DRAWMER DL441 – Quad Auto Compressor Limiter

968.00 incl. GR VAT

Available on backorder

EAN: N/A
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The DL441 Quad Auto Compressor/Limiter captures four channels of Drawmer\’s innovative DL241 \’Auto Compressor\’ in only 1U of rack space. The inclusion of new sophisticated \’automated\’ circuitry allows the engineer to precisely control both the dynamic range and \’absolute\’ peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features […]

 

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The DL441 Quad Auto Compressor/Limiter captures four channels of Drawmer\’s innovative DL241 \’Auto Compressor\’ in only 1U of rack space. The inclusion of new sophisticated \’automated\’ circuitry allows the engineer to precisely control both the dynamic range and \’absolute\’ peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional \’Auto Attack/Release\’ Compressor with a variable threshold \’Peak Level\’ Limiter on the output providing a transparent \’endstop\’. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations.

Facilities available on the DL441 include:

Compressor : The compressor section can be switched to provide either HARD or SOFT knee compression In both the HARD and SOFT modes a Ratio control is available. In the SOFT mode the ratio increases gradually over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression In HARD mode the compressor provides a more precise means of controlling gain, where the ratio as set on the front panel is applied immediately the signal exceeds threshold. This is particularly useful in many broadcast applications. HARD knee compression can also be used creatively as an effect, particularly in the treatment of drum and guitar sounds, or for giving rock vocals a \’compressed sound\’.

Auto Attack and Release : removes the need for manual adjustment by producing a response which constantly follows the dynamics of the signal. This enables the DL441 to preserve crisp transients without allowing excessive peaks to occur. A smooth yet lively recovery from compression minimizes side effects such as \’pumping\’ and \’breathing\’. This feature is particularly valuable when the program being treated does not have predictable or consistent dynamics, such as complete mixes, vocals or \’slapped and pulled\’ bass guitar.

Peak Level Limiter : \’Zero Response Time\’, \’Zero Overshoot\’ circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0db to +16dB above system level. \’Zero Response Time\’ transparent limiting means that the DL441 provides complete protection from even the fastest and shortest signal overloads, making the unit ideally suited for speaker system protection in sound reinforcement applications. The sophisticated circuitry will also prevent unpleasant distortion when used for digital mastering.

Metering : Comprehensive bar graph displays give \’at a glance\’ indications of gain reduction, and input/output signal level Gain reduction from 1dB to 30dB is shown simultaneously with signal level from 10dB to +10dB. When the channel is in BYPASS the output bar graph displays the input signal level. Other single LEDs indicate function status of Hard/Soft compression, Bypass, Peak Limiting, Linking, and Power on.

Bypass : A fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied.

Stereo Linking : Channels 1-2 and/or 3-4 can be stereo linked, where the left channel of the stereo pair becomes the master.

Operating Level : The operating level of the DL441 can be instantly switched, independently on each channel, for either +4dBu or -10dBu operation using a rear panel push switch.

Input/Output : The DL441 is provided with balanced inputs and outputs on XLR connections.

Weight 3.50 kg

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DRAWMER DL441 - Quad Auto Compressor Limiter removeBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeBEHRINGER MDX2600 COMPOSER PRO XL PROCESSOR removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR remove
NameDRAWMER DL441 - Quad Auto Compressor Limiter removeBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeBEHRINGER MDX2600 COMPOSER PRO XL PROCESSOR removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR remove
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Price968.00 incl. GR VAT 95.00 incl. GR VAT 196.00 incl. GR VAT 174.00 incl. GR VAT 437.00 incl. GR VAT 174.00 incl. GR VAT
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Description
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The DL441 Quad Auto Compressor/Limiter captures four channels of Drawmer\'s innovative DL241 \'Auto Compressor\' in only 1U of rack space. The inclusion of new sophisticated \'automated\' circuitry allows the engineer to precisely control both the dynamic range and \'absolute\' peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional \'Auto Attack/Release\' Compressor with a variable threshold \'Peak Level\' Limiter on the output providing a transparent \'endstop\'. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations.

