Whether you’re recording in the studio, taking direct output feeds off of an analog mixer, or using it live onstage, the MOTU Ultralite AVB gives you the flexibility and low latency you need. Like the rest of MOTU’s popular AVB-equipped audio interfaces, the Ultralite AVB lets you send and receive analog and digital audio across […]
Whether you’re recording in the studio, taking direct output feeds off of an analog mixer, or using it live onstage, the MOTU Ultralite AVB gives you the flexibility and low latency you need. Like the rest of MOTU’s popular AVB-equipped audio interfaces, the Ultralite AVB lets you send and receive analog and digital audio across a standard network. The internal mixer also includes all kinds of DSP processing, summing, and routing options too, and between its high-speed USB 2.0 connectivity and additional optical I/O, you can easily expand the capabilities of your MOTU Ultralite AVB.
Versatile I/O for the flexibility you need
Powerful built-in effects and routing
Imagine the possibilities with AVB expansion
The Ultralite AVB follows this legacy without fail, packing plenty of great-sounding inputs and outputs into a fantastically affordable mobile unit. This includes a 10-in/6-out analog I/O with two stellar microphone preamps, two HiZ guitar inputs, and a 117dB dynamic range that stands up to some of the most impressive gear on the market. On top of that, the Ultralite AVB offers you digital inputs via optical I/O and MIDI in and out for your keyboard or other MIDI controllers.
The onboard DSP mixer offers a number of advantages you’ll find useful in a variety of settings, such as when you’re connected via USB or using the Ultralite AVB in a standalone format. This digital mixer supports up to 48 inputs (via AVB expansion) and 12 stereo busses, allowing you to set up extremely complex routing schemes completely independent of your computer.
In fact, if you connect a wireless router to your Ultralite AVB, you can access all of its internal mixing functions via an app on your iOS device or any device connected to your WiFi network, turning this powerful audio interface into a fully capable standalone mixer.
Speaking of onboard processing and effects, whether you’re in the studio or onstage with your Ultralite AVB, you’ll find a ton of uses for its DSP EQ, compression, gate, and reverb including the built-in accurate model of the legendary LA-2A optical compressor which provides vintage, musical automatic gain control.
Χαρακτηριστικά:
18 x 18 audio interface with 36 simultaneous audio channels
Analog I/O includes 2 mic inputs, 2 guitar inputs, 6 line inputs
8 line outs including dedicated main left and right outputs
Convenient front panel headphone output with its own volume knob
Optical I/O gives you 8 channels of digital input and output
48-channel DSP-fueled onboard mixer gives you the added benefit of EQ, compression, and effects
Web app control from any device with CueMix
Onboard effects processing gives you vintage-modeled reverb, an LA-2A compressor, and British analog console EQs
Flexible matrix routing and splitting lets you send any input to any output
Mixer lets you control routing to and from your computer plus other networked AVB devices
Includes AudioDesk recording software for Mac and Windows
Weight
2.00 kg
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Whether you're recording in the studio, taking direct output feeds off of an analog mixer, or using it live onstage, the MOTU Ultralite AVB gives you the flexibility and low latency you need. Like the rest of MOTU's popular AVB-equipped audio interfaces, the Ultralite AVB lets you send and receive analog and digital audio across a standard network. The internal mixer also includes all kinds of DSP processing, summing, and routing options too, and between its high-speed USB 2.0 connectivity and additional optical I/O, you can easily expand the capabilities of your MOTU Ultralite AVB.
Versatile I/O for the flexibility you need
Powerful built-in effects and routing
Imagine the possibilities with AVB expansion
The Ultralite AVB follows this legacy without fail, packing plenty of great-sounding inputs and outputs into a fantastically affordable mobile unit. This includes a 10-in/6-out analog I/O with two stellar microphone preamps, two HiZ guitar inputs, and a 117dB dynamic range that stands up to some of the most impressive gear on the market. On top of that, the Ultralite AVB offers you digital inputs via optical I/O and MIDI in and out for your keyboard or other MIDI controllers.
