The Mackie ProFX30v3 is a 30-channel mixing console featuring 25 Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, houses of worship, rehearsal studios, and more. The integrated 2×4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with […]
The Mackie ProFX30v3 is a 30-channel mixing console featuring 25 Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, houses of worship, rehearsal studios, and more. The integrated 2×4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with zero-latency monitoring.
Channels 1-2 offer combo XLR-1/4″ mic/line connections and a Hi-Z switch (for guitar and bass), while channels 3-28 offer XLR or 1/4″ inputs. Channels 1-16 provide single-knob compressors, and channels 1-22 include inserts. Channels 23/24, 25/26, and 27/28 offer two 1/4″ line inputs each (L and R for stereo), while channel 21/22 uses a 3.5mm stereo input. Channels 1-30 feature gain controls, a 3-band EQ, three aux sends for monitors, a dedicated FX send, pan, mute, and level faders. Engaging channel 29/30\’s USB 3-4 switch will override the 3.5mm input and enable the USB return from a computer.
Each channel strip includes button selectors for Main L/R, Sub 1-2, Sub 3-4, and PFL SOLO. The master section offers dedicated faders for Main, Sub 1-2, Sub 3-4 and FX. Main output connectors include both XLR and 1/4“, while sub and control room outputs use 1/4″ connectors. A dedicated 1/4″ TRS headphone output includes its own independent level control. Other features include an input / USB 1-2 blend control, a dedicated FX output, an FX level fader, and an FX mute, which can also be controlled via the 1/4″ footswitch input.
The ProFX30v3 features a download for ProTools I First and Waveform software and The Musician\’s Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer\’s serial number on the website. The Mackie ProFX30v3 includes a USB cable and an IEC cable for powering the unit.
Features
Professional Sound Quality
Equipped with 25 Onyx Mic Pres offering up to 60 dB of gain and ultralow noise performance
GigFX Effects Engine with 24 different FX options, from reverbs to delays and more
Essential Mixing Tools
3-band EQ on all channels
Channels 23–28 feature mic inputs and stereo 1/4″ line inputs for maximum versatility
Hi-Z switches allow you to connect guitars, basses, and other instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 3.5mm input on channel 29/30
Aux/Monitor outputs with dedicated per-channel send controls
Stereo Subgroup output busses with per-channel assignments
Headphone output with separate level and blend control
Insert jack on channels 1–22
Pre-fader solo on all channels
Footswitch input for FX Mute
Single-knob compression helps keep your input levels in check
24-Bit / 192 kHz 2×4 USB Recording Interface
2×4 USB I/O allows you to create two custom mixes on your computer to send back in to the mixer
Perfect for live performance recording, music playback, live streaming, and more
Latency-Free Monitoring
Easily blend between monitoring your computer’s output and a direct feed from the mixer
Professional Production Content
Pro Tools | First and Waveform OEM professional software and plugin packages included
The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
Signature Rugged Design
Mackie built-like-a-tank design
Solid steel chassis protects your investment
Tough ABS side protection
Included Software from Avid, including Pro Tools | First
An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems.
In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:
Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
Black Op Distortion: Add rich distortion based on a classic distortion pedal
Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
Black Spring Reverb: Get the twang and space of a vintage amplifier
C1 Chorus: Emulates a classic chorus pedal
DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
Flanger: Create esoteric sounds with this homage to vintage and modern flangers
Graphic EQ: Sculpt frequencies with ease
Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
In-Tune: Keep your instruments in tune with this digital tuner
Orange Phaser: Create interesting effects with this phase shifter based on a classic design
Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet
Sci-Fi: Add analog synth-type ring and frequency modulation
Studio Reverb: Create natural-sounding reverb and ambient effects
Tape Echo: Add vintage analog delay and chorus effects
Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
Vari-Fi: Create the effect of audio changing tape speed
Vibe Phaser: Add phase-shift and rotary speaker effects
White Boost: Boost gain without coloring tone
Mackie PROFX30V3 Specs
Equivalent Input Noise
150-Ohm Source Impedance, 20 Hz to 20 kHz: Mic In to Insert Send Out, Max Gain -128 dBu
Residual Output Noise
All Outputs, Master Levels Off, All Channel Levels Off: -95 dBu All Outputs, Master Levels Unity, One Channel Level Unity: -85 dBu
Frequency Response
Mic Input to Any Output (Gain at Unity, +0 dB / -1 dB): 20 Hz to 30 kHz
THD+N
22 Hz to 80 kHz Bandwidth: Mic In to Main Out (+4 dBu Output):
Weight
14.00 kg
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The Mackie ProFX30v3 is a 30-channel mixing console featuring 25 Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, houses of worship, rehearsal studios, and more. The integrated 2x4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with zero-latency monitoring.
