Komplete Audio 2 Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the […]
Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight.
NAMM 2019: Komplete Audio 1 and 2 affordable USB audio interfaces
The Komplete Audio 6 is one of the best performing USB audio interfaces and has been a decent purchase ever since it was released in 2011. 8 years later Native Instruments finally get around to building a couple more interfaces along similar lines. The Komplete Audio 1 and Komplete Audio 2 are designed to be simple, entry-level interfaces and they look quite tidy.
Komplete Audio 1
First up is the imaginatively named Komplete Audio 1. It has 1 XLR microphone input and 1 regular jack input for instrument or line level. Outputs are on RCA phono for connecting to your hi-fi speakers and a headphone output with its own level control. It’s got some sweet VU LED meters on the top and a lovely big volume knob like the Audio 6 before it. It has direct monitoring and an input/host mix knob so you can hear playback while recording. Simple, elegant, USB powered, good quality recording and playback for your computer or laptop.
Native Instruments Audio 1
Komplete Audio 2
Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight.
Native Instruments Audio 2
Software
With either interface you get a good bundle of software including full Maschine software and Ableton Live 10 Lite.
Replika
Solid Bus Comp
Phasis
Monark
Maschine Essentials (full Maschine software with a limited Factory Library)
Ableton Live 10 Lite
Weight
0.60 kg
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Komplete Audio 2
Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight.
NAMM 2019: Komplete Audio 1 and 2 affordable USB audio interfaces
Approximate reading time: 2 Minutes
Native Instruments Komplete Audio 2 · Source: Native Instruments
Native Instruments Audio 2 · Source: Native Instruments
Native Instruments Audio 1 · Source: Native Instruments
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The Komplete Audio 6 is one of the best performing USB audio interfaces and has been a decent purchase ever since it was released in 2011. 8 years later Native Instruments finally get around to building a couple more interfaces along similar lines. The Komplete Audio 1 and Komplete Audio 2 are designed to be simple, entry-level interfaces and they look quite tidy.
Komplete Audio 1
First up is the imaginatively named Komplete Audio 1. It has 1 XLR microphone input and 1 regular jack input for instrument or line level. Outputs are on RCA phono for connecting to your hi-fi speakers and a headphone output with its own level control. It’s got some sweet VU LED meters on the top and a lovely big volume knob like the Audio 6 before it. It has direct monitoring and an input/host mix knob so you can hear playback while recording. Simple, elegant, USB powered, good quality recording and playback for your computer or laptop.
Native Instruments Audio 1
Komplete Audio 2
Slightly more exciting is the bonus featured Komplete Audio 2. This has twin XLR combi inputs so you could record two mics, or stereo line sources, or two instruments or a mix of those possibilities. The outputs have been upgraded to proper jacks but everything else is the same. It’s even the same size and weight.
Native Instruments Audio 2
Software
With either interface you get a good bundle of software including full Maschine software and Ableton Live 10 Lite.
Replika
Solid Bus Comp
Phasis
Monark
Maschine Essentials (full Maschine software with a limited Factory Library)
Ableton Live 10 Lite
Yamaha AUDIOGRAM3 Computer Recording System Specifications:
Mic/Hi-Z input: 1
Audio Format: USB AUDIO 1.1, 16bit/44.1kHz
Combo Connectors: 1
Stereo In connectors: Phone connector x 2 (L/MONO x 2, R x 2)
USB Connector: To Host x 1
Headphone connector: Stereo Phone connector x 1
Stereo Out connector: Phone connector x 2 (L, R)
Power Supply: USB powered
Dimensions (W x H x D): 180 mm x 61 mm x 112 mm (7-1/8" x 2-3/8" x 4-3/8“)
Accessories: CUBASE AI DVD, Owner's Manual, USB Cable
System Requirements
Windows Vista
Windows-based computer with built-in USB interface
CPU: Intel CPU / Macintosh G3 processor 300 MHz or better
Memory: More than 128MB
Cubase AI4 System Requirements:
Windows
OS: Windows XP Professional SP1 / XP Home Edition SP1 / Windows Vista (32-bit)
CPU: Intel Pentium 1.4GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
Audio Interface: Windows DirectX / ASIO compatible
Macintosh
OS: Mac OS X 10.4 or higher
CPU: Power Mac G4 1GHz or Core Solo 1.5GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
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