Native Instruments Komplete Audio 2 Audio Interface

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Komplete Audio 2 Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the […]

 

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Komplete Audio 2

Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight.

NAMM 2019: Komplete Audio 1 and 2 affordable USB audio interfaces

Approximate reading time: 2 Minutes

Native Instruments Komplete Audio 2  ·  Source: Native Instruments

Native Instruments Audio 2  ·  Source: Native Instruments

Native Instruments Audio 1  ·  Source: Native Instruments

Previous Next

The Komplete Audio 6 is one of the best performing USB audio interfaces and has been a decent purchase ever since it was released in 2011. 8 years later Native Instruments finally get around to building a couple more interfaces along similar lines. The Komplete Audio 1 and Komplete Audio 2 are designed to be simple, entry-level interfaces and they look quite tidy.

Komplete Audio 1

First up is the imaginatively named Komplete Audio 1. It has 1 XLR microphone input and 1 regular jack input for instrument or line level. Outputs are on RCA phono for connecting to your hi-fi speakers and a headphone output with its own level control. It’s got some sweet VU LED meters on the top and a lovely big volume knob like the Audio 6 before it. It has direct monitoring and an input/host mix knob so you can hear playback while recording. Simple, elegant, USB powered, good quality recording and playback for your computer or laptop.

Native Instruments Audio 1

Komplete Audio 2

Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight.

Native Instruments Audio 2

Software

With either interface you get a good bundle of software including full Maschine software and Ableton Live 10 Lite.

  • Replika
  • Solid Bus Comp
  • Phasis
  • Monark
  • Maschine Essentials (full Maschine software with a limited Factory Library)
  • Ableton Live 10 Lite
Weight 0.60 kg

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Quick Comparison

Native Instruments Komplete Audio 2 Audio Interface removeLEXICON I-ONIX U22 Audio Interface 2in/2out removeMOTU 8 Pre USB - 16 x 12 FireWire audio interface removeESI U-46XL USB Sound Card removeEDIROL FA-66 24Bit/192kHz FireWire Audio Capture removeYAMAHA GO 46 FIREWIRE AUDIO-MIDI INTERFACE remove
NameNative Instruments Komplete Audio 2 Audio Interface removeLEXICON I-ONIX U22 Audio Interface 2in/2out removeMOTU 8 Pre USB - 16 x 12 FireWire audio interface removeESI U-46XL USB Sound Card removeEDIROL FA-66 24Bit/192kHz FireWire Audio Capture removeYAMAHA GO 46 FIREWIRE AUDIO-MIDI INTERFACE remove
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SKUNI/EM/000100IONIX U228preJ08ES00028FA66GO46
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Description
ContentKomplete Audio 2 Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight. NAMM 2019: Komplete Audio 1 and 2 affordable USB audio interfaces Approximate reading time: 2 Minutes Native Instruments Komplete Audio 2  ·  Source: Native Instruments Native Instruments Audio 2  ·  Source: Native Instruments Native Instruments Audio 1  ·  Source: Native Instruments Previous Next The Komplete Audio 6 is one of the best performing USB audio interfaces and has been a decent purchase ever since it was released in 2011. 8 years later Native Instruments finally get around to building a couple more interfaces along similar lines. The Komplete Audio 1 and Komplete Audio 2 are designed to be simple, entry-level interfaces and they look quite tidy. Komplete Audio 1 First up is the imaginatively named Komplete Audio 1. It has 1 XLR microphone input and 1 regular jack input for instrument or line level. Outputs are on RCA phono for connecting to your hi-fi speakers and a headphone output with its own level control. It’s got some sweet VU LED meters on the top and a lovely big volume knob like the Audio 6 before it. It has direct monitoring and an input/host mix knob so you can hear playback while recording. Simple, elegant, USB powered, good quality recording and playback for your computer or laptop. Native Instruments Audio 1 Komplete Audio 2 Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight. Native Instruments Audio 2 Software With either interface you get a good bundle of software including full Maschine software and Ableton Live 10 Lite.
  • Replika
  • Solid Bus Comp
  • Phasis
  • Monark
  • Maschine Essentials (full Maschine software with a limited Factory Library)
  • Ableton Live 10 Lite

Features:

USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out

Technical Specifications

Microphone Inputs:    Female XLR Pin 2 Hot
Input Impedance:    3kΩ balanced
Phantom Power:    +48 Volts
Maximum gain:    +58 dB
E.I.N. (at max gain):    -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level:    +21 dBu at minimum gain
Frequency Response:    +0/-1 dB, 20Hz - 20kHz
THD+N:    +18 dBu maximum
Impedance:    32Ω Balanced, 16Ω Unbalanced
Headphone Output:    1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface:    5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate:    44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range:    A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements:    12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU

Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system.

The 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces.

The 8pre as your primary audio interface

Use the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I/O at any sample rate up to 96kHz.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8preʼs main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console™ software, just like a large studio console.

The 8pre includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software.

The 8pre provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

The 8pre as a microphone preamp expansion interface

The 8pre is really two products in one. When it is not connected to a computer via FireWire, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical "lightpipe” connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

The 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828mkII, 896HD or Traveler, the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit — even when the host interface is not connected to a computer and is instead operating as a stand-alone mixer.

If you have a 2408mk3, digital mixer or other audio device that supports 96kHz optical and also has two optical inputs, the 8pre connects to it via both optical ports to provide a full eight channels of analog to optical conversion at the 88.2 or 96kHz sample rates.

he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.

As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.

The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.

A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.

U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.

for great-sounding audio on the "GO."

Yamaha GO46 FireWire Audio/MIDI Interface At a Glance
Premium Mic Pres and Inputs
FireWire Connectivity
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI

Premium Mic Pres and Inputs
The GO46 features combo mic/line terminals (for both XLR and phone jack)
 on the front panel. Phantom power is also available and independently
switchable for each input channel. In other words, you can use a condenser
microphone on channel 1 with phantom power switched on to capture the
delicate sounds of a vocal while simultaneously recording an electric/acoustic
guitar plugged into channel 2. These combo inputs are captured at up to 24-bit/
192kHz resolution. This pro-level quality makes the GO46 perfect for any type
of recording, and allows you to capture the full details and nuances of the
original source - from the breathiness of a vocal to the delicate finger slides of
an acoustic guitar performance.

FireWire Connectivity
The FireWire equipped GO46 not only offers the convenience of one plug
connection to a computer, but the GO46 can be powered via bus power
from the FireWire port. Connect the GO46 to the FireWire terminal of a
laptop and you've got and extremely powerful and portable recording studio
that will fit in a backpack. This is also great for using the GO46 in places
where electrical outlets can be scarce, like local clubs.

Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
In order to maximize the flexibility of the GO46, Yamaha included virtually
any kind of connection you might need on location recording gigs. Two
insert points allow for connection to outboard gear like compressors or EQs.
MIDI in/out allows for connection of MIDI sound modules or instruments.
S/PDIF jacks are great for inputting digital signal from another interface or
throughputting the GO46 signal to a digital mixer, separate digital recorder,
or any other digital device.

Yamaha GO46 Features:
FireWire (IEEE1394)
Durable aluminum die cast body
2 x Premium Quality Mic pre amps with XLR/Combo connectors
Phantom Power ( +48V ) switch for each connector
2 x Insert connectors for analog inputs
1 MIDI In/ 1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
Included Cubase LE, HALion SE, and Groove Agent SE

Weight0.60 kg2.00 kg4.00 kg1.36 kg0.70 kg1.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.60 kg
Weight 2.00 kg
Weight 4.00 kg
Weight 1.36 kg
Weight 0.70 kg
Weight 1.50 kg