Channels 1-2 offer combo XLR-1/4" mic/line connections and a Hi-Z switch (for guitar and bass), while channels 3-28 offer XLR or 1/4" inputs. Channels 1-16 provide single-knob compressors, and channels 1-22 include inserts. Channels 23/24, 25/26, and 27/28 offer two 1/4" line inputs each (L and R for stereo), while channel 21/22 uses a 3.5mm stereo input. Channels 1-30 feature gain controls, a 3-band EQ, three aux sends for monitors, a dedicated FX send, pan, mute, and level faders. Engaging channel 29/30\'s USB 3-4 switch will override the 3.5mm input and enable the USB return from a computer.
Each channel strip includes button selectors for Main L/R, Sub 1-2, Sub 3-4, and PFL SOLO. The master section offers dedicated faders for Main, Sub 1-2, Sub 3-4 and FX. Main output connectors include both XLR and 1/4“, while sub and control room outputs use 1/4" connectors. A dedicated 1/4" TRS headphone output includes its own independent level control. Other features include an input / USB 1-2 blend control, a dedicated FX output, an FX level fader, and an FX mute, which can also be controlled via the 1/4" footswitch input.
The ProFX30v3 features a download for ProTools I First and Waveform software and The Musician\'s Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer\'s serial number on the website. The Mackie ProFX30v3 includes a USB cable and an IEC cable for powering the unit.
Features
Professional Sound Quality
Equipped with 25 Onyx Mic Pres offering up to 60 dB of gain and ultralow noise performance
GigFX Effects Engine with 24 different FX options, from reverbs to delays and more
Essential Mixing Tools
3-band EQ on all channels
Channels 23–28 feature mic inputs and stereo 1/4" line inputs for maximum versatility
Hi-Z switches allow you to connect guitars, basses, and other instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 3.5mm input on channel 29/30
Aux/Monitor outputs with dedicated per-channel send controls
Stereo Subgroup output busses with per-channel assignments
Headphone output with separate level and blend control
Insert jack on channels 1–22
Pre-fader solo on all channels
Footswitch input for FX Mute
Single-knob compression helps keep your input levels in check
24-Bit / 192 kHz 2x4 USB Recording Interface
2x4 USB I/O allows you to create two custom mixes on your computer to send back in to the mixer
Perfect for live performance recording, music playback, live streaming, and more
Latency-Free Monitoring
Easily blend between monitoring your computer’s output and a direct feed from the mixer
Professional Production Content
Pro Tools | First and Waveform OEM professional software and plugin packages included
The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
Signature Rugged Design
Mackie built-like-a-tank design
Solid steel chassis protects your investment
Tough ABS side protection
Included Software from Avid, including Pro Tools | First
An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems.