The onboard DSP mixer offers a number of advantages you'll find useful in a variety of settings, such as when you're connected via USB or using the Ultralite AVB in a standalone format. This digital mixer supports up to 48 inputs (via AVB expansion) and 12 stereo busses, allowing you to set up extremely complex routing schemes completely independent of your computer.
In fact, if you connect a wireless router to your Ultralite AVB, you can access all of its internal mixing functions via an app on your iOS device or any device connected to your WiFi network, turning this powerful audio interface into a fully capable standalone mixer.
Speaking of onboard processing and effects, whether you're in the studio or onstage with your Ultralite AVB, you'll find a ton of uses for its DSP EQ, compression, gate, and reverb including the built-in accurate model of the legendary LA-2A optical compressor which provides vintage, musical automatic gain control.
Χαρακτηριστικά:
18 x 18 audio interface with 36 simultaneous audio channels
Analog I/O includes 2 mic inputs, 2 guitar inputs, 6 line inputs
8 line outs including dedicated main left and right outputs
Convenient front panel headphone output with its own volume knob
Optical I/O gives you 8 channels of digital input and output
48-channel DSP-fueled onboard mixer gives you the added benefit of EQ, compression, and effects
Web app control from any device with CueMix
Onboard effects processing gives you vintage-modeled reverb, an LA-2A compressor, and British analog console EQs
Flexible matrix routing and splitting lets you send any input to any output
Mixer lets you control routing to and from your computer plus other networked AVB devices
Includes AudioDesk recording software for Mac and Windows
The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.
The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.
Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.
The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more) * Bus-powered USB 2.0 connection for maximum mobility * Professional-grade circuitry and converters deliver exceptional audio performance * Up to 24-bit, 96 kHz sample rates * Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound * Built-in guitar tuner * Onboard DSP offers flexible cue mixing and reverb effects * Assignable Pro Tools multi-function button on interface gives you fast access to software functions * Hardware configuration: o 4 x 4 simultaneous channels of I/O o 2 XLR mic/line combo inputs with 48 V phantom power o 2 1/4” DI inputs on front panel for easy access o 2 balanced 1/4” monitor outputs o 1 1/4” stereo headphone output with volume control o Stereo S/PDIF digital I/O o 1 MIDI input, 1 MIDI output o Monitor control section with Mono and Dim controls o Dedicated monitor volume knob
Pro Tools LE Software Pro Tools 8 Software
The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing * 48 simultaneous stereo audio tracks (expandable with Toolkit options) * Includes over 70 professional effects and virtual instruments * Professional MIDI sequencing with dedicated MIDI Editor window * Integrated Score Editor based on award-winning Sibelius notation software * Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks * Unique Beat Detective LE automatic groove analysis and correction tool * ReWire support for streaming your favorite applications right into Pro Tools * Huge selection of compatible third-party plug-ins and software options * Works on Windows and Mac computers
System Requirements Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard) * 1 GB RAM (2 GB recommended) * 6 GB free disk space * Intel® processor (no PowerPC® support) * One USB port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit * 1 GB RAM (2 GB recommended) * 5 GB free disk space * One USB port
Compatibility ASIO, Core Audio, WDM, MME, and multi-client drivers
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
Electret condenser mic input
RCA phono type and optical-digital audio I/O
Headphone output
USB powered – no AC adapter required
SONAR LE for music recording, editing, and publishing on PC
Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
Number of Audio Record/Playback Channels
Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only
Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
Nominal Input Level
Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
Nominal Output Level
Line output jacks: -10 dBu
Interface
USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format.
USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: (1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Power Supply
Supplied from the computer
Current Draw
200 mA
Accessories
Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
Size and Weight
Width
160 mm
6-5/16 inches
Depth
58 mm
2-5/16 inches
Height
28 mm
1-1/8 inches
Weight
165 g
0 lbs. 6 oz.
The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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