Content |
The TC 1 from Golden Age Project is a multi-pattern tube condenser mic that was inspired by classic models. It offers warm sound and high-end features at a surprisingly low cost. The mic is equipped with a selected, low-noise 6072/12AT7 vacuum tube, and features discrete, Class-A electronics, vintage-style EQ, and a transformer-balanced output stage.
You can choose between cardioid, omni, figure-8, and six intermediate polar patterns, giving you a huge range of sound-pickup options. The TC 1 also features a wide frequency response and a large dynamic range. All told, it's an incredibly versatile microphone, and can be used in a variety of applications in the studio, onstage, or for broadcast.
The mic is recommended for lead and background vocals, choirs, acoustic guitars, electric guitars, and other fretted instruments. It also works great as a drum overhead or room mic, or in other situations where a vintage-sounding tube mic is called for.
An included external power supply provides juice for the TC 1, and it houses the polar pattern selector. The mic also comes with a sturdy aluminum flight case and a power supply connection cable.
- True condenser mic with 26 mm 3 um, gold-sputtered, low-distortion dual capsule mounted on an effective internal shock mount
- Equipped with a selected low-noise 6072/12AT7 vacuum tube
- Discrete, Class-A tube electronics with vintage-style EQ and transformer-balanced output stage
- Nine polar patterns including cardioid, omni, figure-8, and six intermediate stages, give you many ways to model the sound. The room pickup, proximity effect, and tonal response change with the different patterns
- External switches for high-pass filter and pad
- Heavy-duty brass body Shock mount included
- External power supply with polar pattern selector
|
Acoustical operating principle | Pressure gradient transducer | Directional pattern | Cardioid | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohm | 13 mV/Pa | Rated impedance | 50 ohms | Rated load impedance | 1000 ohms | Equivalent noise level, CCIR1) | 23 dB | Equivalent noise level, A-weighted1) | 12 dB-A | Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) | 71 dB | Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) | 82 dB | Maximum SPL for THD | 110 dB | Maximum SPL for THD | 129 dB | Maximum output voltage for THD | -1 dBu | Dyn. range of the mic. amplifier /A-weighted, 0.5 %2)) | 98 dB | Dyn. range of the mic. amplifier /A-weighted, 5 %2)) | 117 dB | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | Current consumption (P48, IEC 61938) | 3.2 mA | Matching connector | XLR 3F | Weight | 825 g | Diameter | 78 mm | Length | 165 mm |
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal |
|
|
Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone
The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.
|
|
|
|
|
Professional true condenser microphone for studio and live applications
|
|
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
|
|
Low-mass gold sputtered diaphragm for ultimate sound reproduction
|
|
Perfect for acoustic instruments, voice and overhead etc.
|
|
Ultra low-noise transformerless FET input eliminates low-frequency distortion
|
|
Smooth, super-wide frequency response and incredible musicality
|
|
Switchable low-frequency roll-off and -10 dB input attenuation
|
|
Gold-plated 3-pin XLR output connector
|
|
Rugged construction with satin nickel-plated brass body
|
|
Custom microphone stand adapter, windscreen and transport case included
|
|
Manual Download | Live sound
Podcasting
Home recording
Vocals
Musical instruments |
Perception 120 |
|
- General-purpose cardioid recording microphone
- Extended frequency response
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type |
2/3\" Diaphragm True Condenser |
Polar pattern |
cardioid |
Frequency range |
20 to 20,000 Hz |
Sensitivity |
22 mV/Pa (-33 dBV) |
Max. SPL |
130/150 dB (0/-20 dB) for 0.5% THD |
Equivalent noise level |
22 dB-A (IEC 60268-4) |
Signal/noise ratio (A-weighted) |
72 dB |
Preattenuation pad |
0 dB, -20 dB |
Bass filter |
12 dB/octave at 300 Hz |
Impedance |
|
Recommended load impedance |
>= 1,000 ohms |
Powering |
|
Power requirement |
48 V phantom power to DIN/IEC |
Connector |
3-pin XLR |
Finish |
metallic blue |
Dimensions |
53 dia. x 165 mm (2.1 dia. x 6.5 in.) |
Net weight |
525 g (18.5 oz.) |
Shipping weight |
955 g (33.7 oz.) |
|
Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.
Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter
Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)
Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount
|
KSM44A Multi-Pattern Dual Diaphragm Microphone
Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).
Features - Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.
- Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
- Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
- Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
- Premium electronic components and gold-plated internal and external connectors
- Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
- Integrated three-stage "pop” protection grille reduces plosives and other breath noise
Type | Condenser (externally biased) | Frequency Response | 20 to 20,000 Hz | Polar Pattern | Cardioid, Omnidirectional, Bidirectional | lmpedance | 50 ohms | Phantom power required? | 11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum |
|
Reviews
There are no reviews yet.