In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:
Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
Black Op Distortion: Add rich distortion based on a classic distortion pedal
Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
Black Spring Reverb: Get the twang and space of a vintage amplifier
C1 Chorus: Emulates a classic chorus pedal
DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
Flanger: Create esoteric sounds with this homage to vintage and modern flangers
Graphic EQ: Sculpt frequencies with ease
Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
In-Tune: Keep your instruments in tune with this digital tuner
Orange Phaser: Create interesting effects with this phase shifter based on a classic design
Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet
Sci-Fi: Add analog synth-type ring and frequency modulation
Studio Reverb: Create natural-sounding reverb and ambient effects
Tape Echo: Add vintage analog delay and chorus effects
Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
Vari-Fi: Create the effect of audio changing tape speed
Vibe Phaser: Add phase-shift and rotary speaker effects
White Boost: Boost gain without coloring tone
Mackie PROFX30V3 Specs
Equivalent Input Noise
150-Ohm Source Impedance, 20 Hz to 20 kHz: Mic In to Insert Send Out, Max Gain -128 dBu
Residual Output Noise
All Outputs, Master Levels Off, All Channel Levels Off: -95 dBu All Outputs, Master Levels Unity, One Channel Level Unity: -85 dBu
Frequency Response
Mic Input to Any Output (Gain at Unity, +0 dB / -1 dB): 20 Hz to 30 kHz
THD+N
22 Hz to 80 kHz Bandwidth: Mic In to Main Out (+4 dBu Output):
The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.
This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.
Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.
As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.
For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.
On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.
Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.
The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.
Technical Specifications
Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
High pass filter (Mono input).. 100Hz, 18dB per octave
EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
LF.. 80Hz, +/-15dB, 2nd order shelving
EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
Lo-Mid.. 450Hz, +/-15dB, Q=0.8
LF.. 80Hz, +/-15dB, 2nd order shelving
Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
+ Meterpod with 3 VU meters (L/R/C)
Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
(indicates monitor source level)
Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
Power consumption.. Less than 150W
Operating conditions Temperature range.. -10ºC to +30ºC
Relative humidity.. 0% to 80%
Features
* 19” Rackmountable console
* 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
* 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
* Rotatable connector pod for top or rear cable entry
* 8 (GB2R-16) or 10 (GB2R-12.2) busses
* 2 full feature stereo inputs (GB2R-12.2 version)
* GB30 Mic preamp and precision EQ on inputs
* Switchable +48V phantom power on every mic input
* 100Hz Hi-pass filter
* Direct outputs on every channel
* 100mm faders
* Stereo Mix Output and separate Mono Sum output
* Record output
* Internal Universal switched mode PSU
Soundcraft FX16ii - rebirth of a classic
The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.
The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.
Soundcraft FX16ii main features include:
26 inputs
16 mono microphone channels
4 stereo returns
4-bus architecture, with sub-group routable to mix
Built-in 24 bit Lexicon digital effects processor
32 FX settings
Tap Tempo
3 FX parameter adjust rotaries
User FX settings store function
Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
Inserts on all mono channels
Inserts on stereo mix output
Classic Soundcraft 3-band EQ with swept mid-band
Stereo 18dB/octave 100Hz high-pass filter
Dual global +48V phantom power split channels 1-8 and 9-16
Channel Mute control
10-segment tri-coloured metering
Two sub-group outputs
Separate mono sum output
Integral universal power supply
SOUNDCRAFT-SPIRIT
LX-7 32 II
Soundcraft Spirit LX-7 32 II, livemixer 32 mono-, 2stereoinputs, 2 st.-returns, 4 subgroups, 3 master, 6aux., built-in-powersupply, 4 band EQ with 2 param. mids
Dimensions: 16.51H x 50.29D x 105.9W
Weight: 25.45kgs
MIC/LINE Input Channels The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The +48V phantom power for condenser microphones can be switched in groups of six. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range 0-60 dB. The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case: 2 (FX) are assiged to the two effects devices; 2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section; 2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal. Each channel offers a Signal Present and Peak LED for level control. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. Stereo MIC/LINE Input Channels The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips. MASTER In the Master Section, too, the CMS3 mixers are lavishly equipped. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music. A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO INTERFACE The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu. For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. PC MIDI Interface The CMS3 also offers a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. Professional Effects, OLED Display and Processing Menus The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology. The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus. Innovative Solution for Protection and Transportation Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort. For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER). Accessories For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available. Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.
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