DBX PMC16 Personal monitor controller

882.00 incl. GR VAT

Available on backorder

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Overview Dial in YOUR mix exactly as YOU want it, in Real Time. The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for […]

 

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Overview

Dial in YOUR mix exactly as YOU want it, in Real Time.

The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for monitoring with headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Multiple PMC16s can be daisy chained using CAT5e cable allowing each user to receive 16 channels of high-resolution digital audio and create their own personalized mix to suit their monitoring needs. The PMC16 comprises a 16 channel mixer section with full control of levels, panning, effect send levels, muting, and soloing. Onboard Lexicon© reverb provides the finishing touch. The PMC16ʼs output processing section includes: stereo width control, wedge monitor compensation EQ, high and low master EQ, master level control, and dbx limiting. With a Setup Wizard for ease of configuration, full 16 channel level metering, channel grouping, 16 preset locations for future recall of configurations and mixes, and an intuitive yet powerful user interface, PMC16 gives you the power to dial in YOUR mix exactly as YOU want it, in real time.

Recommended for: Portable, Tour.

Features

  • 16 Channel Monitor Mixer with Level, Pan, Mute, Solo, & Reverb Send Control
  • 16 Preset Locations for Mix & Configuration Recall
  • LCD Display with 16 Channel Metering
  • Built-In Lexicon© Reverb
  • dbx PeakStopPlus™ Limiting
  • Global High & Low EQ
  • Global Master Level Control
  • Global Stereo Width Control
  • BLU Link High Bandwidth, Fault Tolerant Digital Audio Bus
  • XLR & 1/4” Stereo or Mono Outputs
  • 1/8” & 1/4” Headphone Outputs
  • Setup Wizard for Easy Configuration
  • Supports 48 kHz & 96 kHz Sampling Rates
  • Channel Linking, Grouping, & Multi-Select Capabilities
  • Supports up to 60 PMC16s on a Single BLU Link Ring
  • Built-In Sturdy Mic Stand Mount
  • USB Port for Firmware Updates
Weight 2.00 kg

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Quick Comparison

DBX PMC16 Personal monitor controller removeSirus Stereo Link 5.8 RX Wireless Digital Audio Receiver removeAPOGEE BIG BEN Digital signal generator removeRCF MS 520: 40 W, 7 IN, MULTI-ZONE MUSIC AND PAGING SYSTEM removeBSS Z-BLU102 Signal Processor removeDBX 510 SUBHARMONIC SYNTHESIZER MODULE remove
NameDBX PMC16 Personal monitor controller removeSirus Stereo Link 5.8 RX Wireless Digital Audio Receiver removeAPOGEE BIG BEN Digital signal generator removeRCF MS 520: 40 W, 7 IN, MULTI-ZONE MUSIC AND PAGING SYSTEM removeBSS Z-BLU102 Signal Processor removeDBX 510 SUBHARMONIC SYNTHESIZER MODULE remove
ImageSirus_Stereo_Link_5_8_rX_Wireless_Digital_Audio_Receiver_face_1
SKUDBX PMC16SI58RXBIG BENMS520Z-BLU102DBX 510
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Description
Content

Overview Dial in YOUR mix exactly as YOU want it, in Real Time.

The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for monitoring with headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Multiple PMC16s can be daisy chained using CAT5e cable allowing each user to receive 16 channels of high-resolution digital audio and create their own personalized mix to suit their monitoring needs. The PMC16 comprises a 16 channel mixer section with full control of levels, panning, effect send levels, muting, and soloing. Onboard Lexicon© reverb provides the finishing touch. The PMC16ʼs output processing section includes: stereo width control, wedge monitor compensation EQ, high and low master EQ, master level control, and dbx limiting. With a Setup Wizard for ease of configuration, full 16 channel level metering, channel grouping, 16 preset locations for future recall of configurations and mixes, and an intuitive yet powerful user interface, PMC16 gives you the power to dial in YOUR mix exactly as YOU want it, in real time.

Recommended for: Portable, Tour.

Features
  • 16 Channel Monitor Mixer with Level, Pan, Mute, Solo, & Reverb Send Control
  • 16 Preset Locations for Mix & Configuration Recall
  • LCD Display with 16 Channel Metering
  • Built-In Lexicon© Reverb
  • dbx PeakStopPlus™ Limiting
  • Global High & Low EQ
  • Global Master Level Control
  • Global Stereo Width Control
  • BLU Link High Bandwidth, Fault Tolerant Digital Audio Bus
  • XLR & 1/4” Stereo or Mono Outputs
  • 1/8” & 1/4” Headphone Outputs
  • Setup Wizard for Easy Configuration
  • Supports 48 kHz & 96 kHz Sampling Rates
  • Channel Linking, Grouping, & Multi-Select Capabilities
  • Supports up to 60 PMC16s on a Single BLU Link Ring
  • Built-In Sturdy Mic Stand Mount
  • USB Port for Firmware Updates

Wireless 5.8 GHz Stereo Receiver

  • For wireless transmission of a stereo audio signal together with the
  • Maximum range: 30 m
  • One transmitter can be paired with up to 8 receivers
  • Outputs: 2x XLR male or 2x 6.3 mm jack (unbalanced)
  • Volume control
  • Dimensions without antenna (L x W x H ): 110 x 105 x 45 mm
  • Includes external power supply DC 12 V / 1 A (plus inside) and mounting bracket

                    AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
                    Optional X-Video expansion card to provide master video sync generator
                    Realtime format conversion between all digital formats
                    Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
                    Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
                    Three stage Termination Sensing for each word clock output

