The 1970 Dual F.E.T. Compressor and Pre-Amplifier builds on a heritage inspired by the first pro audio “tool box” compressor, the illustrious Drawmer 1960, but with a greatly expanded feature set, making it one of the most adaptable mic preamplifier/compressors on the market today. Bringing vintage audio characteristics at an affordable price. Whilst the feature […]
The 1970 Dual F.E.T. Compressor and Pre-Amplifier builds on a heritage inspired by the first pro audio “tool box” compressor, the illustrious Drawmer 1960, but with a greatly expanded feature set, making it one of the most adaptable mic preamplifier/compressors on the market today. Bringing vintage audio characteristics at an affordable price.
Whilst the feature set of the 1970 is similar to the Drawmer 1960, and the layout of the controls will add to the comparisons, the 1970 has been greatly improved and the D.I. EQ has been fine tuned to be more accurate than its stable-mate, with various enhancements.
The 1970 use the latest THAT Corporation technology in the 2 mic preamps to provide ultra clean, transparent and precise recordings that can be processed at a later stage using your favourite warming method, be it saturation, valve, transformer or tape. In addition each channel is capable of 66dB of gain, with switchable mic impedance for accurate mic matching to bring out the best from any microphone used. Phantom power, phase reverse and a high pass filter are also included.
From tracking instruments via the dedicated D.I. input, to recording vocals via the ultra clean mic pre’s, recording a guitar cabinet with two microphones, or a singer playing guitar, or even stereo buss compression using the comprehensive linking and mix facilities, the 1970 is the perfect versatile tool for any studio or live event.
Features:
Two THAT Corporation ultra clean mic pre’s with 66dB of gain with phantom power and switchable mic impedance for accurate mic matching.
Separate Line & Mic input XLR’s
A pro quality instrument DI input with low and high EQ.
Can be used as 2 mono tracking compressors or 1 stereo buss compressor (avoiding image shifting) via the class leading comprehensive linking facilities.
FETs can be bypassed altogether to provide ultra clean outputs.
Standard controls such as Threshold, Ratio, Attack & Release, with 8 LED GR Metering on each band.
Rear panel Side-chain insert points provide even further control.
‘Big’ and ‘Air’ Modes Help to preserve the very deep lows and Enhance the sparkling highs.
Variable Wet/Dry Mix plus Output Gain knobs on both channels give a ‘Parallel Compression’ function without the need for external mixing devices, providing complete and effortless control over the amount of compression used and output levels.
Two backlit Analogue V.U. Meters with Switchable +10dB Rescale Mode. Time delay relays on outputs for clean power up/down.
Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
Classic Drawmer build quality with rugged steel chassis and aluminium front panel.
Designed and Handmade by Drawmer in the United Kingdom.
Weight
4.00 kg
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The 1970 Dual F.E.T. Compressor and Pre-Amplifier builds on a heritage inspired by the first pro audio "tool box" compressor, the illustrious Drawmer 1960, but with a greatly expanded feature set, making it one of the most adaptable mic preamplifier/compressors on the market today. Bringing vintage audio characteristics at an affordable price.
Whilst the feature set of the 1970 is similar to the Drawmer 1960, and the layout of the controls will add to the comparisons, the 1970 has been greatly improved and the D.I. EQ has been fine tuned to be more accurate than its stable-mate, with various enhancements.
The 1970 use the latest THAT Corporation technology in the 2 mic preamps to provide ultra clean, transparent and precise recordings that can be processed at a later stage using your favourite warming method, be it saturation, valve, transformer or tape. In addition each channel is capable of 66dB of gain, with switchable mic impedance for accurate mic matching to bring out the best from any microphone used. Phantom power, phase reverse and a high pass filter are also included.
From tracking instruments via the dedicated D.I. input, to recording vocals via the ultra clean mic pre's, recording a guitar cabinet with two microphones, or a singer playing guitar, or even stereo buss compression using the comprehensive linking and mix facilities, the 1970 is the perfect versatile tool for any studio or live event.
Features:
Two THAT Corporation ultra clean mic pre's with 66dB of gain with phantom power and switchable mic impedance for accurate mic matching.
Separate Line & Mic input XLR's
A pro quality instrument DI input with low and high EQ.
Can be used as 2 mono tracking compressors or 1 stereo buss compressor (avoiding image shifting) via the class leading comprehensive linking facilities.
FETs can be bypassed altogether to provide ultra clean outputs.
Standard controls such as Threshold, Ratio, Attack & Release, with 8 LED GR Metering on each band.
Rear panel Side-chain insert points provide even further control.
‘Big’ and 'Air' Modes Help to preserve the very deep lows and Enhance the sparkling highs.
Variable Wet/Dry Mix plus Output Gain knobs on both channels give a 'Parallel Compression' function without the need for external mixing devices, providing complete and effortless control over the amount of compression used and output levels.
