0.3 dB at 10 Hz,
-1 dB at 80 kHz, relative to 1 kHz

Crosstalk Channel to Channel

Line input, with I/P = 0 dBu, gain = 0dB
@ 1 kHz input to channel A

Channel B output
= -91 dB

Instrument Input Response

Gain Range

+10 dB to +40 dB continuously variable trim

Input Impedance

> 2 MΩ

Noise

>Measured with 22 Hz-22 kHz band pass filter Minimum gain (+10 dB) = -95 dBu

Frequency Response

At minimum gain (+10 dB)

-0.1 dB at 10 Hz,
-1 dB at 115 kHz, relative to 1 kHz

At maximum gain (+40 dB)

-2.5 dB at 10 Hz,
-1 dB at 110 kHz, relative to 1 kHz

High-Pass Filter

Roll-Off

18 dB per octave (3 pole filter)

Frequency Range

Continuously variable from 16 Hz to 420 Hz (-3 dB)
Weight and Dimensions

W x D x H

480 mm x 280 mm x 44 mm

Weight

3.7 kg

The CPR12 is an easy to use, flexible and multifunctional 10 channel pre-amplifier. Six of these input channels are selectable between Mic / Line level and equipped with a 3 band tone control. The first two can be switched to priority and phantom power. The other four channels are direct line inputs.

Every input channel has its own gain and fader volume control with PFL button which makes it possible to pre-listen each input or output channel with the built-in pre-listening speaker, and can be routed to one or both output channels. This makes the CPR12 a full two-zone system.

Other present features are a priority input, a recording output, separate sub-out channels and the 24 V DC emergency power connection. This last feature makes it possible to power the CPR12 with emergency power when the main power is shut down. In this case, the priority input will automatically mute all input signals, and a evacuation message will be announced. The steel 19" housing has a height of 2 HE.


  • 10 audio input sources
  • 6 Mic / Line inputs with 3 band EQ
  • 4 Direct Line Inputs
  • Fader volume control
  • Two output zones
  • Built-in pre-listening speaker
  • Priority input for emergency situations
  • + 15 V DC Phantom power
  • Works on 24 V DC emergency power
Specifications
  • Model Name / Type: CPR12 / 10 channel 2 zone pre-amplifier
  • THD+N:
  • Signal/Noise: > 90 dB
  • Frequency Response: 20 Hz - 20 kHz
  • Phantom Power: + 15 V DC
  • Emergency Power: + 24 V DC
  • Power Supply: 100 - 240 V AC / 50 - 60 Hz
  • Dimensions (W x H x D): 420 x 88 x 320 mm

The PRE-73 DLX is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose.
This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.

The circuit used in the PRE-73 DLX is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

FEATURES

- Vintage Style electronics. No intergrated circuits in the signal path.
- Maximum gain on the mic input is 80 dB, enough to handle passive ribbon mics with quiet sound sources.
- Gain range on the Line input: -20 to + 10 dB.
- Switchable impedance on the mic input, 1200 or 300 Ohms, will change the tone of most mics.
- Switchable phantom power and absolute phase.
- A high-impedance instrument input for any sound module, electric guitar or bass.
- A simple but effective 4-step LED output level meter.
- The output level controls makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character and then lower the signal to a suitable level before the output stage.
- Combo XLR/TRS input jacks and separate output XLR and TRS jacks for flexible connections.
- Insert jack for inserting EQ´s and other units.
- External high power power supply to avoid interaction with the audio circuits and transformers.
- A solid build quality that will last many years of normal use.

The PRE-73 DLX has a number of improvement and new features compared to the PRE-73 MKII:
- Tantalum capacitors in the signal path.
- Selectable 1073-style high pass filter, 50Hz, 80Hz, 160Hz and 300Hz.
- Output Attenuator -7, -14, -21 and -28 dB (located after the output transformer) allows overdriving the output stage and the output transformer for added character by lowering the output signal to a suitable level.
- The circuit board is prepared for Carnhill Mic and Line transformer and high pass inductor.
- The Insert jack can be switched in/out from the front panel. An internal jumper can select that the Insert jack always has an output signal.
- Switchable 600 ohm Output Termination and Ground Lift on the back panel.
- Selectable Active or Passive DI input and selectable input impedance in active mode, Hi Z or 100 kohm, by internal jumpers.
- The DI can signal can be selected to pass or bypass the mic input transformer by internal jumpers.
- Relays are used to control internal switching for DI input, Phantom power, Mic Low Z, Insert and Phase for shorter circuit board signal paths. The relays are controlled by front panel switches.
- Revised gain switch for added headroom.
- Circuit board star grounding scheme.
- Revised power supply with separate regulators for the audio circuits and relay and LED circuits.

Behringer MIC-2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box

The MIC2200 is the ideal extension to your console, MIDI setup or hard disk recording system. Its integrated parametric EQ?s give you extra sound-shaping power, while its built-in tube adds warmth and transparency to your signal. In addition, the ULTRAGAIN PRO features direct injection and level conversion functionality.

Weight0.30 kg3.00 kg3.70 kg6.80 kg3.60 kg4.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.30 kg
Weight 3.00 kg
Weight 3.70 kg
Weight 6.80 kg
Weight 3.60 kg
Weight 4.20 kg