                
                INPUTS
                    2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
                    S/PDIF optical on TOS-LINK 44.1-48k
                    S/PDIF coaxial on RCA 44.1-192k
                    ADAT 44.1-48k
                    ADAT/SMUX II for 88.2-96k
                    ADAT/SMUX IV for 176.4-192k
                    Word Clock BNC 44.1 –192k
                    Video
                    Optional video sync (X-Video card)
                
                OUTPUTS
                    2 x AES-EBU on XLR single or double wide 44.1-192k
                    S/PDIF coaxial 44.1-192k
                    S/PDIF optical on TOS-LINK 44.1-48k
                    6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
                    ADAT
                    SMUX II
                    SMUX IV
                    Optional video sync (X-Video card)
                
                SPECS
                    Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
                    Video: PAL/NTSC/60Hz
                    "SuperClock" (256fs)
                    Pull up/down 0.1% and 4% from any sample rate
                    Apogee´s new Ultra Low Jitter C777 clock
                    Three stage termination indicator (under/correct/over) on each
                    Word Clock output:
                    "SureLock" technology for drop out prevention
                    4 digit numeric true sample rate indication
                    Universal power: 15 W 90-250 VAC 50-60 HZ

 

 

Connection:

Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
         
Operating System:

Mac and Windows    

An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.

Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.

Features
3 Music Source Inputs individually selectable to each output
One Input Source with Override facility (Jukebox or Auto Announcer)
5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones
Can be expanded interlink of two or more MS520 units
Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option)
Direct Inputs and Outputs on each zone
Paging or Alarm Input Override System
Full Digital Matrix control of functions to all 5 zones
Up to 10 remote control panels RC 62 can be connected to each MS 520
AMPLIFIER SPECIFICATIONS
Power output:5 x 20Watt rms
Frequency Response (Music):30 ÷ 45Hz ÷ kHz
Frequency Response (Direct):30 ÷ 45Hz ÷ kHz
Frequency Response (Paging):200 ÷ 18Hz ÷ kHz
Distortion:0.5%
Signal / noise ratio (Music):-78dB
Signal / noise ratio (Direct):-78dB
Signal / noise ratio (Paging):-60dB
INPUT SECTION
Input sensitivity (Music):-16dBu
Input sensitivity (Direct):-16dBu
Input sensitivity (Paging - Line):- 43 ÷ -27dBu
Input sensitivity (Paging - Mic):- 58 ÷ -41dBu
Bass Tone:(100 kHz) ± 8dB
Treble Tone:(12.5 kHz) ± 8dB
OUTPUT SECTION
Out level:-6 / -10dB
Protections:Short ciurcuit, thermal, AC / DC fuses 
Power supply:16V dc
POWER REQUIREMENT
Operating voltage:220÷240 / 110÷120 V ~ 50 / 60 HzV ~ Hz
Power (consumption):370W
Max. Available power:100W
PHISICAL SPECIFICATION
Width:438 / 17.24mm/inch
Height:44 / 1.73mm/inch
Depth:253 / 9.96mm/inch
Net Weight:3.66 / 8.06Kg/Lbs
SHIPPING INFORMATION
Package height:75 / 2.95mm/inch
Package width:520 / 20.47mm/inch
Package depth:280 / 11.02mm/inch
Shipping Weight:4.18 / 9.21Kg/Lbs

 

The Soundweb London BLU-102 offers a fixed configuration of 10 analog inputs and 8 analog outputs, an analog telephone interface, configurable signal processing, AEC processing, and a high bandwidth, fault tolerant digital audio bus.

The RJ-11 port enables the BLU-102 to interface with a standard POTS (aka PSTN or Analog PBX) telephone network.

The BLU-102 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a "drag and drop” method of configuration provide a simple and familiar design environment.

The BLU-102 contains dedicated AEC processing for up to 8 independent AEC algorithms. The AEC algorithm can be applied to signals coming from the local analog inputs or from the digital audio bus. 8 individual AEC references (one per algorithm) allow the user to provide a solution for multiple conferencing spaces using a single device.

Automatic Gain Control (AGC) and Noise Cancellation (NC) are also provided per AEC algorithm. AGC ensures that microphone levels remain at an optimum level, and NC removes steady state noise (such as from a projector fan or air conditioning device) from the signal path.

This processor features a low latency, fault tolerant digital audio bus of 48 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.

The BLU-102 is compatible with the entire Soundweb London family and its 48 channel digital audio bus represents channels 1-48 of the larger 256 channel digital audio bus when integrated with the BLU-800, BLU-320, BLU-160, BLU-120, BLU-BIB and BLU-BOB devices.

Analog Inputs provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel.

Phantom Power, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect.

12 Control Inputs and 6 Logic Outputs allow the BLU-102 to be integrated with GPIO compatible devices. The Soundweb London Interface Kit, comprehensive documentation which details how Soundweb London systems can be integrated with third party control systems, is included within the installation of HiQnet London Architect.

The BLU-102 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.

Key Features:
• 10 Analog Inputs (with 48v Phantom Power per Channel)
• 8 Analog Outputs
• RJ-11 Telephone Input/Output Port
• Configurable Signal Processing
• 8 Channels of AEC Processing with Auto Gain Control and Noise Cancellation
• Rich Palette of Processing and Logic Objects
• 48 Channel, Low Latency, Fault Tolerant Digital Audio Bus
• Clear Front Panel LED Indication
• Bi-Directional Locate Functionality
• 12 Control Inputs and 6 Logic Outputs for GPIO Integration
• Soundweb London Interface Kit for Third Party Control System Integration (Documentation)
• HiQnet Device
• Configuration, Control and Monitoring from HiQnet London Architect

For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.

The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!

Put some boom in your room with the dbx 510!

Weight2.00 kg1.000 kg4.00 kg4.18 kg4.10 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 1.000 kg
Weight 4.00 kg
Weight 4.18 kg
Weight 4.10 kg
Weight 1.00 kg