BSS BLU10 Programmable Touchscreen Controller

Discontinued

1,283.40 incl. GR VAT

Out of stock

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The original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface. The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is […]

 

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The original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface.

The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is possible that a BLU-10 could replace a more expensive proprietary touch screen solution where simpler control interfacing is required.

As with the Soundweb 9010, up to 100 control ʽpagesʼ of virtually any Soundweb London DSP parameter can be constructed, with the ability to create ʽfoldersʼ for nested pages. Access to specific pages or folders can be restricted with the used of password protection, so that only engineers or key employees can adjust critical system parameters.

Each page can hold up to eight different functions and with navigation being carried out entirely by a page list, all of these functions can be assigned to real parameters rather than functioning as page transitions.

Programming the BLU-10

Soundweb users will be familiar with the simple drag-and-drop programming interface, and the BLU-10 interface is very similar. Once the menu pages have been created, operation of the pages can be tested using the special simulation mode, which emulates how the controller will work when in use. This allows menu structures to be checked before the system goes live.

The BLU-10 connects into a Soundweb London network via its Ethernet port, either directly into the rear of a rackmount device such as the BLU-16 with a Cat 5 crossover cable or with a standard Cat 5 cable into an Ethernet switch. The unit is powered either using the terminals on the rear, accepting a range of 12V – 48V DC or with IEEE802.3af Power Over Ethernet (POE).

Mechanical Installation

The BLU-10 mounts in a standard US 3-gang wallbox (available from BSS Audio) using the screws provided with the unit.

Weight 0.50 kg

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BSS BLU10 Programmable Touchscreen Controller removeBSS BLUCARD-IN 4 analog input mic/line card for Soundweb removeWORK WDR 24 Wireless digital audio receiver removeAPOGEE SIOC Electronics Symphony I/O Chassis removeSirus Stereo Link 5.8 TX Wireless Digital Audio Transmitter removeBEHRINGER S16 I/O Box with 16 Remote-Controllable MIDAS Preamps, 8 Outputs remove
NameBSS BLU10 Programmable Touchscreen Controller removeBSS BLUCARD-IN 4 analog input mic/line card for Soundweb removeWORK WDR 24 Wireless digital audio receiver removeAPOGEE SIOC Electronics Symphony I/O Chassis removeSirus Stereo Link 5.8 TX Wireless Digital Audio Transmitter removeBEHRINGER S16 I/O Box with 16 Remote-Controllable MIDAS Preamps, 8 Outputs remove
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SKUBLU10Z-BLUCARD-INWDR 24SIOCSI58TXE005492
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Description
Content

The original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface.

The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is possible that a BLU-10 could replace a more expensive proprietary touch screen solution where simpler control interfacing is required.

As with the Soundweb 9010, up to 100 control ʽpagesʼ of virtually any Soundweb London DSP parameter can be constructed, with the ability to create ʽfoldersʼ for nested pages. Access to specific pages or folders can be restricted with the used of password protection, so that only engineers or key employees can adjust critical system parameters.

Each page can hold up to eight different functions and with navigation being carried out entirely by a page list, all of these functions can be assigned to real parameters rather than functioning as page transitions.

Programming the BLU-10

Soundweb users will be familiar with the simple drag-and-drop programming interface, and the BLU-10 interface is very similar. Once the menu pages have been created, operation of the pages can be tested using the special simulation mode, which emulates how the controller will work when in use. This allows menu structures to be checked before the system goes live.

The BLU-10 connects into a Soundweb London network via its Ethernet port, either directly into the rear of a rackmount device such as the BLU-16 with a Cat 5 crossover cable or with a standard Cat 5 cable into an Ethernet switch. The unit is powered either using the terminals on the rear, accepting a range of 12V - 48V DC or with IEEE802.3af Power Over Ethernet (POE).

Mechanical Installation

The BLU-10 mounts in a standard US 3-gang wallbox (available from BSS Audio) using the screws provided with the unit.

mic/line for the BLU-80, BLU-32, BLU-16.

WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system. The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
  • Wireless Digital Audio Receiver System
  • Operating Band ISM 2.4GHz (free band).
  • One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
  • GFSK digital modulation/demodulation.
  • External antenna can help to increase the transmission distance.
  • Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
  • Automatic mute in bad channel quality conditions or high error code rate.
  • Transmission distance higher than 30 meters in open places.
  • Up to three transmitters WDT 24 in a zone
  • Balanced XLR and unbalanced ¼\'\' jack outputs
  • Working mode: stereo or mono
Power Supply AC 9V-500 mA 50/60 Hz
Frequency 2404-2476MHz
Channel 25
Modulation/Demodulation GFSK
Receive Sensitivity (WDR 24) -84dBm (min.)
Transmitted Power (WDT 24) 6 dBm
Output Level (WDR 24) +13dBu (BAL max.)
Input Level (WDT 24) +5dBu (max.)
Bandwidth >=1.8 MHz
Frequency Response 20Hz - 20kHz, +3dB / -3dB
S/N >80 dB
Dynamic Range @ 1 kHz >90 dB
Crosstalk @ 1kHz >90 dB
THD

The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan  Connectors     2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones     THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements     90~240VAC, 50/60Hz, 150W
System Requirements     Mac OS X 10.5.8 and above
Dimensions (WxDxH)     19 x 11.5 x 3.5" (483 x 292 x 89mm) 

Wireless 5.8 GHz Stereo Transmitter

  • For wireless transmission of a stereo audio signal
  • Maximum range: 30 m
  • One transmitter can be paired with up to 8 receivers
  • Inputs: 2x XLR female or 2x 6.3 mm jack (unbalanced)
  • Switch for mono/stereo operation
  • Volume control
  • Dimensions without antenna (L x W x H): 115 x 105 x 45 mm
  • Includes external power supply DC 12 V / 1 A (plus inside) and mounting bracket

Product Features:

16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

KLARK TEKNIK AES50

KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners

User's Manual

Weight0.50 kg1.00 kg450.00 kg2.50 kg1.000 kg4.70 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 1.00 kg
Weight 450.00 kg
Weight 2.50 kg
Weight 1.000 kg
Weight 4.70 kg