| Content | The Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more.
The XENYX 802 is quick to set up and operate with all the connections and controls easily reachable on the top of the unit. The first two input channels feature XENYX mic preamps on two XLR connectors, as well as two 1/4" inputs for line-level signals. Switchable, onboard 48V phantom power allows you to plug in both dynamic and studio-grade condenser microphones. A gain knob lets you adjust the input level, and a clip LED alerts you if you are overdriving the input. British-style 3-band EQs provide warm and musical tone corrections for your vocals and instruments.
The two sets of stereo inputs enable you to connect stereo keyboards or playback devices to the mixer. Pan (balance) and level controls are included for all inputs. Each channel is equipped with a post-fader FX send for sending signal to an external processor of your choice. There is also a stereo aux return, which can be used to return effects or as a separate stereo input.
The 2-Track section provides an easy way to connect an external 2-track recorder and/or playback device. The 2-Track inputs are assignable to either the main mix or to the control room/phones outputs. The main mix knob controls the signal at both the main outs and 2-Track outputs, while a dedicated knob adjusts the volume for the phone/control room outputs.
- Compact and versatile 8-channel analog mixer for solo gigs or small corporate events
- Two quality XENYX microphone preamps with 130 dB of dynamic range
- Switchable 48V phantom power
- Two balanced mono line inputs
- Two balanced stereo pairs of line inputs
- Neo-classic, British-style 3-band EQs for warm and musical sound
- One mono post-fader FX-send knob per channel for sending signal to external processor
- Stereo aux return for FX applications or as a separate stereo input
- Main mix outputs and separate control room, phones, and stereo 2-Track outputs
- 2-Track inputs assignable to main mix or control room/phones outputs
- Mic channels with low-noise and distortion-free circuitry for natural sound reproduction
- Designed and engineered in Germany
| Microphone Inputs |
2 x XLR, electronically balanced, discrete input circuit
XENYX microphone preamps with 48 V phantom power (switchable) |
| Microphone EIN |
(EIN 20 Hz to 20 kHz)
At 0 Ohm Source Resistance: -134 dB / 135.7 dB A-weighted
At 50 Ohms Source Resistance: -131 dB / 133.3 dB A-weighted
At 150 Ohms Source Resistance: -129 dB / 130.5 dB A-weighted
Frequency Response:
Frequency Response:
Gain Range: +10 to +60 dB
Maximum Input Level: +12 dBu at +10 dB gain
Impedance: 2.6 kOhms, balanced (approximately)
Signal-to-Noise Ratio: 110 dB / 112 dB A-weighted (0 dBu In at +22 dB gain)
Distortion (THD+N): 0.005% / 0.004% A-weighted |
| Line Inputs |
2 x 1/4" / 6.3 mm TRS, electronically balanced
Impedance: 20 kOhms balanced / 10 kOhms unbalanced (approximately)
Gain Range: -10 to +40 dB
Maximum Input Level: +22 dBu at 0 dB gain |
| Stereo Line Inputs |
2 x pairs of 1/4" / 6.3 mm TRS, electronically balanced
Impedance: 20 kOhms (approximately)
Maximum Input Level: +22 dBu |
| Fade-Out/Crosstalk Attenuation |
Main Fader Closed: 90 dB
Channel Muted: 89.5 dB
Channel Fader Muted: 89 dB |
| Frequency Response |
Microphone Input to Main Out: |
| Equalization |
Low: 80 Hz (±15 dB)
Mid: 2.5 kHz (±15 dB)
High: 12 kHz (±15 dB) |
| FX Send |
1 x 1/4" / 6.3 mm TS, unbalanced
Impedance: 120 Ohms (approximately)
Maximum Output Level: +22 dBu |
| Stereo Aux Returns |
1 x pair of 1/4" / 6.3 mm TRS, electronically balanced
Impedance: Approximately 20 kOhms (balanced), 10 kOhms (unbalanced)
Maximum Input Level: +22 dBu |
| Main Outputs |
2 x 1/4" / 6.3 mm TRS, unbalanced
Impedance: 120 Ohms (approximately)
Maximum Output Level: +22 dBu |
| Control Room Outputs |
2 x 1/4" / 6.3 mm TS, unbalanced
Impedance: 120 Ohms (approximately)
Maximum Output Level: +22 dBu |
| Headphone Output |
1 x 1/4" / 6.3 mm TRS, stereo, unbalanced
Maximum Output Level: +19 dBu / 150 Ohms (+25 dB) |
| 2-Track I/O |
1 x pair RCA, stereo, unbalanced CD/tape inputs
1 x pair RCA, stereo, unbalanced tape outputs |
| Noise |
Main Mix at -∞, Channel Fader at -∞: -106 dB / -109 dB A-weighted
Main Mix at 0 dB, Channel Fader at -∞: -95 dB / -98 dB A-weighted
Main Mix at 0 dB, Channel Fader at 0 dB: -84 dB / -87 dB A-weighted |
| AC Adapter |
Input: 120 V, 60 Hz
Power Consumption: 13 W |
| Dimensions (H x W x D) |
1.9 x 7.4 x 8.7" / 47 x 189 x 220 mm |
| Weight |
3.5 lb / 1.6 kg |
|
SOUNDCRAFT-SPIRIT
LX-7 32 II
Soundcraft Spirit LX-7 32 II, livemixer 32 mono-, 2stereoinputs, 2 st.-returns, 4 subgroups, 3 master, 6aux., built-in-powersupply, 4 band EQ with 2 param. mids
Dimensions: 16.51H x 50.29D x 105.9W
Weight: 25.45kgs |
The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.
Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.
Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections
Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.
Soundcraft GB2 16 main features include:
- Frequency Response Mic/Line Input to any output, 20Hz - 20kHz
| Key Features:
- 12+2 channel frame sizes
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo and FX setting store function
- 1 FX send on each channel
- 1 configurable auxiliary bus
- XLR-type and Ό� metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 3-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
|
Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 24 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 27kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a. |
Soundcraft EFX
(EFX8, EFX12)
The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.
The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.
The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone
Key Features: - 8+2 channel frame sizes
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo and FX setting store function
- 1 FX send on each channel
- 1 configurable auxiliary bus
- XLR-type and ¼” metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 3-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations. |
Reviews
There are no reviews yet.