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This innovative product comes in a very modern and user-friendly design. It combines finest analogue input circuitry and operating surface with the advantages of its digital master and amplifier section making for a new dimension of flexibility in its class. The acoustical performance meets everything that you have come to expect from a quality Dynacord product.
Its feature package includes: 5 MIC/LINE input channels with compressor / limiter and talk-over function, 3 Stereo Inputs including Jack, RCA and USB connectors, onboard player for MP3 or WAV audio files, high quality effects section with 32 editable presets, 3 Master outputs with 7-band EQ each and flexible signal routing options, delay line for Master-B (150 msec / 50m), headphones control, LPN speaker processing, class-D 2 x 450W RMS respectively 2 x 600W / 4 Ohms IHF-A power, micro-controlled power supply (100V – 240V), Direct-Drive option for 100V speaker lines, comprehensive protection package, live and install connectivity, optional rack mount kit.
The input structure of the PM 502, along with the entire feature package and connectivity, positions this mixer at the heart of many installations ranging from Bistros, small clubs, lounges, boutiques, hotel bars and lobbies to churches, mosques and a wide range of similar applications. Further the PM 502 is an extremely versatile tool for a multitude of live applications. It will be the ideal choice for entertainers, DJs and small bands looking for a compact and light-weight solution for live applications or rehearsal venues. The onboard MP3-Player on the front, allows the user to easily play pre-recorded music from a USB stick or a hard drive. The digital USB interface on the rear also allows for basic recording.
Channels (mono + stereo)
5 + 3
Microphone inputs
5 x XLR/Jack socket
Auxiliaries (FX, AUX)
1 Post, 1 Pre
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
640 W
into 8 Ω
350 W
Max. dual channel output power, dynamic headroom, IHF-A
-
into 4 Ω
2 x 600 W
into 8 Ω
2 x 340 W
Max. single channel output power, continuous, 1 kHz, THD = 1%
-
into 4 Ω
500 W
into 8 Ω
280 W
Max. midband output power, 1 kHz, THD = 1%, dual channel
-
into 4 Ω
2 x 450 W
into 8 Ω
2 x 270 W
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
2 x 400 W
into 8 Ω
2 x 240 W
Max. output power, Direct Drive mode (bridge configuration), continuous, 1 kHz, THD = 1%
-
into 12 Ω
680 W
Maximum output voltage, power amplifier, 1 kHz, no load
-
Dual channel mode
52 Vrms
Direct Drive mode
100 Vrms
THD, at 1 kHz, MBW = 22 kHz
-
MIC input to master A L/R outputs, +10 dBu, typical
MIC iput to speaker output
DIM 30, MIC input to speaker output, 3.15 kHz, 15 kHz
IMD-SMPTE, MIC input to speaker outputs, 60 Hz, 7 kHz
Frequency response, -3 dB, ref. 1 kHz
-
Any input to any Mixer output
15–22000 Hz
Any input to Speaker output
20–22000 Hz
Microphone mute switch attenuation
-
Amplifier Ch1/Ch2
Channel to channel
Microphone mute switch attenuation
> 100 dB
Channel VOL and FX/AUX send attenuation
> 85 dB
CMRR, MIC input, 1 kHz
> 80 dB
Input sensitivity, all level controls in max. position
-
MIC
-65 dBu (435 μV)
LINE (mono)
-45 dBu (4.35 mV)
LINE (stereo)
-27 dBu (34.6 mV)
CD (stereo)
-27 dBu (34.6 mV)
All other outputs (impedance balanced)
-
MIC inputs, GAIN at min. position
+11 dBu
Mono line inputs, GAIN at min. position
+30 dBu
Stereo line inputs
+26 dBu
PHONES output
+21 dBu
MASTER A, B, AUX outputs
+11 dBu
Input impedances
-
MIC
2 kΩ
CD
10 kΩ
All other inputs
> 15 kΩ
Output impedances
-
PHONES
47 Ω
All other outputs (impedance balanced)
150 Ω
MASTER VOLUME down
-129 dBu
Noise, channel inputs to MASTER A L/R outputs, MBW = 22 kHz, Aweighted
-
MASTER VOLUME down
-99 dBu
MASTER VOLUME center, all channel volume down
-90 dBu
MASTER VOLUME center, all channel volume center
-85 dBu
Signal-to-noise ratio, power amplifier, A-weighted, 450 W, 4 Ω
104 dB
Output stage topology, amplifier
Class D
Equalization
-
Low shelving filter
±15 dB / 60 Hz
Mid peak filter
±12 dB / 2.4 kHz
High shelving filter
±15 dB / 12 kHz
Master EQ 7-band (63, 160, 400, 1k, 2.5k, 6k, 12k Hz)
±10 dB / Q = 1.5
Filter
-
Low-cut filter, microphone processing (switchable)
