BLACKSTAR FS-11 Footswitch

Designed to work with: ID:Core Stereo 20, ID:Core Stereo 40, ID:Core Stereo 40H and ID:Core BEAM, Connect a Blackstar FS-11 footcontroller (not supplied) to control your ID:Core in one of the following modes: In Alternative Mode (selected via INSIDER) patches will cycle on a ʻloopʼ. e.g. switching up from Bass 2 will move to Clean Warm. When in Manual Mode, the effect of any footcontroller switch will depend on its last state. Pressing Switch 1 will return the amplifier to Patch Mode. Pressing Switch 2 will toggle the effects off and on without returning to Patch Mode.

The Palmer TRINITY is a 3 into 1 instrument selector for changing guitars without unplugging and the associated noise. Sturdy footswitches select the input channels with individual buffer amps providing up to 12 dB boost to balance instrument levels without changing the amp settings. In addition, the Trinity features a dedicated tuner output.

• CRUSH 20 CRUSH 20RT & CRUSH 35RT (CHANNEL)
• CRUSH PRO SERIES (CHANNEL OR REVERB)
• TH30 AND TH100 (CHANNEL)
• DUAL TERROR (CHANNEL)
• AD30 (CHANNEL)
• OR 50 (MASTER VOLUME DEFEAT)
• CUSTOM SHOP 50 (EQ LIFT NOTE: THE LED WILL NOT ILLUMINATE AS THE CUSTOM SHOP USES PASSIVE SWITCHING CIRCUITRY)
• ROCKERVERB (REVERB OR CHANNEL)
• DUAL DARK (CHANNEL OR ATTENUATOR)
• OB1-300 & OB1-500 (BLEND CONTROL)

• Onstage, switch your vocal mike between FOH and monitor mixing desk so you can communicate with the monitor mixer or the band in private.
• Two different sound configurations. Suppose you sometimes want a different effect or sound on your microphone, for example, a "telephone effect" or more Hall. Run both outputs of the PEABO to two channels of the mixing desk - now you can configure these differently and toggle between the two channels onstage whenever you want.
• You can also use the PEABO to address two different rooms or zones selectively.

• Switch your vocal mic between the FOH mixer and the monitor mixer - this will allow you to talk exclusively to the band or the monitor mixing engineer.
• Sound variation. Send the two outputs of the DMS to two channels of the FOH mixer, adjust the channels differently (for example, adjust the EQ to get a telephone effect). This will allow you to switch between two microphone sounds on stage at your own leisure.
• You can use the DMS to switch the microphone between two different rooms/zones