The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated “Wave,” “Rate,” and “Depth” knobs provide a multitude of effect possibilities. Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal Dedicated “Wave,” “Rate” and “Depth” knobs allow for precise effect tailoring “Rate” control […]
The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated “Wave,” “Rate,” and “Depth” knobs provide a multitude of effect possibilities.
Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
Dedicated “Wave,” “Rate” and “Depth” knobs allow for precise effect tailoring
“Rate” control allows for higher speed adjustment than classic PN-2
“Wave” control alters LFO waveform from triangle to square
“Depth” control determines the strength of the effect
BOSS 5-year warranty
Weight
1.20 kg
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The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.
Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
“Rate" control allows for higher speed adjustment than classic PN-2
“Wave" control alters LFO waveform from triangle to square
“Depth" control determines the strength of the effect
BOSS 5-year warranty
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.
Compact chorus pedal especially designed for bass guitar
Applies chorus sound to the high frequencies without altering low frequencies
What's bright green and goes from 1 to 11 as fast as you can step on the “On” switch? It’s the very essence of rock ‘n’ roll, our screaming-hot VINTAGE TUBE OVERDRIVE TO800 effects pedal! The classic sound of blazing, overdriven vacuum tubes never goes out of style, and they’re at your command – when you have the VINTAGE TUBE OVERDRIVE TO800 in your effects chain
Vintage Tube-Like Tone
In order to recreate the sound of real-tube crunch, we put the original 4558 op amps and legendary MA150 distortion diodes in the TO800, putting rock’s most powerful overdrive sounds at your disposal. The resulting output is extremely faithful to that of the vintage tone machines that made rock and roll history.
Ease of Use
Dedicated Drive, Tone and Level controls let you shape the exact sound you want. The status LED tells you when this pedal is activated, and the top-quality on/off switch provides the highest signal integrity in bypass mode. You can power the TO800 via a 9 V battery or our PSU-SB DC power supply (not included).
Get vintage overdrive, smooth sustain and screaming fat tone
Perfect for guitar; great for bass and keyboards, too
Uses original 4558 IC plus MA150 distortion diodes for authentic vintage sound
Captures every nuance of your playing from smooth overdrive to screaming tube sounds
Dedicated Drive, Tone and Level controls for awesome sound shaping
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
Rugged electronic On/Off switch for noise-free operation
The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
Compact pedal creates a variety of classic "wah" effects
Dynamic wah sounds provide variable effect based on picking strength
“Humanizer" effect creates human voice-type vowel sounds
Dedicated Bass input for processing bass guitar
EXP Pedal mode allows wah control via optional expression pedal
Tempo can be set for pedal control or at fixed rate via Manual mode
BOSS 5-year warranty
How many times have you been onstage or in the studio with your electric guitar, and wished that youʼd brought an acoustic along? For musicians who travel light, hauling an extra guitar to the gig isnʼt always the most attractive option. BOSS AC-3 to the rescue! This new-generation compact pedal employs COSM® modeling technology to transform any electric guitar into a variety of beautiful acoustic guitars.
BOSSʼs most advanced acoustic-guitar modeling in a compact pedal
Four simulation modes: Standard, Jumbo, Enhanced, and Piezo-equipped
Top and Body knobs for fine-tuning the virtual-body resonance
Built-in reverb, optimized for acoustic-guitar simulation
Nominal Input Level
-20 dBu
Input Impedance
1 M ohms
Nominal Output Level
-20 dBu
Output Impedance
1 k ohms
Recommended Load Impedance
10 k ohms or greater
Controls
Pedal Switch, MODE Switch, BODY Knob, TOP Knob, LEVEL Knob, REVERB Knob
Indicator
CHECK Indicator (Serves also as battery check indicator)
Connectors
INPUT Jack, G.OUT Jack, LINE OUT Jack, AC Adaptor Jack (DC 9 V)
Power Supply
DC 9 V: Dry Battery (6F22/ 9 V), AC Adaptor (PSA Series: Optional)
Accessories
Owner's Manual, Dry Battery; 6F22/ 9 V (Carbon), Leaflet (“USING THE UNIT
SAFELY,” "IMPORTANT NOTES,” and "Information”)
Options
AC Adaptor PSA-Series
Size and Weight
Width
70 mm
2-13/16 inches
Depth
125 mm
4-15/16 inches
Height
55 mm
2-3/16 inches
Weight
440 g
1 lbs.
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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User's Manual
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