80 Hz, 18 dB/oct. or 150 Hz, 12 dB/oct.
Low-cut filter, amplifier (engaged in Direct Drive mode)
50 Hz or 70 Hz, 18 dB/oct.
Speaker processing
LPN, switchable
Delay MASTER B, selectable
0–145 ms (0–50 m)
Effects
-
Type
Stereo 24/48-bit multi effects processor
Effect presets
32 factory presets, user editable
Remote control
Footswitch
Display
128 x 64 pixels, LCD
Audio player (USB at front panel)
-
Switching mode power supply (μC controlled)
FAT 32
Supported audio file formats
MP3, WAV
Interface
USB2.0, female type A
USB power supply, max. rated current (short circuit proof)
5 V, 500 mA
Digital audio interface (USB at rear panel)
-
Channels
2 in, 2 out
AD/DA conversion
16-bit, delta-sigma
Sampling rate
32/44.1/48 kHz
PC interface
USB2.0, female type B
Protection
-
MASTER A, B, AUX outputs
Adjustable peak limiters, -10 – +11 dBu
Amplifier
Audio limiters, high temperature, DC, HF, short circuit, peak current limiters, turn-on delay, back EMF
Switching mode power supply (μC controlled)
Inrush current limiters, mains over/undervoltage, mains over current, high temperature
Cooling
Continuous speed controlled fan
Phantom power, switchable
48 V DC
AC power input
100–240 V AC, 50–60 Hz
Power consumption, at 1/8 maximum output power, 4 Ω
180 W
Safety class
I
Operating temperature
5° to 40° C (40° to 105° F)
Product dimensions (Width x Height x Depth)
395 x 244 x 241 mm Rack-mount: 483 x 223 x 310.3 mm (7 HU)
Net weight
4.9 kg
Shipping weight
6.4 kg
| Behringer Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer
Despite its ultra-compact size, this 4-channel line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance?the same op amps found in its much bigger brethren. Expanding on the capabilities of standard-size mixers is where the MX400 does extremely well, for example as a sub-mixer. If you are running short on available channels on your ?big? mixer and need to bring the output of three different keyboards into your mix, you can simply connect them to the MX400, work out the keyboard mix, and connect the MX400?s output to a single input on your main mixer.
It will catch your eye because it?s cute as a button, but you?ll want to own one because of what it can do for your performance.
- Compact 4-channel line mixer
- Separate volume control for each channel
- Low noise 4580 operational amplifier
- 4x 6.3 mm Mono jack inputs
- 1x 6.3 mm Mono jack outputs
- Includes 12-Volt power supply
- Dimensions: 46.5 x 57.2 x 103.6 mm
- Weight: 190 g
| PowerMate 1000
SPECIFICATIONS
Order No.