Facilities available on the DL441 include:

Compressor : The compressor section can be switched to provide either HARD or SOFT knee compression In both the HARD and SOFT modes a Ratio control is available. In the SOFT mode the ratio increases gradually over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression In HARD mode the compressor provides a more precise means of controlling gain, where the ratio as set on the front panel is applied immediately the signal exceeds threshold. This is particularly useful in many broadcast applications. HARD knee compression can also be used creatively as an effect, particularly in the treatment of drum and guitar sounds, or for giving rock vocals a \'compressed sound\'.

Auto Attack and Release : removes the need for manual adjustment by producing a response which constantly follows the dynamics of the signal. This enables the DL441 to preserve crisp transients without allowing excessive peaks to occur. A smooth yet lively recovery from compression minimizes side effects such as \'pumping\' and \'breathing\'. This feature is particularly valuable when the program being treated does not have predictable or consistent dynamics, such as complete mixes, vocals or \'slapped and pulled\' bass guitar.

Peak Level Limiter : \'Zero Response Time\', \'Zero Overshoot\' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0db to +16dB above system level. \'Zero Response Time\' transparent limiting means that the DL441 provides complete protection from even the fastest and shortest signal overloads, making the unit ideally suited for speaker system protection in sound reinforcement applications. The sophisticated circuitry will also prevent unpleasant distortion when used for digital mastering.

Metering : Comprehensive bar graph displays give \'at a glance\' indications of gain reduction, and input/output signal level Gain reduction from 1dB to 30dB is shown simultaneously with signal level from 10dB to +10dB. When the channel is in BYPASS the output bar graph displays the input signal level. Other single LEDs indicate function status of Hard/Soft compression, Bypass, Peak Limiting, Linking, and Power on.

Bypass : A fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied.

Stereo Linking : Channels 1-2 and/or 3-4 can be stereo linked, where the left channel of the stereo pair becomes the master.

Operating Level : The operating level of the DL441 can be instantly switched, independently on each channel, for either +4dBu or -10dBu operation using a rear panel push switch.

Input/Output : The DL441 is provided with balanced inputs and outputs on XLR connections.

SHARK FBQ100 Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor Automatically and "intelligently" locates and destroys up to 8 feedback frequencies Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality Ultra-low noise Mic/Line input with Gain control and +48 V phantom power Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec Noise gate with automatic and manual parameter settings Automatic compressor with variable density Subsonic filter with adjustable cut-off frequency Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER GermanyHigh-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System  
  • Professional 31-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated mono subwoofer output with adjustable crossover frequency
  • Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
  • Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
  • Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
  • Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • 3-Year Warranty Program*
  • Conceived and designed by BEHRINGER Germany

Interactive Reference-Class 2-Channel Expander/Gate/Compressor/ Peak Limiter with
Integrated De-Esser, Dynamic Enhancer, Tube Simulation and Low Contour Filter 

Whether you?re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600
gives you total dynamic control. It includes all of the features you would expect from
a reference class compressor?plus a voice-adaptive de-esser, a new dynamic
enhancer, authentic tube emulation and much more. These are some of the indispensable
tools for producing clean, consistent audio with virtually no loss in signal quality.

Features:
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry
combines the advantages of hard-knee and soft-knee characteristics
Integrated de-esser with switchable male/female voice recognition removes excessive
sibilance from your vocal tracks
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible
noise suppression
Switchable tube simulation for the extra warmth and transparency of classic
tube circuitry
Automatically or manually adjustable attack and release times
Switchable low contour filter prevents "pumping" due to low-frequency
dominated compression
Stereo couple function with independent output level settings
Switchable side chain input with side chain monitor function
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 12-segment LED meters for input/output levels and gain reduction
Dedicated "traffic light" threshold and de-esser level displays
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Relay-controlled hard bypass switch with auto bypass function in case
of power failure
Manufactured under ISO9000 certified management system
 

Product Features:

Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
64 user memories for complete setups and/or individual module configurations
Separate mic/line input with phantom power for RTA and Auto-EQ applications
Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
Open architecture allowing future software updates via MIDI
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

acrobat_reader_logo. compression
Stereo couple function selectable for channels 1/2 and 3/4
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 8-segment LED meters for input/output levels and gain reduction
Selectable operating level (+4 dBu/-10 dBV)
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Manufactured under ISO9000 certified management system

Weight3.50 kg0.38 kg2.50 kg3.30 kg3.50 kg3.45 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.50 kg
Weight 0.38 kg
Weight 2.50 kg
Weight 3.30 kg
Weight 3.50 kg
Weight 3.45 kg

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