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Features
- USB 3.0 MIDI interface
- 100 percent class compliant, works without the installation of a driver
- USB bus powered
- 16 MIDI ports, 8 on the front and 4 on the back
- Automatic input and output detection, each port works as a MIDI input or MIDI output
- Standalone operation possible
- Can be used as MIDI Thru box in standalone mode to send one MIDI signal to 7 outputs
- Can be used as MIDI merger in standalone mode to merge 7 MIDI signals to a single output
- 3-port USB 3.0 hub with external 5V DC power supply to power USB devices (power supply included)
- Multiple units can be used with one computer at a time
- Downwards compatible to USB 2.0 with a USB 2.0 legacy mode
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Introducing the new Korg nanoSERIES. These USB-powered, slim-line controllers are designed to make the most of your valuable studio space, and are small enough to take with you on any musical journey. Place one in front of your laptop, rest one on your workstation, park one on a recording console - or anywhere else you need versatile control over your DAW, virtual instrument, effect or DJ software. Small in size, all three controllers go HUGE when it comes to functionality, yet their intuitive layouts provide extremely easy operation for any user.
So c'mon; meet the nanos! The nanoKEY features a great-feeling 25-key velocity-sensitive keyboard that's ideal for song production. Each key can also be set to send MIDI control data, further expanding its power. Next up is the nanoPAD, featuring 12 highly responsive trigger pads, each capable of sending up to eight notes - or eight MIDI control messages - simultaneously, in addition to an X-Y touchpad with roll and flam functions for realistic drum programming. Last but not least, nanoKONTROL offers nine faders, nine knobs, 18 switches, plus a full transport section for expansive control; even a flexible note input mode to help you lay down your next big groove!
nanoPAD SPECIFICATIONS
Controllers
12 trigger pads with velocity and 4 velocity curves
X-Y pad
ROLL button
FLAM button
HOLD button
SCENE buttons (SCENE 1-4)
Memory
4 user scene memories
Connections
mini-USB
Power
USB bus power
Power Consumption
USB bus power: less than 100 mA
Others
Dimensions: 320(W) x 82(D) x 16.5(H) mm/ 12.60“(W) x 3.23“(D) x 00.65“(H)
Weight: 330g/ 0.73lbs.
Accessories: USB cable
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The PCR-M80 is a revised version of the popular PCR-80 MIDI Keyboard controller. Like the PCR-80, the PCR-M80 offers direct connection to the computer through USB, plus 61 keys, 27 assignable MIDI controllers, a software editor, MIDI input and output, and sustain and expression pedal connections. Advancement the PCR-M80 has over the PCR-80: the addition of velocity curves, a switchable MIDI interface, and a new key-action that offers less mechanical noise and a consistent, playable feel.
- High-quality keyboard assembly — ultra-low mechanical noise
- 12 velocity curves
- Switchable MIDI Interface
- Cool, black (titanium dark gray) body color
- 49 velocity-sensitive keys
- 27 assignable controls: 8 knobs, 8 sliders, 9 switches, and 2 pedal ports
- Rubber-coated pitch-bend/modulation lever
- 1 GM2 and 15 user-memory locations
- FPT low-latency MIDI transmission
- PCR Editor software
- USB powered or AC adaptor (Included)
- Switchable MIDI Interface mode
- MIDI in/out ports
- Sustain and Expression pedal ports
- V-LINK compatible
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Impulse is a range of professional USB/MIDI controllers. They each have a precision keyboard and a full control surface powered by a brand new version of Novation's Automap control software - Automap 4 (which makes getting hands-on with your DAW/plug-ins fast and simple). Impulse also has 8 back-lit drum pads which can warp arpeggios, roll beats and launch Live clips.
Impulse 49 unit
Length (mm) 846 (Inches) 33.3
Width (mm) 332 (Inches) 13
Height (mm) 100 (Inches) 3.93
Weight (kg) 5 (lb) 11.02
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Forty-nine full-size, expressive, touch-sensitive keys are accurate enough to capture the most subtle musical performance, but rugged enough to withstand the most heavy-handed playing styles. Pitch-bend and modulation controls give you the ability to add subtle nuances in real-time. The assignable Data slider can become any available MIDI controller from volume, to reverb, to pan position. Add a DP-series pedal, and you have complete control over the sound's sustain/hold. Its extended battery operation and ultra-light weight make the PC-180 a perfect choice for a mid-sized controller for the traveling musician. If you need full control and expression from your controller in a compact and affordable keyboard design, look no further than the Roland PC-180.
Now available in stylish champagne gold finish and packaged complete with Steinberg Cubasis AV sequencing software, the new PC-180 MIDI keyboard controller from Roland ED represents the finest 49-key MIDI keyboard at a great price.
- 49-key velocity-sensitive keyboard controller
- Octave-shift & MIDI Select
- Assignable DATA Slider
- Pitch/Modulation Wheel
- General MIDI/Roland GS sound map-ready
- Steinberg Cubasis AV sequencing software (PC and Mac)included
- Battery-powered + AC Adapter included
Note to PC users:
Cubasis AV is only Windows 98/Me compatible.
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monotron DELAY key features:
Space Delay with Time and Feedback controls offers analog-style echoes
New Pitch LFO with selectable Waveshape, Rate, and Intensity controls
VCF with Cutoff Control
Wide-range ribbon controller keyboard
Original Analog (VCF) Filter taken from the classic MS-10 & MS-20
Aux input jack lets you apply filter and delay to any audio source
Built-in speaker and battery power for Go Anywhere Analog sound
Headphone jack for private use
Classic Analog Synth / Space Delay Combination
A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The monotron DELAY is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter, and LFO, it also provides a Space Delay that's indispensable for swooping, cosmic sounds. The monotron DELAY even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. As with the filter, the delay effect can be added to any external sound via the Aux In jack. This fat and warm delay will add an authentic edge to your analog sounds!
Dual-Waveform LFO
The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes – a new square wave plus the traditional triangle wave. Both the Rate (Speed) and the Intensity (Depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.
Wide-Range Ribbon Keyboard
The monotron DELAY's ribbon controller keyboard features a wide, four-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the monotron DELAY a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron DELAY ideal for delivering a striking visual impact in nearly any club environment.
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