Two backlit Analogue V.U. Meters with Switchable +10dB Rescale Mode. Time delay relays on outputs for clean power up/down.
Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
Classic Drawmer build quality with rugged steel chassis and aluminium front panel.
Designed and Handmade by Drawmer in the United Kingdom.
The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative.
FEATURES:
4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty
The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor,sweep equalizer, output level and VU metering in a 2U space. PREAMPLIFIER The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs. OPTO-COMPRESSOR The opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side- chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path. SWEEP-EQUALIZER AND OUTPUT LEVEL The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for "tone enhancement“. The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier.
AVALON VT-737SP FEATURES Vacuum tube triode signal path, transformer balanced microphone input, high-voltage circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power supply with toroidal transformer, soft-start tube life extender, stereo link for compressors, all discrete Class A equalizer with musical passive filter design, sealed silver relays for signal routing, large control knobs with professional conductive plastic potentiometers, VU meter for output level monitoring and compressor gain reduction.
VT-737SP SPECIFICATIONS Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted -92dB Noise microphone EIN -116dB, 22Hz to 22kHz unweighted Distortion THD, IMD 0.5% Frequency response -/2.5dB 10Hz to 120kHz input filter included Frequency response -3dB 1Hz to 200kHz line in-out VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter Variable 6dB per octave 30Hz to 140Hz Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type Discrete Class A, variable active and switched passive design Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid - variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, +/- 24dB range, shelf AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight 22lbs (10kg) Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm) Weight-packed 26lbs (11.8kg)
FEEDBACK DESTROYER FBQ1000
Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters
High-performance 2-channel Feedback Destroyer and Parametric EQ
Automatically and "intelligently" locates and destroys up to 24 frequencies
Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
"Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance
Auto mode continuously monitors the mix and automatically sets filters
Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually
Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters
Extensive MIDI implementation and user preset memories for instant program recalls
Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
BEHRINGER FEEDBACK DESTROYER FBQ1000
SHARK FBQ100
Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor
High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor
Automatically and "intelligently" locates and destroys up to 8 feedback frequencies
Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
Ultra-low noise Mic/Line input with Gain control and +48 V phantom power
Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec
Noise gate with automatic and manual parameter settings
Automatic compressor with variable density
Subsonic filter with adjustable cut-off frequency
Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Features Enhance switch to restore spectral balance of compressed signal Switchable Mode - Dual Channel or Stereo linked Above or Below Threshold LEDs Balanced XLR and Jack Inputs and Outputs Intuitive, user friendly layout Flawless performance
Innovation The ARX COMPO? is a unique compressor/limiter designed for use in any professional audio dynamics control application, packaged in a compact 1 RU chassis.The COMPO operates as two independent compressor/limiters, with 'industry standard' variable Threshold, Ratio and Output gain controls. A Stereo Link switch on the front panel lets both channels track as a stereo pair in a Master/Slave configuration. Enhance Switch The COMPO features an 'Enhance' switch, which provides frequency restoration to preserve the spectral balance of the audio signal, compensating for the sagging Low and High frequency response of compressed program material. The best way to think of it is as a 'smart' loudness control. Wide Scale metering There is comprehensive LED indication of all operating functions and status. Above or Below Threshold LEDs on each channel give you instant visual confirmation of compressor activity, as well as easy to read LED Gain Reduction meters. Balanced Inputs and Outputs On the rear panel, each channel has true differential Balanced inputs and outputs, on both XLR and TRS jack connectors. Other features include an Active/Bypass switch for each channel, and passive RFI filters on the inputs. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. ARX Quality With its smooth compression, intuitive user friendly layout, high density precision circuitry, and extensive user-variable operating parameters, the ARX COMPO is the ideal installation 'set and forget' compressor, and is also equally at home in Studio, Broadcast and Sound Reinforcement environments.
Every day, ARX Audio interface products solve audio problems for thousands of people around the world.
T E C H N I C A L S P E C I F I C A T I O N S Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 22 dB CMRR >60 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 22 dB Frequency Response 20Hz to 20KHz ±0.4dB Signal to Noise ratio -85 dB Unweighted, -99 dB 'A' weighted Distortion .02% THD @ 0dB,1KHz Dynamic Range 107 dB Enhance Section Low Enhance 50 Hz, High Enhance 10 KHz Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm Input/OutputConnector type XLR, Balanced Jack
Front Panel Controls Channel A Active/Bypassed IN/OUT switch Threshold, Ratio and Output Gain controls Numbered marker panel for labelling compressor assigns 5 segment LED Gain Reduction display Above/Below Threshold status LEDs Enhance switch and status LED Stereo link switch and status LED Channel B controls identical to Channel A Rear Panel Connectors Balanced XLR Input and Output connectors. Balanced TRS jack Input and Output connectors. AC input connector, with voltage switch and fuse.
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