Content | Dynamic handheld microphone with on-off switch
Type Dynamic
Frequency response 50-14000Hz
Sensitivity -74dB±3dB
Resistance 600Ω±30%
Weight 247.2 g
Accessories mic clip, XLR cable 3m |
The cardioid e 935 is a fully professional vocal microphone,
developed to cut through high on-stage levels.
Features
Rugged metal body
Advanced shock-mount design
Consistent on-/off-axis response
Hum compensating coil
Made in Germany
Delivery includes a pouch and a microphone clamp
Delivery Includes
1 e 935
MZQ 800 microphone clamp
Pouch
Technical Data
Pick-up pattern Cardioid
Frequency response (microphone) 40.....18000 Hz
Sensitivity in free field, no load (1kHz)
2,8mV/Pa bei 1 kHz = -51dB (0 dB = 1V/Pa) = -71 dB (0 dB = 1V/ubar)
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 47 x 181 mm
Weight 330 g
| Behringer Ultravoice XM8500 Dynamic Cardioid Microphone
With the BEHRINGER vocal microphone ULTRAVOICE XM8500, your voice will shine in a way it never has before, giving a powerful edge to your performances. Your creative energy and highly professional demands finally have a worthy partner. You want your voice to come across at its best, capturing your audience with its power and expression. No problem: with the ULTRAVOICE XM8500, you've got them in your hands.
Bringing out the subtlest nuances and placing them properly in the mix: that's what a good vocal microphone is all about. And that's exactly what the ULTRAVOICE does. Its cardioid characteristic picks up sound from the front with the utmost sensitivity, while strongly dampening sound from the back. This gives you more security against feedback. The integrated shock-mount system effectively reduces handling noise to an absolute minimum. The XM8500's balanced low-impedance output lets you connect it to any console or microphone preamp - provided it has enough dynamic headroom. You'll need plenty of that: the ULTRAVOICE is so powerful that you'll put your current favorite microphone in its box. Even if it cost ten times as much.
On stage, dependability counts. The ULTRAVOICE won't let you down. Its rugged construction protects it against the toughest changes you can put it through. The matte anodized surface reduces reflections from studio or stage lighting. The two-stage pop filter and tough steel mesh keep breath and pop noises out of the signal.
Dynamic vocal microphone with smooth mid-frequency presence rise for excellent vocal projection Internal shock mount system to cut down handling noise Cardioid characteristic minimizes background noise and feedback Ultra-low distortion for a super clean sound Microphone stand adapter included Ultra-professional dynamic vocal microphone 50 Hz - 15 kHz frequency response for crystal-clear, highly detailed vocals Super rugged, reliable metal construction and electromagnetic shielding High-level balanced output Two-stage pop filter minimizes breath and pop noises Sensitivity - 70 dB
Transducer |
Dynamic |
Polar Pattern |
Cardioid |
Frequency Response |
50 Hz to 15 kHz |
Maximum Input Sound Level |
not specified by manufacturer |
Power Requirements |
None Dynamic, Requires No Phantom or Battery Power |
Output Impedance |
150 Ohms |
Output Connectors |
Gold-Plated Pin XLR-3M Type |
Dimensions |
6.375 x 2" (162 x 51mm) LxDiameter |
Weight |
8.47 oz. (240 g) |
|
The first Neumann microphone with a dynamic capsule. Functionally optimized design
specifically for the broadcast field, featuring integrated pop protection, suppression of
structure-borne noise and a hypercardioid directional characteristic.
Emotion conveyed with technical perfection. This is the ideal which the Neumann
microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the
requirements of professional broadcast studios and the individual, functionally optimized
design* ensure that these are microphones of character.
The BCM 705 is Neumann?s first dynamic microphone. The housing and headgrille are
identical to those of the BCM 104; only the green logo indicates that this is something new
from Neumann. The principle of reduction to the essentials can be seen in the dynamic
capsule with a hypercardioid directional characteristic, specifically designed for speech
reproduction at close range. Multi-level isolation from structure-borne noise ensures operation
free of interference, even in a lively studio environment.
Mechanical Features
The microphone headgrille twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her
individual headgrille. Iin front of the capsule, mounted on a frame holder, a fine gauze serves
as a built-in popscreen.
The microphones of the Broadcast Line have an elastic mount against structure-borne noise,
that is compatible with standard broadcast-segment microphone arms.
Acoustic features
The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the
speech intelligibility. The bass frequency response is designed to compensate for the overemphasis
of the bass caused by the proximity effect.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm. The pop screen can be removed for cleaning without the use of tools.
