| Content | The MPM-1000 from Marantz Professional is a cardioid condenser microphone with a pure-aluminum-plated, 18mm-diameter diaphragm capsule that captures audio in high-quality critical recording applications. It can be used by engineers, musicians, and producers in environments such as recording studios, for live stage, in project studios, and more.
The microphone is great for recording closely spaced subjects by maintaining a good degree of isolation, and is also an excellent choice for recording live performances when sound comes from many directions. The tightly defined pattern preserves excellent isolation and prevents unwanted feedback. The package comes complete with windscreen, shockmount, tripod stand, and an XLR cable.
Sound Field
|
Mono |
| Transducer |
Condenser |
| Diaphragm |
0.71\" (18 mm) |
| Polar Pattern |
Cardioid |
| Frequency Range |
20 Hz to 20 kHz |
| Signal to Noise Ratio |
77 dB |
| Maximum SPL |
136 dB SPL |
| Impedance |
200 ohms +/- 30% @ 1 kHz |
| Load Impedance |
1000 ohms% @1 kHz |
| Sensitivity |
-38 dB |
| Power Requirements |
48 V |
| Output Connectors |
3-pin XLR |
|
The R?DE NT6 is specifically designed for difficult mounting applications. Although
clearly relevant to instrument mic'ing, the new NT6 is extremely well suited to any
situation where a small 'unobtrusive' but powerful microphone system is required.
The NT6 utilises the 1/2" (externally biased) gold sputtered true condenser transducer
used in the internationally renowned R?DE NT5. The capsule is designed to attach to
a custom made, multi-position swivel mount allowing it to be independently positioned
with ease.
To further increase the versatility of the NT6, it is supplied with 2 thread adaptors - 1/4"
to 5/8" and 1/4" to 3/8" that enable the capsule assembly to be securely attached to a
wide variety of mic stands, tripods and boom poles.
The capsule is connected to the pre-amplifier (body) by a custom 3 m Kevlar? fibre reinforced
cable. Housed within the heavy duty satin-nickel-plated body, is a state-of-the-art low noise
balanced output preamplifier, exhibiting a wide dynamic range and full frequency response.
The surface-mount pre-amplifier circuit also incorporates a 2-position variable pad: 0 dB an -10 dB
attenuation, and a 2-position variable high-pass filter that enables you to step from a flat response
to 80 Hz high pass filter; both conveniently located away from the capsule, providing additional
control without the need to move the capsule once in position.
The NT6 is intended for Film, Television, Broadcast, Live Performance, Theatre, Television,
Surround and Environmental recording applications or wherever your imagination takes you.
The NT6 is produced in R?DE's design and manufacturing facility in Sydney, Australia. Utilising
state of the art computer controlled machining and assembly technologies, R?DE is able to
achieve levels of finish and repeatability of the most exacting standards and tolerances.
The NT6 comes supplied with Microphone Preamp (Body), Capsule, 3 m Kevlar? fibre reinforced
cable, RM5 Stand Mount, 2-axis Swivel Mount, 2 thread adaptors, ZP1 Zip Pouch and WS5 Wind Shield.
FEATURES:
? 1/2? (externally biased) gold sputtered true condenser capsule ? Heavy duty satin-nickel-plated body
? 2-position variable pad: 0 dB and -10 dB ? 2-position variable high-pass filter: flat and 80 Hz ? Surface
mount technology ? Low noise ? Wide dynamic range ? Full frequency response ? Supplied complete
with 2-axis swivel mount, 2 thread adaptors, M5 clip, WS5 (Black) Wind Shield and Soft Pouch ? Designed
& manufactured in Australia ? Full 2 year guarantee
Operation power:
The NT6 is designed to operate from phantom power to the P48 standard. The NT6 will operate
between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output XLR connector.
Operation output impedance:
Output Impedance: The NT6 will operate satisfactorily into a load impedance as low as 1 kΩ. If a
load below this is used, the output signal level will be reduced. The NT6 output is balanced between
pin 2 (hot) and pin 3 (cold). Pin 1 is ground.
Acoustic principle:
Externally polarised 1/2" (13mm) pressure gradient condenser
Directional pattern: Cardioid
Frequency range:
40 Hz ~ 20,000 Hz selectable HPF @ 80 Hz/12 dB/octave
Output impedance: 200 Ω
Signal noise ratio din iec 651:
75 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 19 dB SPL (per IEC651, IEC268-15)
Maximum spl:
138 dB (@ 1% THD into 1 kΩ)148 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity:
-38 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB
Dynamic range din iec 651: 119 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Weight: 386 grm.
Maximum output voltage: 6 dBu (@ 1% THD into 1 kΩ)
Pin assignment:
3 pin XLR, balanced output between pin 2(+), pin (-) & pin 1 (ground)
| AKG C411L Ultralight Condenser Microphone
- Ultra-light vibration pickup
- Condenser transducer in sealed enclosure
- Cable with lockable miniature XLR connector
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.
| Frequency range |
10 to 18,000 Hz |
| Max. SPL |
100 dB (for 1% THD) |
| Impedance |
200 ohms unbalanced |
| Recommended load impedance |
>=1000 ohms |
| Supply voltage |
9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter |
| Current consumption |
approx. 2.2 mA |
| Connector |
C 411 L: 3-pin mini XLR |
| Cable |
C 411 L: 1.5 m (5 ft.) |
| Finish |
matte black |
| Dimensions |
27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in. |
| Net weight |
C 411 L: 18 g / 0.7 oz. |
| Shipping weight |
C 411 L: 150 g / 5.5 oz. |
|
Technical specifications | Polar pattern | | hypercardioid | | Frequency range | | 50 to 20,000 Hz | | Sensitivity | | 20 mV/Pa (?34 dBV) | | Max. SPL | | 125 dB (k=1 %) | | Equivalent noise level | | 21 dB-A | | Signal/noise ratio (A-weighted) | | 73 dB | | Impedance | | 600 ohms | | Recommended load impedance | | >2000 ohms | | Supply voltage | | 9 to 52 V phantom power, requires DPA adapter (supplied with most Installation Modules) | | Current consumption | | | | Connector | | Discreet Acoustics Modular standard | | Finish | | matte dark gray | | Dimensions | | 13.5 x 20 mm dia. (0.5 dia. x 0.8 in.) | | Net weight | | 5 g (0.17 oz.) | | Shipping weight | | 88 g (3.1 oz.) | | Accessories (included) | | W 30 |
|
The e 865 is a fully professional super-cardioid vocal microphone utilising the very best in condenser microphone technology to achieve new standards of quality and sound. The microphone capsule insorporates special blast/pop protiction plate to shield the diaphragm from excessive sound pressure levels. ON/OFF Switch.
- Pick-up pattern : super cardioid
- Sensitivity in free field, no load : (1kHz) 3 mV/Pa
- Max. Sound pressure level (aktiv) : 150 dB
- Nominal impedance : 200 Ohm
- Min. terminating impedance : 1000 Ohm
- Dimensions : d 47 x 193 mm
- Weight : w/o cable 311 g
- Frequency response (microphone) : 40.....20000 Hz
- Phantom powering : 12 - 48 V
|
The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.
Pick-up pattern : lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm (K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 343 mm
Weight : 100 g
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