Rugged condenser microphone for pick-up of wind instruments, drums, and percussions. Ideal for studio recording and live applications.Shock-reducing rubber spring clamp, miniature gooseneck, can be turned by 230° and allows for optimum adjustments. Cardioid pickup pattern for effective feedback elimination. Special shock-absorbing cartridge support. Balanced XLR output. Requires +48 V phantom power. Incl. windshield. Supplied […]
Rugged condenser microphone for pick-up of wind instruments, drums, and percussions.
Ideal for studio recording and live applications.Shock-reducing rubber spring clamp,
miniature gooseneck, can be turned by 230° and allows for optimum adjustments.
Cardioid pickup pattern for effective feedback elimination. Special shock-absorbing
cartridge support. Balanced XLR output. Requires +48 V phantom power. Incl. windshield.
Supplied in stable transport box.
Χαρακτηριστικά:
Κάψα: Πυκνωτική
Πολικό Διάγραμμα:Cardioid
Συχνοτική Απόκριση:50 Hz – 18 kHz
Ευαισθησία:-
Πρόσθετα Χαρακτηριστικά:windshield
Χρήση:wind instruments, drums, and percussions
Weight
1.00 kg
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Rugged condenser microphone for pick-up of wind instruments, drums, and percussions.
Ideal for studio recording and live applications.Shock-reducing rubber spring clamp,
miniature gooseneck, can be turned by 230° and allows for optimum adjustments.
Cardioid pickup pattern for effective feedback elimination. Special shock-absorbing
cartridge support. Balanced XLR output. Requires +48 V phantom power. Incl. windshield.
Supplied in stable transport box.
Χαρακτηριστικά:
Κάψα: Πυκνωτική
Πολικό Διάγραμμα:Cardioid
Συχνοτική Απόκριση:50 Hz - 18 kHz
Ευαισθησία:-
Πρόσθετα Χαρακτηριστικά:windshield
Χρήση:wind instruments, drums, and percussions
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
Extended frequency response
Low self noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.
New volume control knob allows musicians to adjust the volume to fit each musical situation
New rugged, dynamic cartridge with improved response
The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.
Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual
Technical Data
Pick-up pattern supercardioid
Frequency response 40...18000 Hz
Sensitivity in free field, no load (1kHz) 2,2 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 55 x 34 x 134 mm
Weight 140 g
Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
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Wind / percussion instrument clip microphone 
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