Mounting
The preferred mode of operation is to suspend the BCM 104 or BCM 705 from a standard studio
boom arm.
A thread adapter to fit different connector threads is included. In order to provide protection from
structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the microphone by +/-90 degrees.
FEATURES:
Dynamic capsule
Hypercardioid directional characteristic
Characteristic, functionally optimized design*
Integrated, neutral pop protection
Integrated elastic suspension
Individual headgrilles for different users
Colored rings to identify the replacement headgrilles
Easy removal and cleaning of microphone headgrille (with bayonet mount)
Mechanical compatibility with standard studio boom arms
Multi-level isolation from structure-borne noise
No power supply required
APPLICATION HINTS:
Announcer's mic for broadcasting and studio
This is just one of the most common applications. We recommend
additional experimentation to gain maximum use from this microphone.
TECHNICAL DATA:
Acoustical operating principle Pressure gradient transducer
Directional pattern Hypercardioid
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 10 kohm 1,7 mV/Pa = ?55,4 dB ± 1 dB
Rated impedance 200 ohms
Rated load impedance >= 10,000 ohms
Equivalent SPL CCIR 468-3 32 dB
Equivalent SPL DIN/IEC 651 18 dB-A
S/N ratio CCIR 468-3 62 dB
S/N ratio DIN/IEC 651 76 dB
Weight 500 g
Diameter 64 mm
Length 85 mm
Height (without suspension) 110 mm
|
- Tailored for Vocals & Speech
- Cardioid Polar Pattern
- Shock-Mounted Dynamic Cartridge
- 50 Hz to 15 kHz Frequency Response
The Shure 55SH Series II is a Unidyne cardioid dynamic microphone boasting a classic look and vocal-tailored sound for recording sessions, live stage applications, and on-camera use. The dynamic cartridge is shock-mounted to impede handling noise and vibrations transferred through your mic stand. The implementation of a cardioid polar pattern minimizes pickup of off-axis noise and ambience, yielding higher gain before feedback and attenuated stage bleed.
The mic delivers a frequency response of 50 Hz to 15 kHz with a gentle presence boost peaking at approximately 6.5 kHz. Its XLR 3-pin output ensures compatibility with most mixer inputs, microphone preamps, and portable PA systems. An on/off switch is provided for convenient muting of the mic between speeches or performances. The attached, self-tensioning, 5/8“-27 thread swivel mount can be tilted up to 45 degrees forward and 80 degrees backward. Chrome die-cast metal construction provides tour-worthy durability.
Classic Appearance
In addition to being a mic with solid audio characteristics for the studio and stage, the 55SH Series II makes a great prop microphone in video shoots, photos, and theater applications
Tailored Frequency Response
The 50 Hz to 15 kHz frequency response features a slight dip in the low-mid frequency range and a gentle rise from 1 to 10 kHz, making its sonic performance optimized for vocals, public address, and dialog
Cardioid Polar Pattern
The cardioid polar pattern is effective in minimizing sound pickup at the off-axis sections of the capsule, ensuring high gain before feedback
Shock-Mounted Cartridge
The dynamic capsule is shock-mounted for added protection against shock- and structure-born noise
Shure 55SH II Specs
Microphone
Sound Field |
Mono |
Operating Principle |
Pressure Gradient |
Capsule |
Dynamic |
Polar Pattern |
Cardioid |
Circuitry |
Solid-State |
Pad |
None |
High-Pass Filter |
None |
Performance
Frequency Range |
50 Hz to 15 kHz |
Impedance |
270 Ohms |
Sensitivity |
-58 dBV/Pa at 1 kHz |
Connectivity
Output Connectors |
1 x XLR 3-Pin |
Physical
Dimensions |
ø: 3.06 x L: 7.4" / ø: 77.8 x L: 188 mm |
Weight |
1.37 lb / 0.62 kg |
| The P 3 S microphone is ideal for backing vocals, guitar, wind instruments and many other applications. It has a metal case and wire mesh grill to ensure exceptional ruggedness.
Key Features:
- Rugged performance microphone designed for backing vocals and instruments
- Rugged wire mesh cap with internal windscreen
- Die-cast metal body
- Complete with stand adapter and zip bag
- On/Off switch
Specifications:
- Polar pattern Cardioid
- Frequency range 40 to 18,000 Hz
- Sensitivity 2.5mV/Pa
- Max. SPL 144 dB SPL
- Recommended load impedance >=2,000 ohms
|
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