F01U131113 (DC-PM1000-3-UNIV)
Channels (Mono + Stereo)
6 + 4
Auxiliaries (MON, FX, AUX)
2 Pre, 2 Post, 2 Pre/Post switchable
Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel
into 2.66 Ohms
2 x 1350 W
into 4 Ohms
2 x 1000 W
into 8 Ohms
2 x 600 W
Rated Output Power,THD=0.1%, Single Channel
into 4 Ohms
2 x 900 W
into 8 Ohms
2 x 450 W
Maximum Output Voltage of power amplifier, no load
74 Vrms
THD at 1kHz, MBW=80kHz
MIC input to Master A L/R output, +16 dBu, typical
< 0.005%
POWER AMP INPUTS to Speaker L/R output
< 0.075%
DIM 30, power amplifier, 60Hz, 7kHz
< 0.05%
IMD-SMPTE, power amplifier, 60Hz, 7 kHz
< 0.015% CMRR, MIC input, 1 kHz > 80 dB
Equivalent Input Noise, MIC Input, A-weighted, 150 Ω
-130 dBu
Signal/Noise-Ratio, power amplifier, A-weighted, 4 Ohms
105 dB
Output Stage Topology, amplifier
Class D
Equalization
LO Shelving
+/- 15 dB / 60 Hz
MID Peaking, mono inputs
+/- 15 dB / 100 Hz .. 8 kHz
MID Peaking, stereo inputs
+/- 12 dB / 2.4 kHz
HI Shelving
+/- 15 dB / 12 kHz
Master EQ, 11-band (63, 125, 250, 400, 1k, 1.6k, 2.5k, 4k, 6.3k, 12k Hz)
+/- 10 dB / Q = 1.5-2.5
Filter
LO-CUT, mono inputs
f=80 Hz, 18 dB/oct
VOICE FILTER, mono inputs
FEEDBACK FILTER, MON1/2
70 Hz .. 7 kHz, Notch, -9 dB
Speaker Processing
LPN, switchable
Display
High Contrast OLED
Effects | EUROPOWER PMP4000 1600-Watt 16-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System
General
At first glance, this might look like just another one of the many simple 16-channel mixing consoles out there, but with such plentiful functionality, Behringer has succeeded in creating a console is anything but average. The internal amplification module delivers enough power to drive two full-range speakers at 8 ohms. With an impedance of 4 ohms, you can get a lot more volume with only one unit, as you can connect two 8-ohm PA speakers to one output, and two 8-ohm floor monitors to the other.
Behringer Europower PMP4000: Feedback Detection System
Furthermore, the mixer has a number of convenient functions such as a feedback detection system, an equalizer for adjusting the timbre, and an FX processor for adding your personal touch to specific channels.This really is a complete system that offers just about everything you need to provide good amplification for a band. None of that dilly dallying with effects tracks, especially if you don't have room for that in small locations.
- Ultra-compact 2 x 800-Watt stereo powered mixer (1600-Watt bridged mode)
- Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
- Ultra-compact design at nearly half the weight of conventional powered mixers
- 16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output
- Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
- Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
- 8 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones
- Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels
- Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs
- Voice Canceller function removes singerʼs voice from recordings for karaoke applications
- Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
- Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
- Adjustable stereo CD/Tape input for connecting external signal sources
- Multi-functional stereo Preamp outputs for added flexibility
- Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.
What is Class-D Technology?
Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps donʼt need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.
When used in conjunction with switching-mode power supplies, which donʼt require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.
Massive Mono or Stunning Stereo
Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share
face time.
Small, Simple, Superb Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, itʼs easier than ever to lend exceptional sound quality to all kinds of public performances.
