Type Electret Condenser Frequency Response 60~18,000 Hz Polar Pattern Cardioid,rotationally symmetrical about microphone axis, uniform with frequency Sensitivity(at 1,000Hz) -70dB*(0.32mV)*0dB=1V/μbar Output Impedance 400Ω Phasing Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Connector Three-pin professional audio connector (male XLR type) Case. […]
Type Electret Condenser
Frequency Response 60~18,000 Hz
Polar Pattern Cardioid,rotationally symmetrical about
microphone axis, uniform with frequency
Sensitivity(at 1,000Hz) -70dB*(0.32mV)*0dB=1V/μbar
Output Impedance 400Ω
Phasing Positive pressure on diaphragm produces
positive voltage on pin 2 with respect to pin 3
Connector Three-pin professional audio connector
(male XLR type)
Case. Metallic enamel-painted die cast metal body
with hardened, matte-finished steel grille
Net Weight 230 grams (8.1 oz)
Touch Noise Super low
Power Supply 9-52V phantom power or battery 1.5V AA
Weight
0.50 kg
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Type Electret Condenser
Frequency Response 60~18,000 Hz
Polar Pattern Cardioid,rotationally symmetrical about
microphone axis, uniform with frequency
Sensitivity(at 1,000Hz) -70dB*(0.32mV)*0dB=1V/μbar
Output Impedance 400Ω
Phasing Positive pressure on diaphragm produces
positive voltage on pin 2 with respect to pin 3
Connector Three-pin professional audio connector
(male XLR type)
Case. Metallic enamel-painted die cast metal body
with hardened, matte-finished steel grille
Net Weight 230 grams (8.1 oz)
Touch Noise Super low
Power Supply 9-52V phantom power or battery 1.5V AA
Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.
The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.
The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.
The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).
Features:
Identical acoustics of the legendary CK 1.
Rugged construction.
Ruler-flat on-axis frequency response.
Precise, nearly frequency independent cardioid.
Extremely accurate signal transfer.
Transformerless output stage for minimum distortion at low frequencies.
Protected against electrostatic and magnetic interference.
Selectable 10-dB and 20-dB preattenuation pads.
Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
Operates on phantom power to DIN/IEC between 12 V and 48 V.
Complete with SA 40 stand adapter and W 90 windscreen.
Each microphone comes with its own individual frequency response plot.
Specifications:
Polar pattern: Cardioid
Frequency range: 20 to 20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV)
Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
Equivalent noise level (CCIR 468-3): 29 dB
Equivalent noise level: 18 dB-A
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
Impedance: 1000 ohms
Supply voltage: 9 to 52 V phantom power to DIN 45596
Cardioid dynamic kick drum mic with swivel mount and cable.
The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.
Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.
FEATURES
Mountable microphone featuring swivel joint with quick-release latch for kick drum
Dynamic cartridge (does not require phantom power) with cardioid polar pattern
Tailored cartridge design for low-frequency clarity, including on bass amps
Includes PGA52, zipper pouch and user guide
XLR to XLR mic cable included
The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps.
Technical Info
Type: Dynamic, Moving coil.
Freq.Resp.: 40 to 16.500 Hz.
Polar Pattern: Cardioid
Sensitivity (1000Hz): 1,7 mV/Pa*
(*1 Pa = 94 dB SPL)
Max SPL: 137dB
Impedance: 600 Ohm
Power supply: none
Connector: 3p. XLR male-type).
Net. Weight: 245 g
Dimensions: (Ø 32 mm x L 157 mm)
Accessories: 6 mtr balanced cable
with XLR plugs
The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g
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