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The Fireface 802 renews RME's reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features:
Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME's unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.
TotalMix FX, RME's digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller.
The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.
The Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.
Technical Specifications AD, Line In 1-8, rear
Resolution AD: 24 bit
Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz
Frequency response @ 192 kHz, -1 dB: 5 Hz - 92 kHz
THD:
THD+N:
Channel separation: > 110 dB
Input: 6.3 mm TRS jack, electronically balanced
Input sensitivity: 8 kOhm unbalanced, 12 kOhm balanced
Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
Input level for 0 dBFS @ Lo Gain: +19 dBu
Input level for 0 dBFS @ +4 dBu: +13 dBu
Microphone In 9-12, front As AD, but:
Input: XLR, electronically balanced
Input impedance: 3.4 kOhm
Signal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA
Gain range: 54 dB
Maximum input level, Gain +6 dB: +10 dBu
Instrument In 9-12, front As AD, but:
Input: 6.3 mm TS jack, unbalanced
Input impedance: 800 kOhm
Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
Maximum input level, Gain +6 dB: +21 dBu
DA, Line Out 1-8, rear
Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz
THD: -104 dB,
THD+N: -100 dB,
Channel separation: > 110 dB
Output: 6.3 mm TRS jack, servo-balanced
Output impedance: 75 Ohm
Output level switchable Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ Hi Gain: +19 dBu
Output level at 0 dBFS @ +4 dBu: +13 dBu
Output level at 0 dBFS @ -10 dBV: +2 dBV
DA - Stereo Monitor Output Phones (9-12) As DA, but:
Output: 6.3 mm TRS stereo jack, unbalanced
Maximum output level at 0 dBFS, High: +16.8 dBu
Maximum output level at 0 dBFS, Low: +2 dBV
Output impedance: 30 Ohm
AES/EBU
2 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
ADAT Optical
2 x TOSLINK I/O, format according to Alesis specification
Standard: 2 x 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
Quad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz
SPDIF optical (via ADAT2)
1 x optical, according to IEC 60958
Word Clock
BNC, switchable termination
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Behringer UFO202 USB Audio Interface
The Behringer U-Phono UFO202 is a high-quality USB audio interface with built-in phono preamp and massive software package for digitalizing your tapes and vinyl records.
Features
- High-quality USB audio interface connects your turntable, cassette player, etc. with your computer for recording and playback
- Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
- Massive software bundle includes Audacity vinyl restoration, noise-reduction, editing and recording software, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Phono input switchable to line input source
- Stereo output allows easy connection and playback of computer audio files over your home sound system
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor your input source
- Works with your PC or Mac computer -- no setup or drivers required
- Powered via USB--no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Compact and Versatile
Equipped with RCA inputs and outputs, the U-Phono UFO202 can connect to a myriad of equipment such as tape decks, sound modules and active monitors, plus many more. Additionally, when you connect the UF202's outputs to your mixer's input channels, you have the ability to access EQ, Aux Sends and much more - allowing you to create extremely versatile mixes for your recording sessions.
48kHz Precision
The Behringer UFO202 provides pristine 48kHz resolution to ensure that your favourite vinyl records are recorded with the detail and quality your music deserves.
Audacity Audio Editor Software
The Behringer U-Phono UFO202 USB Audio Interface comes supplied with a free open source audio editor and multi-track recorder software - Audacity. Please visit the Behringer web page for download links here.
Specifications
- Input Connector: RCA, Unbalanced
- Input Impedance: Approx. 27kΩ
- Maximum Input Level: 2dBV
- Output Connector: RCA, Unbalanced
- Output Impedance: Approx. 400Ω
- Maximum Output Level: 2dBV
- Digital Output: Toslink, Optical
- Digital Output Format: S/PDIF
- USB: Type A
- Converter: 16-Bit
- Sample Rate: 32kHz, 44.1kHz, 48kHz
- Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
- 10Hz - 22kHz ±1dB @ 48kHz Sample Rate
- Crosstalk: -77dB @ 0dBV, 1kHz
- Power Supply: USB, 5V 100mA Maximum
- Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
- Weight: 0.10kg
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System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One FireWire port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One FireWire port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers
Mbox Pro Hardware
Pro Tools Mbox Pro
Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* FireWire connection
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 192 kHz sample rates*
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Connect up to three pairs of monitors or do 5.1 surround mixing**
* Hardware configuration:
o 8 x 8 simultaneous channels of I/O
o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
o 4 1/4" TRS line inputs
o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
o 6 1/4" TRS balanced line outputs
o 2 discrete 1/4” stereo headphone outputs with separate volume controls
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Word clock I/O
o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
o Dedicated monitor volume knob
* Up to 96 kHz sample rates supported with Pro Tools LE software.
** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
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Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.
The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.
The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.
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Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system.
The 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces.
The 8pre as your primary audio interface
Use the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I/O at any sample rate up to 96kHz.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8preʼs main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console™ software, just like a large studio console.
The 8pre includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software.
The 8pre provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
The 8pre as a microphone preamp expansion interface
The 8pre is really two products in one. When it is not connected to a computer via FireWire, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical "lightpipe” connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
The 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828mkII, 896HD or Traveler, the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit — even when the host interface is not connected to a computer and is instead operating as a stand-alone mixer.
If you have a 2408mk3, digital mixer or other audio device that supports 96kHz optical and also has two optical inputs, the 8pre connects to it via both optical ports to provide a full eight channels of analog to optical conversion at the 88.2 or 96kHz sample rates.
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The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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