Product features
- 19 inches no
- Number of auxiliaries 1 - 2
- Number of microphone inputs 5 - 8
- Number of mono channels 8
- Number of stereo channels 4
- Number of submasters 2
- Compressor on the inputs no
- Equalizer 3-band, Master EQ
- Built-in protection peak limiter, clip indicator
- Built-in effects yes
- Panning per channel yes
- Peak power in watts 1,500 - 1,999 watts
- Connector position front
- RMS power (4 ohms) 2x 600 W
- RMS power (8 ohms) 2x 300 W
- Type of mixer inputs microphone input (XLR), balanced line input (TRS jack), unbalanced line input (RCA), Hi-Z input (TS jack)
- Type of mixer outputs stereo headphone output (TRS jack or mini jack), lockable speaker output
- Mixer power power cable
- Volume control faders
Weight and dimensions including packaging
- Weight (incl. packaging) 12.9 kg
- Dimensions (incl. packaging) 56.0 x 53.0 x 21.0 cm
Product specifications
- compact powered mixer
- integrated amplifier
- power at 8 ohms: 2x 300 W RMS, 1x 1,200 W RMS bridged, 2x 400 W max, 1x 1,600 W max bridged
- power at 4 ohms: 2x 600 W RMS, 2x 600 W max
- class D amplification technology
- 8 mono and 4 stereo channels and split CD/tape input/output
- 24-bit stereo effects processor with 100 presets
- FBQ feedback detection system
- 3-band EQ, switchable pad and clip LEDs on every mono channel
- stereo 7-band graphic EQ for precise corrections of monitor and main outputs
- voice canceller function for karaoke applications, for example
- selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplification modes
- speaker processing function adjusts frequency response to match each speaker
- standby switch for muting all input channels by signal via the CD/Tape input
- adjustable stereo aux input for connecting to external signal sources
- internal power switch-mode supply for noise-free audio
- dimensions: 122 x 476 x 460 mm
- weight: 10.4 kg
| Since 1984 the SCLAT mixing desks have been rocking thousands of class venues around the world, serving the most demanding technicians, the most creative pro-Djs and the most exciting dance floors.
Behind the renowned experience of ECLER Laboratories, the SCLAT 200vs keeps combining all the requirements technicians demand regarding features and operating safety together with the inventive functionality Professional DJs demand from a high-end mixing desk.
Designed to optimize the best high-end club P.A.s, featured to fit any studio recording standard, built to withstand the most demanding mobile touring set-ups, the SCLAT 200vs is probably the best quality Audio Mixing Desk presently available in the Industry.
Superior effects processor
Remix live...
Built-in processor with double DSP featuring 2 manual filters and 10 effects with BPM synchronization. Includes a DRY/WET crossfader taking your effects control to the next level: activate and deactivate, fade in to the level of your choice… Allows routing every single channel to the module independently. Features control of TIME and PARAMETER and a friendly user selectable panel. Effects consists of LFO Filter, Low Pass Filter, High Pass Filter, Delay, Reverb, Flanger, Phaser, Vocoder, Pitch Shifter, Echo Reverb, Filtered Echo and Flanger Echo.
Midi out
Control you favorite devices...
The module includes a MIDI output and features start and stop commands to activate and deactivate your devices and a clock to adjust the tempo.
Edi:lab software
Expand your creativity...
The built-in effect processor is reprogramable in real-time with the edi:lab software (included). The user can load a new effect set-up in the SCLAT mixer and play it stand-alone without any need of the computer. An effect library is available in the edi:lab software in order to save the different user set-ups. | Since 1984 the SCLAT mixing desks have been rocking thousands of class venues around the world, serving the most demanding technicians, the most creative pro-Djs and the most exciting dance floors.
Behind the renowned experience of ECLER Laboratories, the SCLAT 200vs keeps combining all the requirements technicians demand regarding features and operating safety together with the inventive functionality Professional DJs demand from a high-end mixing desk.
Designed to optimize the best high-end club P.A.s, featured to fit any studio recording standard, built to withstand the most demanding mobile touring set-ups, the SCLAT 200vs is probably the best quality Audio Mixing Desk presently available in the Industry.
Superior effects processor
Remix live...
Built-in processor with double DSP featuring 2 manual filters and 10 effects with BPM synchronization. Includes a DRY/WET crossfader taking your effects control to the next level: activate and deactivate, fade in to the level of your choice… Allows routing every single channel to the module independently. Features control of TIME and PARAMETER and a friendly user selectable panel. Effects consists of LFO Filter, Low Pass Filter, High Pass Filter, Delay, Reverb, Flanger, Phaser, Vocoder, Pitch Shifter, Echo Reverb, Filtered Echo and Flanger Echo.
Midi out
Control you favorite devices...
The module includes a MIDI output and features start and stop commands to activate and deactivate your devices and a clock to adjust the tempo.
Edi:lab software
Expand your creativity...
The built-in effect processor is reprogramable in real-time with the edi:lab software (included). The user can load a new effect set-up in the SCLAT mixer and play it stand-alone without any need of the computer. An effect library is available in the edi:lab software in order to save the different user set-ups. |
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